The Beast of Yucca Flats

THE BEAST OF YUCCA FLATS is a classic "good bad movie." Big Tor Johnson is a Russian scientist who is transformed into a choke-happy maniac after an A-bomb test. With two of the blandest rangers imaginable hot on his trail, the "beast" makes caveman noises, takes a nap, chases after children with a stick and, in an uncontrollable fit of rage, tosses a rock.

While Tor's indescribable performance is enough to fill one bad movie, there are plenty of other "highlights". For one, the film was shot as a silent, with audio (including some incredibly cheesy "suspense" music) added in post-production. The voice-overs are every bit as unconvincing as the acting. It's impossible to watch the characters interact and not picture someone sitting in front of a microphone, indifferently reading from a script.

Secondly, the film has plot holes so big not even Tor's supper could fill them. The opening scene, for instance, depicts someone (presumably the beast) murdering an innocent woman. But it's prior to Johnson's transformation, and the maniac never leaves Yucca Flats. So who did the deed? And why is it so easy for these characters to get so close to an atomic testing site? And why can't the rangers manage to climb a summit so non-challenging that a couple of young boys have no problem? I guess it helps not to be so inquiring.

The absolute best (or worst?) part of this film is the inane "narration" by director Coleman Francis. With so much silence to fill, it often sounds like Francis is just making things up as he goes along, hoping to sound deep, sophisticated and poetic. An example: "Boys from the city, not yet caught by the whirlwind of progress, feed soda pop to the thirsty pigs." Or: "Touch a button, things happen. A scientist becomes a beast." But just reading such quotes don't do them justice. They really have to be heard, in Coleman's serious-toned voice, to be believed.

And what about the "beast"? Despite the title, Johnson isn't much of one. He looks pretty much like the regular Tor Johnson, save for some "puffy burn" makeup. I was expecting some phony-looking rubber monster. Nor does this beast really do beastly things. He just chokes (or tries to choke) people and makes caveman noises. In the personality department, he makes Frankenstein's monster look like Freddy Krueger.

What's most amazing about THE BEAST OF YUCCA FLATS is that it was a big screen release. People paid money to see this, and in its day, more than a few presumably had to cover their eyes at the sheer horror. The budget was said to be around $34,000, but you'd be hard-pressed to find where even that minute amount went. It looks a group of friends just got together one weekend to have some fun with their new film recorder. Consider the rabbit who hopped onto the set toward the end of filming. Francis just went with the unscripted moment as the rabbit investigated Johnson, who at that point was supposed to be dead but is revived long enough to kiss the animal (what's that about?) before again losing consciousness. It's reminiscent of your family's home videos when the camera suddenly jerks away from little Jimmy roasting marshmallows to an impromptu moment in the background: "Look! A rabbit!"

Love it or hate it, THE BEAST OF YUCCA FLATS is truly unlike anything we've ever seen or will see again. Though it may take more than one viewing to fully appreciate the ineptness, its ridiculousness will stay with you. Recommended for anyone whose gut hurt after PLAN 9 FROM OUTER SPACE.

There is something very Zen-like about "Beast of Yucca Flats". The vast lingering views of the desert Southwest. The odd disconnected dialogue that sounds completely disembodied. The haiku like narration.

It is in the spirit of Coleman Francis' narration that I now give impressions of the film: A clock ticks. A beautiful girl. A hidden killer. The clock stops. There is no connection.

The vast desert. A plane lands. Joseph Javorski, noted scientist. Joseph Javorski, who looks like he could eat whole pigs, has the fate of the world in his briefcase. The Kremlin's best make him a target. The wheels of progress grind on.

A chase. Bullets. Murder. Flag on the Moon...how did it get there? A bomb. More progress. Touch a button, something happens. A scientist becomes a beast.

Figures in a landscape. Who knows how long we really have? Joe and Jim, desert patrolman. They guard freedom and democracy 24/7 in this landscape. A beast is on the loose. Joseph Javorski, once a noted scientist, now...nothing.

There is no progress in the desert. Yet its effects are everywhere. Man's progress. Quench the killer's thirst. A family stops for a rest. The beast appears. A terrible mistake. Policemen with quick guns and the minds of swine. An innocent man dies. Who cares? Two boys feed soda pop to thirsty pigs. It's progress, you know.

Confrontation. A fight that is not a fight. A gun with no bullets fires. Joseph Javorski, noted scientist, becomes rabbit food. The wheels of progress grind on. End.

The viewer's mind becomes nothing. What have we seen? Who believes in flying saucers? Coleman Francis. The name lingers on. The lonely cry of desert winds. I love the movies.

A confusing and mind melting mess of a film. They don't make them like this anymore! Tor Johnson's chance to star! Tor, as you may know, was a professional wrestler who went on to fame in Ed Wood, Jr. films like Bride of the Monster and Plan Nine from Outer Space. His huge build, like a human wall, and his bald head became famous. They still sell Halloween masks with his image!

In this film atrocity, he plays an atomic scientist on the run! Watch how government agents empty their guns shooting at him at close range, but can't hit his huge 400 pound body! If fact people are repeatedly shot in this film without any effect whatsoever. The film is most famous for its near total lack of dialogue, as an off screen narrator tells the audience what is going on and endlessly babbles cryptic philosophical insights on the modern world. Out of nowhere the narrator says things like "Flag on the Moon, how did get there?" "Young boys feed soda to the thirsty pigs."

The "plot" has Tor accidently stumbling into an atomic bomb test (funny how that happens), getting his clothes ripped up in the process, and then becoming a sort of hermit like desert cave dweller with a big stick. He likes to grab women, carry them around, and lick their hair. There are some other plot elements, but they don't make much sense. In fact, nothing in this movie makes much sense. Perhaps its all meant to be "art" and if so, its a lot more fun than any Andy Warhol film ever was. I would love to make serious film students watch and study Beast of Yucca Flats to learn its cinematic techniques and digest its social commentary.

The long version of the movie contains a nude scene at the beginning. Yes, the film drags in places, but its a unique and unforgettable work.

The towering presence of "Swedish Angel" Tor Johnson and laughable narration that sounds at times like some kind of oriental poetry fail to make this film more than barely watchable. There is no real dialogue (presumably the producers couldn't afford a travelling microphone) -- all the dialogue is postdubbed with the actors conveniently turning their heads away when the speak! -- or story, and the only effects are a guy parachuting off a helicopter and Johnson in pancake makeup. Still, a somehow amusing low-budget film filled with friends and associates of the late great Ed Wood.

Tor Johnson is probably best remembered for his starring in the so-called "worst movie ever made" Plan 9 from Outer Space! Well, the people who voted this obviously never saw The Beast of Yucca Flats! Ed Wood's Plan 9 is an authentic masterpiece compared to Coleman Francis' unendurable work of art. As most of my fellow-reviewers already pointed out: everything that can go possibly wrong in a movie features here…times ten! Even though the story only lasts 54 minutes, it's one of the most tedious experiences I ever had to sit through! Johnson plays a devoted scientist (oh yeah, he really looks like one) chased by cops (why? You tell me…) into a radiation test-area. There, he transforms into some sort of Hulky monster that goes on a lame prowl in the desert. What follows is a hilarious attempt by Francis to create tension and confusion, as he shows cops hunting down the wrong person (for 10 minutes!) and Johnson chasing two young boys that got lost in the wastelands. There's as good as no dialogue in the film, only Francis' own voice-over. And I guarantee you'll be wishing him dead after approximately 15 minutes. He talks the biggest nonsense (example: "Touch a button. Things happen. A scientist becomes a beast") and personally introduces you to even the most meaningless side-character! Argh, the humanity!! The spontaneously improvised ending (featuring Johnson kissing a baby rabbit) just stresses how ingeniously awful this production actually is. Oh well, at least it's bad in a fun way. Most of the time, you can't figure out whether to pity or worship everyone involved in this film. Johnson wisely decided to quit his acting career after this but Coleman Francis ambitiously persisted chasing his dreams and delivered the – even worse – film "Night Train to Munde Fino" in 1966. His cinema career regretfully ended with guest appearances where he got credited as "Fat drunk" or "1st man"… What a damn shame! Believe the public opinion on this one, folks! It really is awful