La Bataille de Bloody Beach

Audie Murphy was actually a better actor than he was usually given credit for--he did excellent work in "The Red Badge of Courage" and his own biography, "To Hell and Back"--but you couldn't tell by this low-rent war picture. Murphy pretty much walks through the picture, although co- star Alejandro Rey tries to breathe some life into it. The sloppy direction, poor script, overacting by Gary Crosby (as usual), tired performance by a tired-looking Dolores Michaels and its overall cheesiness combine to make this picture definitely one of Murphy's lesser efforts. A burst of not particularly well done action at the end can't really save it. The ending is predictable, trite and not even remotely believable. Overall, pretty much of a dud.

I am very surprised that Audie Murphy agreed to star in "Battle at Bloody Beach", as he had a very bad case of PTSD after fighting in WWII. Sure, he earned more medals than any other American in the war, but he also paid a huge price...and his PTSD was so bad it contributed to his first marriage dissolving. So, in light of his mental illness, it's not 100% surprising that he had a few other troubles in life...including many financial ones. It was so bad that after a while, he went from making relatively high budgeted films (mostly westerns) to making cheaper and cheaper movies. "Battle at Bloody Beach" is certainly one of the cheaper ones.

A few signs this is a very cheap movie is that instead of filming it in the Philippines, they chose nearby Catalina Island...just a short distance from Hollywood. Another is that the women in the movie all sport 1961 hair (particularly the lead) and they made little attempt to make it look like a period piece. Additionally, Murphy is given little in the way of support...with mostly unknowns and Gary Crosby, who, at the time, wasn't exactly a star.

The story is set around late 1943-sometime in 1944. Craig Benson (Murphy) is on a mission where he is going island to island recruiting the locals for the insurgency against the Japanese. At the same time, and a VERY weak part of the film, is that he's also looking for his wife who got separated from him at Manila at the beginning of the war. And, naturally, he finds her here...which seems pretty ridiculous. But there are problems...and the mission ends with a bloody battle on the beach...hence the film's title.

I agree with the one review that describe this as a stiff and talky picture--it is. I think a bit more action might have helped and less of the love story as well. Still, it's not a terrible low budget film...just one that's easy to skip.

By the way, two bad things that stood out where the scene was when one of the insurgents yells out "NO!! Blanco ends here" as he pretty much throws away his life instead of getting on the boat with everyone else. The other, and I'm surprised that Murphy didn't complain about this, is that they are fighting the Japanese with Browning Automatic Rifles...a sort of rifle/submachine gun hybrid. It could fire, at most, 20 rounds...but here you never see anyone reloading and they are firing it on full automatic most of the time instead of in single-shot mode. I'm not a big expert on guns but have fired the BAR and know the film didn't seem to care if it was being used realistically or not. Of course, perhaps Murphy DID say something but the director simply didn't care. Who knows?

Battle at Bloody Beach was one of Audie Murphy's attempts to get away from the western casting where he did so well and should have stayed in his career. It bears some resemblance to John Wayne's Back to Bataan and Tyrone Power's An American Guerrilla in the Phillipines in subject matter.

But the latter had the advantage of great color cinematography and was shot in the actual scenes of the Phillipines. This particular cheapie was done on Catalina, it looks like it was done over a couple of long weekends.

The plot as it were has Murphy as an American running supplies to the Filipino insurrectionists and discovering his wife, Dolores Michaels believing he was dead, having taken up with Filipino guerrilla Alejandro Rey both politically and personally. That leads to some tense moments as Murphy leads some refugees away from the oncoming Japanese.

The battle itself is the climax as Murphy with Gary Crosby and assorted help mows down row after row of charging Japanese. Now why the Japanese commander didn't size up the situation and wait for some artillery before getting all his troops slaughtered in a charge is a mystery to me.

I'll be willing to bet that somewhere in the financing of this film was Gary's father who was always doing things like that for his sons. Good thing Bing had the sense to keep his name off the credits if he did.

I've often wondered how WWII action flicks played with audiences of the early 1960s--did movie-goers still feel patriotic about them or was there a sense that it was time to move on from stories pitting Americans against the ruthless Japanese? Here, married Audie Murphy sails the Pacific searching for his missing spouse, eventually finding her on an island in the Phillipines along with a band of Americans and Polynesians being threatened by the relentless Japanese army. In Audie's absence, his Mrs. has taken up the guerrilla fighter's cause--and with thin-but-swarthy soldier Alejandro Rey!--but when they're surrounded by bloodthirsty Japs, the group must put aside their differences long enough to survive. Typical war movie, though with the added pleasure of some campy action and not-bad black-and-white cinematography. Murphy was never much of an actor, but here his stolid manner is a relief from all the hysteria. The director shows absolutely no sympathy for the dead or the dying (on either side), but the central romantic situation is handled with surprising skill and the climactic battle, though hurt by choppy editing, is nevertheless involving. ** from ****

What is there to add regarding this cinematic failure? It has a lot to dislike, including it's terribly written script; vacant, dull and useless film space, and lack of convincing combat. Without a doubt, it is one of Audie Murphy's worst choices -- to act in this horribly boring, low budget flick.

Just why do well known actors do this? Maybe Audie was in dire need of the little cash this part provided him. I tell myself, had I known him personally, that I could have taught him how to manage his finances and to resist gambling. He could have been amazingly well situated, free from the need to pick up the spare change such cheap diversions earned him; but, we must not forget, he fought an inward battle as well with PTSD, which can halt a man's perspective of his entire history: past, present and future. He will do anything to attempt to rid himself of his thoughts when he's alone.

Still, we continue to hold Audie Murphy dear, and are always willing to give him praise and honor no matter his choices. Why? Because he truly was a hero. An inwardly torn one, for sure, yet still a notable figure.

Had someone in his life known more, maybe that person could have helped him, saved him from his own destructive thoughts and behaviors. Unfortunately, so little was truly understood of post traumatic stress disorder (PTSD) in those days, which, even today, men and women, victims of having experienced life in harm's way, continue to battle within themselves.

After working nearly thirty years in a VA hospital, I've seen men return home with it. Relationships suffer, insomnia takes a toll, and poor habits and addictions latch hold. Withdrawing from the world may also set in. Whatever the symptom, these men deserve our lasting respect and honor.