Le meilleur ennemi

This movie is one of my favorites. Niven is hilarious as is Sordi. They play off each other beautifully and the script is a laugher from beginning to end. Sordi's wide-eyed expressions and expressive Italian style complimented Niven's traditional Brit, "Jolly ho, Old Pip!" making a wonderful film. The soccer game between the Italians and Brits using a round Ethiopian basket is a classic scene. I love this film, have seen it at least a dozen times and will see it again every chance I get. Hey, join in and see it too. You will not be disappointed.

I saw this movie in Killeen, Texas just after I returned from Kagnew Station, an Army Base in, then, Ethiopia. I had visited Italian and English War Cemetaries in Asmara. The main battle took place near Keren.

The movie takes place some distance south of either city after the fall of Asmara. The scenery was accurate and must have been filmed in the proper area.

The interplay between the British and the Italians was quite accurate and enjoyable. An example of the situation presented was cited in Under the Red Sea Sun where the author found the Italian officers still carrying their sidearms in Asmara.

One of the most ironic scenes in the movie takes place when the mountain tops surrounding the group is dotted with 'shifta.' The 'shifta' were trained by the English to help overthrow the Italian rule, but became independent entrepreneurs, a la Jesse James, after the fall of Asmara.

As far as I know The Best Of Enemies is the only film ever done about a forgotten part of World War II, the campaign in Ethiopia. The first nation to fall to Fascist aggression is ironically the first liberated by it. When Ethiopia's capital Addis Ababa was captured by the British there was great rejoicing in the United Kingdom which at that point didn't have a lot to rejoice about. That incident is most important in the climax of the film.

David Niven and Albert Sordi play beautifully off against each other as they take turns being each other's prisoners. Neither is a professional soldier and that's important as discipline from both armies kind of breaks down as the two try to get back to the war from the back outposts of the Ethiopian desert that both small companies are stuck in.

I will say The Best Of Enemies does give credence that the Italians were not best of soldiers during World War II.

Best scene in the film is when the native Ethiopians surround both and want the weapons they have and prove to be better strategists than either commander. The native chief gives out with a timely warning about taking your white man's war back to your own countries.

The Best Of Enemies is a fine comedy with perfectly matched leads and even has some serious messages we should listen to.

The 'capture' sequence of the English patrol and the Italian patrol was filmed in Israel, a little way into the Negev Desert from the seaside town of Eilath.

I was an American student attending Tel Aviv University, on school break at the time, when the director of production hired me to play the role of the Ethiopian Bandit Chief who conducts the capture. However, one problem presented itself, though I was an 'African' American, I was not dark complected enough to play an Ethiopian!

The solution proposed was for me to 'live-on-the-beach' for a week until my skin was dark enough. This was the first and only time in my life that I was "paid to be Black!" Friends and family still chuckle about this singular 'experience' even today.

It is nigh on impossible not to like this film. It is not a 'classic' comedy by any means but cannot fail to raise a smile or two. It is all down to the casting of course. David Niven is pitch-perfect as a none-too-competent Major and the always excellent Alberto Sordi is an obvious choice following his role in Risi's tragi-comedy 'Everybody go Home'. There is marvellous support from Harry Andrews, David Opatoshu and Michael Wilding. We also have Michael Trubshawe who was known as Niven's 'mascot' and indeed gave his name to the pilot officer played by Robert Coote in Niven's best film 'A Matter of Life and Death'. Director Guy Hamilton also has the aid of an infectious score by Nino Rota and cinematography by one of the best in the business, Giuseppe Rotunno. Quite a few had a hand in the script not least the prolific duo of Age-Scarpelli. Peter Ustinov once observed that 'the army is the final repository of the fool'. The characters in this film certainly do nothing to contradict that view! The highlight is a touching scene between Niven and Sordi in which they show each other photographs of their loved ones. Rather than depicting the cruelty of war, this film simply depicts its absurdity.