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Atlantis, terre engloutie

Original title: Atlantis: The Lost Continent
  • 1961
  • Tous publics
  • 1h 30m
IMDb RATING
5.5/10
2.3K
YOUR RATING
Atlantis, terre engloutie (1961)
Watch Official Trailer
Play trailer2:51
1 Video
34 Photos
AdventureSci-Fi

Welcome to Atlantis, where royal guardsmen wear uniforms that could easily be from the wardrobe of Ming the Merciless and some unfortunate slaves are turned into bovine-headed beasts.Welcome to Atlantis, where royal guardsmen wear uniforms that could easily be from the wardrobe of Ming the Merciless and some unfortunate slaves are turned into bovine-headed beasts.Welcome to Atlantis, where royal guardsmen wear uniforms that could easily be from the wardrobe of Ming the Merciless and some unfortunate slaves are turned into bovine-headed beasts.

  • Director
    • George Pal
  • Writers
    • Daniel Mainwaring
    • Gerald Hargreaves
  • Stars
    • Sal Ponti
    • Joyce Taylor
    • John Dall
  • See production info at IMDbPro
  • IMDb RATING
    5.5/10
    2.3K
    YOUR RATING
    • Director
      • George Pal
    • Writers
      • Daniel Mainwaring
      • Gerald Hargreaves
    • Stars
      • Sal Ponti
      • Joyce Taylor
      • John Dall
    • 55User reviews
    • 21Critic reviews
  • See production info at IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:51
    Official Trailer

    Photos34

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    Top cast63

    Edit
    Sal Ponti
    Sal Ponti
    • Demetrios
    • (as Anthony Hall)
    Joyce Taylor
    Joyce Taylor
    • Antillia
    John Dall
    John Dall
    • Zaren
    William Smith
    William Smith
    • Captain of the Guard
    • (as Bill Smith)
    Edward Platt
    Edward Platt
    • Azor
    Frank DeKova
    Frank DeKova
    • Sonoy
    • (as Frank De Kova)
    Berry Kroeger
    Berry Kroeger
    • Surgeon
    Edgar Stehli
    Edgar Stehli
    • King Kronas
    Wolfe Barzell
    Wolfe Barzell
    • Petros
    Jay Novello
    Jay Novello
    • Xandros
    Paul Frees
    Paul Frees
    • Narrator
    • (voice)
    • …
    Nina Borget
    • Noblewoman
    • (uncredited)
    Chet Brandenburg
    Chet Brandenburg
    • Citizen
    • (uncredited)
    George Bruggeman
    George Bruggeman
    • Guard
    • (uncredited)
    Alan Callow
    • Norseman Slave
    • (uncredited)
    Charles Cirillo
    Charles Cirillo
    • Slave
    • (uncredited)
    Phyllis Douglas
    Phyllis Douglas
    • Girl
    • (uncredited)
    Dennis Durney
    • Norseman
    • (uncredited)
    • Director
      • George Pal
    • Writers
      • Daniel Mainwaring
      • Gerald Hargreaves
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews55

    5.52.2K
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    Featured reviews

    6sloopjohnb37

    Possibly one of the finest movies ever made - thanks, George Pal!

    Yes, yes. Actually, I encountered this movie first as a "comic book based on the movie" when I was 11 years old (in 1961). That comic book really made an impression on me! (Money well-spent from my paper route). Anyway, the part I like best is where the Atlanteans are making men into beasts by grafting snouts and horns onto them. Impressive! I can't work out whether its "Island of Dr Moreau meets Ulysses" or "Pinochhio meets Jason and the Argonauts". However, all of that doesn't really matter. Let's just say they don't make em like this no more. Stiff, Biblical-epic-style acting abounds.

    Three cheers for George Pal!
    5de_niro_2001

    Fantasy or Allegory?

    I thought this film would be a bit of a turkey but it turned out to be very entertaining. There are echoes of the same director's The Time Machine and The War of the Worlds in it. It combines sci-fi with Greek mythology very well. Although it is very much a fantasy film the pre-title sequence where the narrator talks about the things in the Old World and the New whose similarity which must be more than coincidental is quite thought provoking and you wonder what the real reason was for there being cave paintings of elephants in America and paintings of witches being similar on both sides of the Atlantic. It was made in the early sixties and it seems also to be making a statement about nuclear power with one crystal being used for lighting and heat and another being used for destruction. That scene seems to be a veiled warning about controlling our technology and not letting it run away. The rulers of Atlantis seem also to be a metaphor for the Nazis with their ideas of racial superiority and their desire to conquer the world together with their use of slave labour. A good film for all the family.
    7thinker1691

    "There is nothing beyond the Pillars, the World Ends there"

    Every since I was a boy, the works of George Pal has always been an inspiration. I can recall as a child, waiting patiently for his TV programs involving his enormously popular Puppet-toons. His films always touch the core of movie fans' imagination with such classics as, 'The Naked Jungle', 'The War of the Worlds' and my all time favorite, 'The Time Machine'. In this film, Pal reaches deep into the human Psyche and selects a fabulous story which originates in the ancient scrolls of Plato. Here a Greek Fisherman, Demetrios (Anthony Hall) nets a strange woman who claims to be from the mythical island of Atlantis. Unable to prevent her, she returns home where the Fisherman becomes a prisoner of the mightiest kingdom of all time. Promising himself, he will yet escape his chains, Demetrios meet Xandros (Jay Novello) an aging slave who made that claim years before. During his stay, he is not only permitted to witness the great wonders of Atlantis, such as a submarine and a powerful solar Laser, but is informed of it's impending doom by a sincere and penitent scientist/priest named Azor (Edward Platt). His stay is precarious and subject to change at the whim of Sonoy the Astrologer (Frank De Kova) and Zaren (John Dall) the chief adviser. The movie is entertaining and enjoyable, if slightly hampered by the personal ideology of the director who injects it into his work. Nevertheless, the films of George Pal, continue to fascinate audiences of all ages. Due to his expertise, this film serves to strengthen our continuous belief in the Legend of Atlantis. ****
    hammjp

    A fun movie

    I first saw this film when I was a child. My friends and I were enamored of it, and played "Atlantis" for weeks after. Watching the movie with adult eyes, however, reveals that it is not George Pal's best work. Even so, it continues to have sentimental value for me and I do watch it occasionally. I still believe it to be a "fun" movie, real Saturday Matinee, popcorn and juju beads, sticky floor fun. Just turn off the brain, drop your expectations, and enjoy.
    6Rovin

    Imaginative adventure fantasy

    This film held up alot better than I remembered it. Sure, the acting isn't great, some of the dialogue is flat, the costumes and hats are ridiculous, but this film is enjoyable, especially if you gravitate towards exotic adventure stories with a greco-roman flavour. There's even a gladiator fight! Though it seems dated and cheap by today's standards, it had some nice set design and miniature work.

    This would be a great contender for a remake, as long as they don't leave out my favourite elements: the monsters! Those scenes are still disturbing!

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Following a preview of the film, a questionnaire was distributed among the viewers asking what scene they liked. One person answered, "The scene where Robert Taylor saved Deborah Kerr from the fire." This was in reference to the fact that much of the stock footage used in the film came from Quo Vadis (1951).
    • Goofs
      Demetrius states that he had a dream about Neptune. He is Greek, and he would not have known about Neptune. The Greek god of the sea was Poseidon, not Neptune who was the Roman counterpart of the Greek sea god.
    • Quotes

      [first lines]

      Narrator: When Columbus discovered America, a series of mysteries arose to confound the scholars of Europe. Here are two continents, completely isolated from each other, yet they simultaneously developed similar cultures. For example, the Mayans measured time on the same principle as the Gregorian calendar of Europe. They used the same signs of the zodiac, the same decimal and mathematical system. They valued silver and gold, using both for jewelry and barter. Another mystery was the banana plant, a native of Asia that cannot be grown from seed, yet Columbus found it thriving in the New World. Elephants at that time did not exist in the Americas, yet their likenesses were cleaved on the walls of prehistoric caves in Peru. The pyramids in Mexico and in Egypt were built on identical architectural principles. Then there was the striking resemblance of a witch of Spain, and the witch depicted in the New World. But the most significant of all, Mayan and Aztec legends shared with Greek and Hebrew and Assyrian literature an account of a terrible deluge, a deluge many believe had destroyed the link, the mother empire, that had spread her civilization to both sides of the Atlantic. The Greek scholar Plato recorded this theory first, over two thousand years ago. There was once another continent: Atlantis: The Lost Continent.

    • Crazy credits
      For once in his life, Paul Frees gets an on-screen credit for a voice-over job, the narration in the opening and closing sequences. Strangely, he is billed not in the cast list, but in the technical credits.
    • Alternate versions
      When originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating.
    • Connections
      Edited from Quo Vadis (1951)

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    FAQ

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    Details

    Edit
    • Release date
      • November 29, 1961 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Atlántida el continente perdido
    • Filming locations
      • Santa Catalina Island, Channel Islands, California, USA
    • Production companies
      • George Pal Productions
      • Galaxy Productions (IV)
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 30 minutes
    • Aspect ratio
      • 1.85 : 1

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