L'espionne des Ardennes

Armored Command finds Tina Louise playing a German spy plunked down in the middle of a neglected front during the Battle Of The Bulge counteroffensive with the Germans still trying to pull something out. Tina's even given a shoulder wound courtesy of the Wehrmacht to make her story convincing.

For those of you who are used to seeing Tina Louise as the vapid movie star on Gilligan's Island this will be a revelation. She's quite the cool and ruthless character.

She's left out on the front lines for a passing American patrol to find and one headed by Sergeant Earl Holliman does. She's taken back to their billet and of course everyone starts thinking with their hormones. Especially Holliman and Burt Reynolds who was in his second big screen film in Armored Command.

In the meantime the commander of the area, Colonel Howard Keel is convinced an offensive will come through there, but he's having trouble convincing the higher ups of his notion. It seems to Holliman's squad to get the job of digging up the evidence to prove Keel's theories and they've got a spy in their midst.

Armored Command was shot on location in Germany near Munich and Howard Keel relates in his memoirs he was given the job of directing some of the second unit battle scenes which he enjoyed. He did not enjoy however when one of his extras which were some US Army troops stationed in Germany nearly got killed.

Keel gets on to Louise early, but then she gets on to him getting on to her. They have an interesting battle of wits as neither of them are stupid.

The film was done by Allied Artists and maybe a bigger studio with better production values could have gotten a higher rating for it. As it is it's not a bad war film and those into that genre will probably like it.

I have to say that this film has a little spot of nostalgia for me as it was a favorite when I was a kid. On a winter afternoon in the days of three or four channels of TV per market, it made the grade and also led to playing army out in the snow. Many of these actors were on the tube at the time including Tina Louise, Burt Reynolds, and Earl Holliman and we all liked Howard Keels performance.

This is an average war film based on a real battle that seemed meant to showcase a lot of young talent rather than anything else. I think one would have seen this at the Bijou as the second feature. It is better than a lot of the imports that were beginning to saturate the market at the time.

The casting is good and the cast is competent. Howard Keel, Warner Anderson, and Carlton Young anchor this exciting young cast. Tina Louise is the femme fatal and gives you a peak at her pre "Ginger" acting on "Gilligan's Island!" because she is an authoritative bitch when she commands her fellow spy's! Good or bad, Earl Holliman and Burt Reynolds give performances not unlike what they given throughout their entire careers.

Everyone gave this the college try in no doubt thanks to Byron Haskin's workmanlike direction. The producer of the film also wrote it which might explain the "Battleground" and other war movie clichés but this makes the film an encyclopedia of clichés and you have to be a war movie nut to notice them. Marty Feldman reminds me of the kind of role that they would have had George Tobias do. I do not know the name of the guy playing the Frenchman but he is cool right down to his beret.

In staging the battle, the budget soon starts to strain but just a bit. It is ambitious to do any film about the Battle of the Bulge and the money people had to surrender to reality very early. Still, compared to the phony Tiger tanks in "Attack" the M 60's (?) used are more than OK and the action footage creates drama. It almost looks like they used the West German Army while it was out on maneuvers. You wonder what they could have done with a fraction of the budget for "Battle of the Bulge", the Cinerama fantasy war film with super NAZI Robert Shaw that would be released a few years later or the "Longest Day" which was released just before this.

PS: The German's are at their best "Combat" acting style! I like the atmosphere of this film. I have it on in the background as I enter this. It is winter outside here and we are in the middle of a snow storm. I wonder if someone like Tina Louise is lying out there somewhere?

Nah!

Plot In A Paragraph: During the battle of the bulge, a sergeant (Earl Holliman) in charge of a small band of men finds a woman (Tina Louise) with a gun shot wound lying in the snow. The take her to a local town with them where they are staying at an inn as they await further orders.

There are two parts to this movie, one that deals with the growing lack of respect that the group and in particular one soldier, a pollack named Skee (A young Burt Reynolds in only his second movie) have for the sergeant and the fact that the sergeant and Skee both have the hots for the injured woman. And one where (Howard Keel) tries to warn his superiors that his men are about to be attacked and over run any time soon.

The contrast between Holliman's and Reynolds characters could not be more different. Holliman is a love sick school boy towards to woman, where as Reynolds is the confident Alpha male who will have her, if she wants him to or not. This is the second movie in a row where Reynolds has raped a woman during his early career. Luckily he did not get typecast in such roles.

In a side note several sequences of action are repeated during the final battle scene.

Armored Command is set in the Western European theatre of operations shortly after D-Day ,and it opens promisingly with a scene showing a jeep bearing two German officers and a young woman approaching across a snow shrouded landscape.The woman climbs down from the jeep and walks a short distance with the senior officer,who lights a cigarette for her and then shoots her as she stands against the skyline.She is discovered alive by a passing American patrol and cared for by them in a local inn they have commandeered. She is a spy sent by Germany to infiltrate the American army and feed news back to the Abwehr.One plot strand revolves around her attempts to do so and also tackles the impact her presence has on the patrol ,especially when the sergeant becomes infatuated with her and a private (played in slimy and impactful style by a pre- stardom Burt Reynolds giving the best performance in the movie)entertains altogether less exalted designs upon her person.

The other main plot strand deals with the efforts of an American officer to persuade his high command that German forces still constitute a danger in the area. He is proven correct and the climactic battle scene is the best thing in an otherwise flat and bland picture which never matches its striking opening .Poor performances by Howard Keel as the cigar chomping Colonel and Tina Louise as the spy drag proceedings down and the movie never really sustains the interest beyond its neat opening. Stick with "Attack" the brilliant Robert Aldrich movie on the same campaign -that is a work of consummate genius where this is just studio double bill material

What was supposed to be a tense, suspenseful war drama turned out to be rather confusing and boring. Sometimes these spy flicks go over my head, so if that's your genre of choice, you might feel differently about this one. I ended up writing other reviews while the movie was running to distract me from the boredom.

Tina Louise plays a German spy, but because she's an attractive and vulnerable woman, the soldiers who rescued her after her injury don't suspect a thing. They're too busy fighting over her to notice she's sneaking out secrets to the enemy. Howard Keel, Earl Holliman, Burt Reynolds, Carleton Young, Warner Anderson, Clem Harvey, Marty Ingels, and James Dobson are the men in the film, but with hardly any fight scenes, Armored Command doesn't really feel like a war movie. It's a little slow, and even though I just finished watching it a couple of days ago, I can't even remember what happens in the end.