Les accusés

This landmark TV series (1961-65) was years ahead of its time. It correlated many contemporary stories from the headlines and did so with uncompromising depth. The protagonist attorneys (The late E.G. Marshall, Robert Reed) lost nearly as many cases as they won, because the series focused on controversial social issues where there were no easy answers or solutions. This was reflected in the outcome of some episodes. The issues included abortion; euthanasia; capital punishment; censorship; blacklisting; criminal insanity; Nazis; cannibalism; and a variation of what is currently called "road rage." The first listed, "The Benefactor," was a compelling episode about abortion, years before it was legal. The last, "Death On Wheels," involved an enraged motorist who accidentally killed a pedestrian after a heated argument with his wife. A shocking case was the one about cannibalism. Two men were accused of murdering and literally devouring another man when they were all cast adrift in a lifeboat in the ocean. An unusual episode, "Mind Over Murder" involved a clairvoyant accused of murder based on ESP. The defendant's background was loosely parallel to the late psychic, Peter Hurkos.

The Defenders theme song coupled with an aerial view of the courthouses in Foley Square, New York City, were presented with the onset of each episode. Immediately before the theme, the viewer saw the actual crime being committed when possible, which was graphically realistic and sometimes unnerving. The lawyers then often interviewed their clients in a simulated version of "The Tombs," an archaic NYC jail. The late E.G. Marshall portrayed the lead attorney, Lawrence Preston, with flawless acting that was in a class by itself. Indeed, he was so convincing that it was difficult for me to think of him thereafter as anyone else. The style and integrity he displayed in The Defenders inspired my interest in the law and was one of the initial reasons I became a lawyer.

There are heavy residuals on this great show, which I sure would like see again. Currently I have 32 stories, 29 of which are very good. If anyone has any episodes, please let met know. The ones I have are 30 listed "caseyguy", the Locked Room, and The Nonviolent. Of the remaining 100, I would like all but the the 2 part episode The 600 Year Old Gangm and Poltergest. Both of these were bad. Almost all of the old shows on video stores or cable were not worth watching even once. Somebody out there has the brainpower and pull to make them available to those willing to pay the price. This show caused you to think about conditions in your country. E.G. Marshall as excellent as were the frequent guest stars such as Frank Overton, Viveca Lindfors, Judson Laire, Jack Klugman, Harold Stone, Richard Kiley, Gene Hackmen, Edward Binns, Sylvia Sidney, Robert Webber, Malcom Atterberry, and others. This was the most socially conscious show ever.

Can this series really have been as inspiring as I thought it was at the time? If so, it must have had enormous effect on American society.

Certainly it dealt more courageously than any other show of the period with issues such as civil rights, religious and political oppression, faults in existing laws on divorce, narcotics and legal sanity, and the ethical problems of priests, doctors and lawyers.

And, as I remember, although E.G.Marshall (as Lawrence Preston) demanded our sympathy for his stand on these issues, there was always argument and challenge from Robert Reed (as his son, Kenneth), and humor prevented solemnity or sentimentality.

Actors such as Sylvia Sidney, Sam Wanamaker, Ruth Roman, Akim Tamiroff, Teresa Wright, and Jack Klugman played leading roles, but minor characters also came across as people of dignity and importance.

What impressed me most perhaps was Lawrence Preston's respect for THE LAW.

Won't some kind person allow us to see it again?

"The Defenders" realistically portrayed issues of the day, often in a court room setting. They produced the show in New York City with, if memory serves, location exteriors. The court room scenes were well written and directed, usually the high point of each program.

At its best, the acting could be very good indeed. E.G. Marshall and Robert Reed worked well together as father and son attorneys. Their roles in this series provided them with career high points. The guest stars added further strength to the show.

As a teenager then, I thought it was a cutting edge show. It would probably be dated if viewed today, since it was filmed mostly in black and white (though the last season might have been color), and production values were different then. One of the best shows of its era, it should be released on DVD, but probably won't be because of onerous residuals obligations.

I have not seen an episode since the mid-60s (YIKES, how long is that?), but I remember many of them. In one, these father/son are assigned the defense of a young Nazi. The man was defacing a synagogue when he was interrupted by the rabbi, who accidentally fell and hit his head and died. The man was caught and charged with murder, since it was assumed that he had killed the rabbi. There turned out to be a witness who could clear the man. When the Defenders finally tracked him down, he told them the most horrific story of his arrest and transfer to a concentration camp - and for that reason he would not testify for "one of THEM." Their response was, "Do you want us to be like them, ignoring the truth?" And that was how the episode ended - would the witness testify or not? How childish modern TV "drama" seems in comparison...