Ces folles filles d'Ève

WHERE THE BOYS ARE is very much worth seeing, although extremely dated and a movie that would probably make today's 18 year-old laugh out loud at the innocent boy-meets-girl shenanigans of kids in an era before string bikinis and drunken riots in Fort Lauderdale.

Delores Hart is the crown jewel in this, the very first, "beach movie" that launched a whole summertime surf-romance culture of sand and two- piece swimsuits that, just a few years later, spawned Annette Funicello and Frankie Avalon in their BEACH BLANKET money-makers.

Hart is the embodiment of the girl next door with a face that could melt granite as she, Connie Francis, Yvette Mimeaux, and Paula Prentiss drive down to Fort Lauderdale during spring break in search of boys. They hook up with Frank Gorshin, Jim Hutton, and rich boy George Hamilton. The antics that ensue are so saccharine you could pour them over ice cream as a substitute for chocolate syrup.

It is the Hart-Hamilton romance that is the focal point as Hamilton tries unsuccessfully to seduce Hart on his father's yacht. Near the end, Hart thinks he has dumped her when he fails to show. A disconsolate Hart is left alone on the beach and wonders if she'll ever meet Mr. Right. The final scene between Hart and Hamilton offers a touching romantic twist and caps the whole thing nicely. Of course, the movie's theme song, WHERE THE BOYS ARE, would become Connie Francis'signature piece in years to come.

WHERE THE BOYS ARE is certainly dated, but its depiction of a benign teen culture shows us the world of summertime youth before mores,language, and music took a radical turn toward sex, drugs, and rock and roll.

TRIVIA: Anyone who doubts the existence of real, religious vocation should study the life of Delores Hart. She had made about 8-10 movies including two with Elvis--KING CREOLE and LOVING YOU. Then making the whopping sum of about $50,000 a picture, she was being groomed as the next Grace Kelley when she announced, in 1964, she was entering a convent to become a Catholic nun! Studio producers were beside themselves and most of Hollywood reacted with skepticism thinking it was a publicity stunt. She was, in fact, engaged at that time and her fiancée was heartbroken. But she entered a convent in Bethlehem, Conn. and remains there to this day as Mother Delores!...About 2-3 yrs. ago Hart was interviewed on 20--20 and disclosed she had a rare and painful nervous disorder that limits her movements. But her spirits were high and she spoke easily of the old Hollywood days, hiding nothing, even describing Presley as sensitive and a great guy...Yvette Mimeaux would marry MGM dance choreography Stanley Donan in the 1970's...Paula Prentiss would marry actor Richard Benjamin (GOODBYE COLUMBUS)...And Connie Francis? This is a life story waiting to be produced on the screen. For anyone interested in the real life tragedy of Connie Francis, read WHO'S SORRY NOW.....

Dennis Caracciolo

Where The Boys Are (1960 Dir. Henry Levin) Fort Lauderdale College Spring Break! Oh Boy! Oh Girl! See where the perennially tan George Hamilton first acquired his swarthy complexion. Also features one of the best '60s light comediennes Paula Prentiss as "Tuggle Carpenter". Lots of talk amongst the girls about how far they should go. Lots of talk amongst the boys about how far they've gotten. A classic American take on life when the air was clean and sex was dirty. Before there was MTV's Spring Break, there was this movie. Great for viewing with mixed company (that's old-fashioned slang for boys and girls together).

As the saying goes, "it is what it is." Cutting edge (for 1960) teen drama holds up well, with excellent performances by several of the leads. Although it doesn't appear they actually filmed the majority of the film in Florida, there are still some wonderful shots on location in Fort Lauderdale. That community has since banned the Spring Break crowd, but I remember it well in the 60s - 80s, when living in the area.

Many users have complained about the "moralizing" of this film, but I don't find it "preachy." Prentiss is indeed a standout. Connie Francis is adequate, if somewhat masculine, in her first film role. "Narrator" Paul Frees seems to pop up in the oddest places, including The Haunted Mansion ride for Disney.

To be honest, the movie began as a typical- and not so great, teenage comedy flick, in which a couple of youngsters are going on a spring break holiday. "Where the Boys Are" however handles delicate themes delicately and the movie is way more than just another teenage comedy.

Actually quite amazing considering that this movie got made in 1960. The movie and its theme seems far ahead of its time. It makes the movie all the more relevant for the time period it got released in and all the more interesting now days to watch. This movie is basically a good observation of how teenagers handled sexual themes in 1960, without ever getting raunchy or not honest. It's a straightforward flick with its theme but its style ensures that this movie at all times mostly remains an entertaining and light one to watch. The movie also really doesn't feel like it was made in 1960.

It's an all the more interesting movie since it tells the story from the viewpoint of the female characters, which works refreshing for a change.

The movie knows to create a perfect balance between its more serious moments and its entertainment value. With movies like this the drama would often feel forced and out of place since the entire movie is done in a comical style of film-making. The creators of this movie however managed to find the right balance, without ever crossing any lines.

Above all things it's still a very entertaining movie to watch. It's still mostly a comedy that provides some good entertainment and has some likable characters in it.

The characters are also really a reason why the movie works out. Lot of the characters are very stereotypical but luckily the actors don't go over-the-top with their roles, which ensures that we can also really start to like- and feel for some of the characters.

The acting was way better than expected. Paula Prentiss really impressed me, also with her beauty and the movie further more features George Hamilton and Frank Gorshin in some early roles. Gorshin is still perhaps best known for his portrayal of the Riddler in the early "Batman" series.

A surprising and fresh movie that deserves to be seen by more.

7/10

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Forty-five years have elapsed since its original release, but it is amazing how this 1960 film introduced a particular genre that continues to be produced today granted in a far more explicit manner - the spring-break, beach-party movie where attractive teens go through a sun-drenched mating ritual and somehow love triumphs over carnal knowledge. Back then, the concept didn't seem quite as jaded as it does now, and consequently there is an entertaining naiveté about the timeworn story of four co-eds from a snowy Midwestern college who journey to Ft. Lauderdale for spring break to meet boys.

The plot is based on the then-accepted notion that girls in college are only marking time waiting for husbands to come along, but the journey to that goal depends on the girl. The four in question are Merritt, a smart blonde who is not living up to her academic potential as she questions the moral code around premarital sex; Melanie, so deeply insecure she mistakes sex for love with a less-than-honorable Ivy Leaguer; Tuggle, a tall brunette who zeroes in on an even taller, eccentric hitchhiker; and Angie, the supposedly plain one who gets used to being ignored by men.

Directed in a perfunctory fashion by Henry Levin, this is not the type of movie where you are terribly impressed with the performances, but I have to say the acting is certainly miles above subsequent beach-party movies. Elvis' former leading lady Dolores Hart plays Merritt credibly even as she is being seduced by a youthful George Hamilton wanly playing Ryder, a well-to-do Ivy Leaguer with a conveniently located yacht. As the most troubled of the girls, Yvette Mimieux (always loved her name) accurately captures the constantly forlorn, little-girl-lost state of Melanie, a teen-aged Blanche du Bois in the making.

So pert and charming as Angie, Connie Francis actually seems miscast as a plain-Jane, especially when she sings "Turn on the Sunshine" with a stage polish completely out of character. The standout is Paula Prentiss who portrays Tuggle with her unique personality in full bloom and partnered the first of several times with Jim Hutton as the comically obnoxious TV. She is an under-appreciated comedienne with a loopy charm and vibrantly twangy voice all her own - it's a shame her career never really took off the way it deserved to.

I think the film does make a valid, sometimes even perceptive attempt to address the confusion that Eisenhower-era girls had over sex and love. Girls were expected to function under a double-standard where the only way to attract boys was to have something to offer but at the price of their reputations. This point is hammered home when the tone shifts in the last portion to melodrama. At the same time, the film is filled with predictable comic scenes, including a contrived mêlée in an underwater tank with the zaftig and nasal Barbara Nichols as Esther Williams-wannabe Lola Fandango.

Prentiss offers her services and remembrances to the alternate audio commentary track on the DVD, which also comes with a looking-back featurette which includes interviews with Prentiss and Francis. Who knew this film would launch a hundred imitations? The minute you hear Francis sing the title tune, it is hard for a baby boomer not to get nostalgic. If you have an interest in understanding the mid-century moral code enforced upon the youth of America, especially girls, I can think of worse films to see.