IMDb RATING
6.7/10
3.3K
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Four very different college girls drive to Fort Lauderdale, Florida for spring break and seek out various adventures and romance for themselves.Four very different college girls drive to Fort Lauderdale, Florida for spring break and seek out various adventures and romance for themselves.Four very different college girls drive to Fort Lauderdale, Florida for spring break and seek out various adventures and romance for themselves.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
Carol Byron
- Sybil
- (uncredited)
John Cliff
- Policeman at Hospital
- (uncredited)
Oliver Cross
- Nightclub Patron
- (uncredited)
Jack Deery
- Nightclub Patron
- (uncredited)
Amy Douglass
- Dr. Raunch
- (uncredited)
Dennis Durney
- Young Man
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As the saying goes, "it is what it is." Cutting edge (for 1960) teen drama holds up well, with excellent performances by several of the leads. Although it doesn't appear they actually filmed the majority of the film in Florida, there are still some wonderful shots on location in Fort Lauderdale. That community has since banned the Spring Break crowd, but I remember it well in the 60s - 80s, when living in the area.
Many users have complained about the "moralizing" of this film, but I don't find it "preachy." Prentiss is indeed a standout. Connie Francis is adequate, if somewhat masculine, in her first film role. "Narrator" Paul Frees seems to pop up in the oddest places, including The Haunted Mansion ride for Disney.
Many users have complained about the "moralizing" of this film, but I don't find it "preachy." Prentiss is indeed a standout. Connie Francis is adequate, if somewhat masculine, in her first film role. "Narrator" Paul Frees seems to pop up in the oddest places, including The Haunted Mansion ride for Disney.
This film succeeds in the sense that it isn't a stereotypical beach flick. As a current college student, I can attest that it is rather believable, and, oddly enough, some of it applies to college gals today...nearly 40 years later. Actually, WHERE THE BOYS ARE offers the public a fairly realistic, in-depth portrayal of everyday kids in the 60s, as opposed to other beach movies of the period. Simply put: Frankie and Annette had nothing on these gals!
Contrary to what the title may lead one to believe, the focal point is not terribly superficial. Yeah, sure, the girls head to Lauderdale to nab a Yaley or two, but that becomes somewhat secondary to what actually transpires. Whether it was meant to be or not, this film is one of decisions, learning, and friendships that are strengthened due to the experiences four college girls share during Spring Break in Ft. Lauderdale.
The actors themselves are very believable; none of the main players outdo the others. Hart, Mimeux, Francis, and Prentiss do a wonderful job of conveying many different sides to the characters they portray. The supporting cast is equally skilled and effective in varying roles.
Though this isn't Academy Award winning material, it is definitely worth watching!
Contrary to what the title may lead one to believe, the focal point is not terribly superficial. Yeah, sure, the girls head to Lauderdale to nab a Yaley or two, but that becomes somewhat secondary to what actually transpires. Whether it was meant to be or not, this film is one of decisions, learning, and friendships that are strengthened due to the experiences four college girls share during Spring Break in Ft. Lauderdale.
The actors themselves are very believable; none of the main players outdo the others. Hart, Mimeux, Francis, and Prentiss do a wonderful job of conveying many different sides to the characters they portray. The supporting cast is equally skilled and effective in varying roles.
Though this isn't Academy Award winning material, it is definitely worth watching!
Where The Boys Are (1960 Dir. Henry Levin) Fort Lauderdale College Spring Break! Oh Boy! Oh Girl! See where the perennially tan George Hamilton first acquired his swarthy complexion. Also features one of the best '60s light comediennes Paula Prentiss as "Tuggle Carpenter". Lots of talk amongst the girls about how far they should go. Lots of talk amongst the boys about how far they've gotten. A classic American take on life when the air was clean and sex was dirty. Before there was MTV's Spring Break, there was this movie. Great for viewing with mixed company (that's old-fashioned slang for boys and girls together).
Forty-five years have elapsed since its original release, but it is amazing how this 1960 film introduced a particular genre that continues to be produced today granted in a far more explicit manner - the spring-break, beach-party movie where attractive teens go through a sun-drenched mating ritual and somehow love triumphs over carnal knowledge. Back then, the concept didn't seem quite as jaded as it does now, and consequently there is an entertaining naiveté about the timeworn story of four co-eds from a snowy Midwestern college who journey to Ft. Lauderdale for spring break to meet boys.
The plot is based on the then-accepted notion that girls in college are only marking time waiting for husbands to come along, but the journey to that goal depends on the girl. The four in question are Merritt, a smart blonde who is not living up to her academic potential as she questions the moral code around premarital sex; Melanie, so deeply insecure she mistakes sex for love with a less-than-honorable Ivy Leaguer; Tuggle, a tall brunette who zeroes in on an even taller, eccentric hitchhiker; and Angie, the supposedly plain one who gets used to being ignored by men.
Directed in a perfunctory fashion by Henry Levin, this is not the type of movie where you are terribly impressed with the performances, but I have to say the acting is certainly miles above subsequent beach-party movies. Elvis' former leading lady Dolores Hart plays Merritt credibly even as she is being seduced by a youthful George Hamilton wanly playing Ryder, a well-to-do Ivy Leaguer with a conveniently located yacht. As the most troubled of the girls, Yvette Mimieux (always loved her name) accurately captures the constantly forlorn, little-girl-lost state of Melanie, a teen-aged Blanche du Bois in the making.
So pert and charming as Angie, Connie Francis actually seems miscast as a plain-Jane, especially when she sings "Turn on the Sunshine" with a stage polish completely out of character. The standout is Paula Prentiss who portrays Tuggle with her unique personality in full bloom and partnered the first of several times with Jim Hutton as the comically obnoxious TV. She is an under-appreciated comedienne with a loopy charm and vibrantly twangy voice all her own - it's a shame her career never really took off the way it deserved to.
I think the film does make a valid, sometimes even perceptive attempt to address the confusion that Eisenhower-era girls had over sex and love. Girls were expected to function under a double-standard where the only way to attract boys was to have something to offer but at the price of their reputations. This point is hammered home when the tone shifts in the last portion to melodrama. At the same time, the film is filled with predictable comic scenes, including a contrived mêlée in an underwater tank with the zaftig and nasal Barbara Nichols as Esther Williams-wannabe Lola Fandango.
Prentiss offers her services and remembrances to the alternate audio commentary track on the DVD, which also comes with a looking-back featurette which includes interviews with Prentiss and Francis. Who knew this film would launch a hundred imitations? The minute you hear Francis sing the title tune, it is hard for a baby boomer not to get nostalgic. If you have an interest in understanding the mid-century moral code enforced upon the youth of America, especially girls, I can think of worse films to see.
The plot is based on the then-accepted notion that girls in college are only marking time waiting for husbands to come along, but the journey to that goal depends on the girl. The four in question are Merritt, a smart blonde who is not living up to her academic potential as she questions the moral code around premarital sex; Melanie, so deeply insecure she mistakes sex for love with a less-than-honorable Ivy Leaguer; Tuggle, a tall brunette who zeroes in on an even taller, eccentric hitchhiker; and Angie, the supposedly plain one who gets used to being ignored by men.
Directed in a perfunctory fashion by Henry Levin, this is not the type of movie where you are terribly impressed with the performances, but I have to say the acting is certainly miles above subsequent beach-party movies. Elvis' former leading lady Dolores Hart plays Merritt credibly even as she is being seduced by a youthful George Hamilton wanly playing Ryder, a well-to-do Ivy Leaguer with a conveniently located yacht. As the most troubled of the girls, Yvette Mimieux (always loved her name) accurately captures the constantly forlorn, little-girl-lost state of Melanie, a teen-aged Blanche du Bois in the making.
So pert and charming as Angie, Connie Francis actually seems miscast as a plain-Jane, especially when she sings "Turn on the Sunshine" with a stage polish completely out of character. The standout is Paula Prentiss who portrays Tuggle with her unique personality in full bloom and partnered the first of several times with Jim Hutton as the comically obnoxious TV. She is an under-appreciated comedienne with a loopy charm and vibrantly twangy voice all her own - it's a shame her career never really took off the way it deserved to.
I think the film does make a valid, sometimes even perceptive attempt to address the confusion that Eisenhower-era girls had over sex and love. Girls were expected to function under a double-standard where the only way to attract boys was to have something to offer but at the price of their reputations. This point is hammered home when the tone shifts in the last portion to melodrama. At the same time, the film is filled with predictable comic scenes, including a contrived mêlée in an underwater tank with the zaftig and nasal Barbara Nichols as Esther Williams-wannabe Lola Fandango.
Prentiss offers her services and remembrances to the alternate audio commentary track on the DVD, which also comes with a looking-back featurette which includes interviews with Prentiss and Francis. Who knew this film would launch a hundred imitations? The minute you hear Francis sing the title tune, it is hard for a baby boomer not to get nostalgic. If you have an interest in understanding the mid-century moral code enforced upon the youth of America, especially girls, I can think of worse films to see.
There is a Movie reviewer who has what he calls "guilty pleasure" movies or, movies that a serious movie buff might not own up to watching but which he enjoys watching never the less. This is one of those movies. It is fun inspite of all the "trashines". The acting is excellent throughout the cast. It is enjoyable to see the locations used that are easily recognizable for any one who has been to Ft. Lauderdale. The movie has too many funny parts to list, and in the other reviews on this site many have been cited. I would like to add one. In the beginning when Chill Wills and Chief of Police talks to the assembled troopers about how to handle the invasion of the students. A real classic scene. I can't wait for this film to become available on DVD, having worn out my VHS copy. A really fun nostalgia movie
Did you know
- TriviaPaula Prentiss signed a seven-year contract with MGM in 1960 when she was cast in this movie. She was living with boyfriend actor Richard Benjamin at the time, which was taboo in those days, and the studio didn't want her traveling on promotion junkets with a man who wasn't her spouse. So they asked the two to wed, though not before milking the wedding for publicity. Prentiss had to make long-distance calls to gossip columnists Hedda Hopper and Louella Parsons just before the ceremony, according to People. They were married by a New York judge on Oct. 26, 1961. They are still together as of 2022.
- GoofsWhen the kids are first introduced to Basil's jazz band, hundreds of kids rush to the bar, with the main characters in the rear. Yet, the main characters somehow manage to find one of the few tables in the bar.
- Quotes
Police Captain: Wait a minute! Haven't I seen you in here before?
Lola Fandango: Just once, and it was purely by accident. The night my strap broke?
[she shows her very revealing top]
- Crazy credits"and introducing Connie Francis"
- ConnectionsFeatured in Where the Boys Were: A Retrospective (2004)
- SoundtracksWhere the Boys Are
Words by Howard Greenfield
Music by Neil Sedaka
Performed by Connie Francis (uncredited)
Courtesy of Nevins - Kirshner
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Se necesitan dos para amar
- Filming locations
- Fort Lauderdale, Florida, USA(some exteriors)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 39m(99 min)
- Aspect ratio
- 2.35 : 1
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