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5.2/10
657
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A warrior returning home to his country must battle giant bats, three-headed dogs and a vicious dragon to save his wife, and his people, from the machinations of an evil ruler.A warrior returning home to his country must battle giant bats, three-headed dogs and a vicious dragon to save his wife, and his people, from the machinations of an evil ruler.A warrior returning home to his country must battle giant bats, three-headed dogs and a vicious dragon to save his wife, and his people, from the machinations of an evil ruler.
Leonora Ruffo
- Dejanira
- (as Eleonora Ruffo)
Renato Terra
- Antoneos
- (as Renato Terra Caizzi)
Carla Calò
- La Sibilla
- (as Carla Calo)
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Broderick Crawford plays his role of a corrupt would-be emperor like he were still playing a 20th century gangster. Watch him bark orders to soldiers like he were plotting a gangland rubout. Meanwhile Mark Forest is the hero called "Emilius" who is nicknamed Goliath because he is so strong and (apparently) immortal. He also has a younger brother is is neither superstrong nor immortal and a mortal wife who is not bothered by the fact that she will eventually grow old and die but he won't. Go figure. Most of us watch these movies for the monsters and oft-times the cheesier the better. After a mechanical 3 headed fire breathing dog (ahem, that is NOT Cerberus!), a man in suit giant bat and a centaur (which had to have been the most uncomfortable costume in the bunch) seeing a dragon that is partially stop motion animated was a real treat. Oh yeah, in closeups it is a giant rubber prop but those few moments of animation make it worthwhile. There is enough plot here for 2 movies and it does not always make perfect sense but the action will keep your attention. Oh and look closely at that dragon. David Hewitt borrowed some of the stop-motion scenes for his no budget thriller THE MIGHTY GORGA.
"Goliath and the Dragon" was one of two peplum films featuring Hercules (the other being "The Loves of Hercules') released in 1960, following the success of "Hercules" and its sequel both starring Steve Reeves. The original Italian title for this film is "La vendetta di Ercole" ("The Revenge of Hercules"), but U.S. distributor AIP changed the hero to Goliath for the American release, and added a stop-motion animation dragon not included in the Italian cut. Italian-American (Brooklyn-born) bodybuilder Lou Degni, billed as Mark Forest, takes over the role from Reeves. Forest starred in a dozen or so peplum films including "Maciste in the Valley of the Kings" released this same year and played Hercules again in 1964's "Hercules Against the Sons of the Sun." He is a more than passable stand-in for Reeves, impressively built if not quite as classically handsome or well-proportioned and able to pull off the macho arrogance of the character. The oddest thing about this film is the casting of American actor Broderick Crawford, with an enormous and distracting scar across his face, as Hercules's (or Goliath's ... whatever) nemesis. Crawford growls his way through the movie and generally seems like a grumpy old man. At least he gets to use his name, which neither the film nor the writers nor the lead actor nor the hero do -- co-writer Nicolo Ferrari is credited with the bizarre pseudonym Archibald Zounds Jr.! (Apologies to anyone actually named Archibald Zounds, Jr. or Sr.)
The story is particularly baroque, involving forbidden romance, double-crossing courtiers, an over-large cast of characters that becomes cumbersome to keep straight, and some vague plans to defeat Hercules and conquer Thebes, but the overall motif (in keeping with the Italian title) is revenge, with Hercules at one point destroying the statue of the God of Vengeance after it falls on him -- twice! The real attraction here, though, is not the complicated plot but the dizzying array of cheesy monsters Hercules gets to fight, beginning with a sequence in the "cave of horrors" where the big man defeats a three-headed beast that is probably supposed to be Cerebus, though not identified as such (another pseudonymous indignity) and a very strange man-sized bat-like creature that at first I thought was a unique take on the dragon, but as it turns out a more conventional (though, frankly, pretty hilarious) dragon turns up later. Along the way, Hercules also defeats a giant bear-like monster and spears a centaur, who is the most convincing and strangely affecting of all the creatures that populate the film. The bat-thing and the bear-thing are clearly stuntmen in silly costumes, but the dragon (aside from the brief stop-motion sequence) is a giant puppet that Forest does a great job trying to battle convincingly. Other peplum tropes include the obligatory dancing girls and Hercules practically tearing down a city with his bare hands. Though much cheaper looking and cheesier than the two Reeves films that preceded it, this is actually pretty fun and peppy peplum entry helmed by director Vittorio Cottafavi.
The story is particularly baroque, involving forbidden romance, double-crossing courtiers, an over-large cast of characters that becomes cumbersome to keep straight, and some vague plans to defeat Hercules and conquer Thebes, but the overall motif (in keeping with the Italian title) is revenge, with Hercules at one point destroying the statue of the God of Vengeance after it falls on him -- twice! The real attraction here, though, is not the complicated plot but the dizzying array of cheesy monsters Hercules gets to fight, beginning with a sequence in the "cave of horrors" where the big man defeats a three-headed beast that is probably supposed to be Cerebus, though not identified as such (another pseudonymous indignity) and a very strange man-sized bat-like creature that at first I thought was a unique take on the dragon, but as it turns out a more conventional (though, frankly, pretty hilarious) dragon turns up later. Along the way, Hercules also defeats a giant bear-like monster and spears a centaur, who is the most convincing and strangely affecting of all the creatures that populate the film. The bat-thing and the bear-thing are clearly stuntmen in silly costumes, but the dragon (aside from the brief stop-motion sequence) is a giant puppet that Forest does a great job trying to battle convincingly. Other peplum tropes include the obligatory dancing girls and Hercules practically tearing down a city with his bare hands. Though much cheaper looking and cheesier than the two Reeves films that preceded it, this is actually pretty fun and peppy peplum entry helmed by director Vittorio Cottafavi.
I saw the poster for GOLIATH AND THE DRAGON outside a theater when I was a kid and was dying to see it. Unfortunately I had to wait over thirty years until just the other day when I found a cheap VHS copy in a video store. Was it worth the wait? Absolutely --- but not for the reasons I'd expected. In addition to the cool poster what intrigued me about the film were the Jim Danforth stop motion sequences added for the American release. Pictures of the dragon made it look pretty good. Unfortunately the model is poorly used in the film itself, and nowhere is it shown off to such good advantage as in the publicity stills. Animation-wise the film was a major disappointment.
And other-wise? Well, you gotta give this movie a big A for Ambition. Hercules (excuse me, GOLIATH) doesn't just duke it out with soldiers, he battles a three headed dog, a bat monster, a centaur, a bear, and at one point even wrestles an elephant to the ground! Unfortunately none of these conflicts is handled with anything like the skill needed to really bring them off, but you've gotta love them for trying. And the movie, goofy and slipshod as it is, never bores. Peplum fans should check it out.
And other-wise? Well, you gotta give this movie a big A for Ambition. Hercules (excuse me, GOLIATH) doesn't just duke it out with soldiers, he battles a three headed dog, a bat monster, a centaur, a bear, and at one point even wrestles an elephant to the ground! Unfortunately none of these conflicts is handled with anything like the skill needed to really bring them off, but you've gotta love them for trying. And the movie, goofy and slipshod as it is, never bores. Peplum fans should check it out.
In the 1960's as a child I and dozens of theater goers were watching this interesting Movie called " Goliath and the Dragon " when a small fire in the building sent everyone racing out in a panic. Although, I got the price of admission back, (15 cents) I never did get to finish the film. Due to the fact, I was very young, I was most impressed with the parts of the movie I did get to see. It is years later and I finally got to see the entire movie completely. I am surprised to sit through the entire film without yawning. The scenes which intrigued and captivated me as a child, were laughable as an adult. However, I am impressed with the story of how Goliath or Hercules was able to mesmerize young impressible audiences with such a small budget and hokey special effects. Still, as a grown-up I would quickly recommend this film to young members of the audience as they have not lost their imagination or have forgotten what it means to be inspired by flickering images. During the Sword and Sandal era, these movies are the very inspiration we received when it was needed most. How else could Gods, Goddesses, Monsters, Centars and heroic deeds have impressed us so much? Recommended! *****
After the amazing success of "Goliath and the Barbarians" with Steve Reeves, American International pictures decided to go "Goliath" again and picked up the option on "Goliath and the Dragon".....Reeves was offered the role but due to conflicts with another film, American muscleman Mark Forrest took the role of Goliath. Talk about a goofy film.....Forrest certainly has the muscles for the role, but the cardboard sets, bats and monsters flying in on a wire you can see....and a man in a bear suit fighting Goliath....geez!!! Broderick Crawford dropped his Highway Patrol microphone and played Eurytus, a maniac despot with a penciled in scar on his face who tries to get rid of Goliath anyway he can, including sicking his pet dragon on Goliath. Goliath fights elephants, centaurs, bats, bears and manages to pull down two giant trees with a rope to the ground!! On well, if Steve Reeves could pull a tree out of the ground in "Hercules" I guess Goliath could pull down a couple too...... Absolute silly scene with Forrest as Goliath fighting a rubber dragon with a plastic knife breathing fire.....phoniest dragon up close you have ever seen!! Producers even used the same musical sound track for this film as "Goliath and the Barbarians" to save a few bucks I guess. Forrest went on to star in a number of muscleman flicks that Reeves apparently wasn't interested in making. Forrest appeared as Goliath again in "Goliath and the Sins of Babylon" again for American International pictures......guess they tried to milk the Goliath role for all they could get!!!
Did you know
- TriviaOriginally titled "Hercules' Revenge", but since Universal owned the rights to Hercules at the time, the title was changed and the name of the main character was changed to Goliath.
- GoofsIn the beginning of the film, when Goliath climbs down into the cave, a thin rope can be seen tied to him.
- Alternate versionsThe American International Pictures version has a different editing, new musical score, additional scenes - namely stop motion animation of the dragon done by Jim Danforth and Wah Chang.
- ConnectionsEdited into The Mighty Gorga (1969)
- How long is Goliath and the Dragon?Powered by Alexa
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By what name was La vengeance d'Hercule (1960) officially released in India in English?
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