Un cadeau pour le patron

In this fast talking, mostly comical movie- Yul Brynner plays an American gangster, Nico March and dressed appropriately for the part, that has been deported to the country of Greece. Along for the ride is his goody-two-shoes girlfriend Gabby Rogers, played by Mitzi Gaynor, and they are living the boring life of visitors on the coast of Greece.

Nico meets a laundry load full of suspicious characters while cooling his heels and even meets the exiled King Pavel II played by Noel Coward. He comes up with a clever plan to steal the King's crown but there are just as many other criminals waiting to do the exact same thing.

If you are reading this review without watching the movie then you may believe that it is a nice semi-mystery and cunning portrayal of the criminal mind. Perhaps it would have been a better movie had the writers decided to go that way. Instead we have Brynner and Gaynor playing a comedy team that was so ill-matched it took away from the entire story. When a person thinks of Yul Brynner- 'Comedy'- does not come to mind, nor does comedy come to mind in this presentation. First of all, some people have a hard time clearly understanding words that Brynner speaks. Now throw in Brynner speaking like the fast talking Fed-Ex commercial man, and even the most noted linguist teacher would have a problem with the dialog.

Mitzi Gaynor added very little to the script by just playing the sweet unintelligent girlfriend and doing nothing that caused interest to the character. The only time that the viewer really takes notice of Gaynor is when she, along with Coward, is singing the title song 'Surprise Package' and that comes too late to help the movie.

Not to take anything away from Yul Brynne but he appear a miscast for this type of movie. Perhaps another actor could have helped with the interest of this film. But that is a moot point. But I will say that the movie did have some nice 'one-liners'.

You can only wonder why theyou bothered to make such a woefully unfunny film.YulBryner next film would be zThe Magnificent Seven,in the role of Chris.Coward would appear in a few more films.This was to be the end of Gaynors film career.What was Stanley Donenen thinking of.In fact the best part of the film were the opening credit titles which were designed by the great Maurice Binder.

Gangster Brynner is exiled back to a Greek Island where he hatches a plan to steal the crown of the king of Anatolia played by Noel Coward.

Underrated comedy with a sparkling script of witty one liners, delivered really well by Brynner. In support, Coward is well...Coward and there's a nice turn by Guy Deghy as a thief who helps Brynner. Best of all is Mitzi Gaynor, who plays Brynner's moll. Her performance is wonderful as is she, making this all in all a really quite charming film.

The only bum note the Coward / Gaynor title song duet - could have done without that.

An American comedy-drama; A story about a Greek gangster and racketeer who is deported to his own country from the USA where he hatches a plan to steal the crown of a king in exile. This is a fast-paced spy-comedy based on a novel by Art Buchwald but it is dull and clumsily scripted. It misfires because Yul Brynner was given the heavy load of delivering the laughs. He thrashed at his performance but often looked ill at ease. The film's high profile supporting cast includes Noel Coward and Warren Mitchell, both of whom most capable as comedy actors, but neither produced their best here because of the poor script. The cinematography was often striking but the dialogue makes the film scream out for technicolor to sustain it.

Stanley Donen may have been the producer and director and the stars might be Yul Brynner and Mitzi Gaynor, as well as Noel Coward, but this comedy is a British production, filmed mostly on the island of Rhodes and shot, not in picture-postcard colour, but in black and white. The thin plot has deported gangster Brynner planning to steal exiled king Noel Coward's crown and the largely British cast includes George Coulouris, Warren Mitchell, Lyndon Brook and Eric Pohlmann as a corrupt police chief. Brynner does his best but he's not a natural comic actor and this is one of his poorest performances and try as he might, even a miscast Coward can do nothing with the mostly limp material, (though at least he does stop the show when he sings the title song). The film's real surprise is Gaynor as Brynner's moll. She's no actress but she sure is sprightly in that perky Mitzi Gaynor way of hers. It's not terrible; in fact, it's quite amusing in its very daft way but it's hardly Donen's finest hour.