L'histoire de Ruth

Anyone expecting an elephantine spectacle with a cast of thousands for this Old Testament story will be sadly disappointed. The Story of Ruth simply does not lend itself to that kind of treatment. In fact for the screen quite a bit of liberties were taken with the story in terms of adding plot that the Old Testament Book of Ruth simply doesn't have.

Ruth is an unusual character in the Bible. First she's a female protagonist, one of a select few there. Secondly her story gets its own book in the Old Testament, a short item of only four chapters. Lastly she's the first non-Hebrew protagonist in the Bible since Abraham sired the Hebrew people.

It's a simple story in the Old Testament. Ruth is one of two Moabite women who marry the sons of Elimelech and Naomi. When Elimelech and sons Mahlon and Chillion die, leaving Naomi a widow with two widowed daughters-in-law, Naomi decides to return to Israel. One daughter-in-law, Orpah, bids her goodbye. Daughter-in-law Ruth however says she will not desert her. She's going to give up the life and culture of Moab and her people will be Naomi's people in the most famous line from the Book of Ruth.

That's all there is to explain Ruth the Moabite coming to live in Israel with her mother-in-law. Director Henry Koster directed a film with a whole involved plot which goes into Ruth being a Moabite priestess and the reason for the death of all the men in that family. It's a nice story, but not the Old Testament.

The second half of the film involves Ruth and Naomi and a blood relative's named Boaz and Boaz's courtship of Ruth. Boaz has a rival in another relative who is closer to Naomi who's name isn't mentioned, but the film names as Tob. We get a few more details from the Bible for the screenwriters to work with in this part.

Henry Koster directed many a film with a religious theme and had success with The Robe and A Man Called Peter among others. This film is not as good as the other two, but still is both reverent and entertaining.

The cast performs well. Israeli actress Elana Eden is in the title role and like her fellow Israeli thespian Haya Harrareet from Ben-Hur saw her career dissipate in the Sixties. The two men in her life are Tom Tryon as Mahlon and Stuart Whitman as Boaz. Broadway veteran Peggy Wood is Naomi and the best in the film is Jeff Morrow as the overbearing and drunken Tob who with a little bit of trickery Eden gets to renounce his claim on her. It was the law back in the day.

The real story of Ruth is in that title phrase. Before there was a New Testament and a group of men were told to spread the faith, this story shows that God is taking converts. His wisdom and mercy are not the exclusive property of one race, but are universal. And in fact the children of Boaz and Ruth start the royal line of Israel beginning with their great grandson David.

But it all begins with how Boaz and Ruth get together.

I remember seeing this on its first run and its color was marvelous. The human sacrifice scene to the god Moloch was chilling.

Of particular interest is the dialogue between Mahlon (Tom Tryon) and Ruth (Elana Eden) about religion. Mahlon, the Hebrew, tries to explain to Ruth, a pagan virgin votary, how his people could worship an invisible God. This deep theological discussion came about because Ruth asked the question. Mahlon gave a wonderful illustrative example.

He said: "Imagine that you are soldier in the battlefield and you wish to pray to save your army and for victory. How would you do that?"

Ruth answered that she would think of the image of her god and pray.

Mahlon then explained that in that case, the god she would be praying to would be invisible.

I would stay up late watching this when it aired on television back in the late 60's early 70's. And of course the "Book of Ruth" has always been one of my favorite books of the Bible. This is truly a great love story. And in my eyes, there could never be another 'Ruth' other then Elana Eden. She is the most beautiful woman I have ever seen on the big or small screen, hands down. When I read the Biblical account of Ruth, she is the one that I picture in my head as Ruth.

Granted, the movie doesn't follow the Bible word for word, but that's Hollywood for you. But it does follow the general story pretty close. For those of you who enjoy a great love story, (and I grew up reading Harlequin romances) this is one to add to your collection. And now it is finally available on DVD! My VHS copy is pretty well worn out by now.

In the period from the 1940s to the 1960s there was on Hollywood the craze of making biblical epics, and while some they are lavish (like David and Bathsheba or Samson and Delilah), others, like this, are humble but pleasant to watch. And this one in particular is faithful to the Bible.

The movie is based on the Biblical book of Ruth, and it's divided in three parts. In her youth Ruth is portrayed as a pagan idolatress that believes in the blood-thirsty God Kemosh, but she meets Mahlon, a young artisan, and his family, and soon she becomes doubtful of her religion and begins to believe in a God of peace. When the high Priest discovers it, arrests Ruth, Mahlon, and his family. While Mahlon is forced to work at the quarries, Ruth tries to make him free, but he is killed by a guard. So she goes to Bethlehem with Naomi (Mahlon's mother) and falls in love with Boaz, an handsome landowner that let her work in his wheat fields. But soon Boaz's brother tries to capture Ruth's heart, and after some discussions, she finally declares her feelings for Boaz and marries him.

I loved this movie so much, and I explain the reasons: the scenery is wonderful, the soundtrack by Alfred Newman is majestic. And the actors, although not great ones, gave great performances here; Stuart Whitman is excellent as Boaz, and it's one of his best leading man roles; Tom Tryon is also convincing as Mahlon, the Judean that converts Ruth to a better religion and monotheism, and Peggy Wood is great as Naomi, Mahlon's mother that is also a spiritual guide for Ruth.

This is maybe one of the best bible-based movies ever made in Hollywood. A must-see.

This movie is a pleasant Old Testaments gem! I'm surprised it gets panned by many who demand accuracy. Perhaps people missed the point. Aside from the usual few Hollywood add- ons (e.g, Ruth was a Priestess, the death of Mahlon, the two Moabite spies, and the exact issue of Levirate law with Tob being first kin and the idea of love, not obligation for marriage) it is reasonably accurate. After all, which Hollywood movie is completely accurate? Ten Commandments? More importantly, it captures the spirit of Ruth. In essence, of the spirit of Ruth as a stranger following devotedly her mother-in-law and Jehovah, a new God for her, it is accurate. It depicts Ruth's altruism (she does not accept gifts and nothing but faith to her mother-in-law and God matters), Boaz's character of integrity (he has ethics, even higher than Ruth when he has to judge), the blind conversion of faith (to Judaism), and the lawful acceptance of non-Israelites very well. I think people missed these themes but rather are looking for a word-by-word account. The problem with a word-by-word account is that the Bible is missing too much. And then to expect a 1960 Bible movie to show Ruth going to bed with Boaz potential ruins her altruistic character. OK, maybe Delilah can go to bed with Samson, but to see Ruth, a most faithful, altruistic character do such a thing isn't consistent with the character development.

Thus, in spirit, this captures the Biblical story perhaps better than any other fictitious (e.g, The Robe) or supposedly accurate (The Ten Commandments) Hollywood movies. Unfortunately, those points are missed. Given the Book of Ruth is quite short, to make a two-hour movie, writer Norman Corwin and director Henry Koster took the liberty to make a smooth storyline. Since it lacks the exciting, epic battles and dramatic miracles of other Biblical movies, it won't appeal to many people. Rather, this film is more about human devotion, kindness and traditions. Acting was very strong by female leads Peggy Wood and the beautiful Elena Eden (who hardly made a movie afterward) but Stuart Whitman and Tom Tryon were average. Peggy was excellent and charming and Elena was very poised as what one might expect of her since she would be the mother of a great line. Jeff Morrow was enjoyable in his role, too. Sets, script and color cinematography were very good.

However, most people want fun and adventure. This film doesn't have those elements but rather it's about human search for spiritualism, goodness and faith.