Les Étrangleurs de Bombay

Great directing enhance this tense film about a religious cult who go around murdering and stealing just for the sheer pleasure of it. Even for our times it is still an interesting and gripping horror film. Guy Rolfe (as tall as ever) did a remarkable job of the dedicated soldier who no one will listen too. Lots of fun.

If the British did accomplish one good thing in India it was getting rid of the strangling cult Thugee. It took years to eradicate them and there are some who would say they've not been completely eradicated. But if India had been another planet and the British were operating under the Prime Directive it would have made for some interesting history.

As it was this particular film, The Stranglers Of Bombay takes place in the early part of the 18th century when India was ruled not by the crown directly, but through the British East India Company. The soldiers you see report to them in London and the idea of course is take care of whatever is slowing down company profits.

Guy Rolfe who has played some really nasty villains in such films as Ivanhoe, Taras Bulba, and King Of The Khyber Rifles is a time serving captain in their army who has spent twenty years in India and is rather steeped in their culture. He's the right man for finding out what's at the bottom of a lot of mysterious disappearances, but Colonel Andrew Cruickshank selects the arrogant and fatuous Allan Cuthbertson, newly arrived in India for the job. Kind of dumb, but if he had given Rolfe a free hand we wouldn't have had much of a film.

Classic movie fans recall Eduardo Ciannelli as the Guru of the Thugs in Gunga Din who had some really ambitious goals for followers. The head of the cult here is far more local and a man not quite of Ciannelli's vision of eradicating the British and sweeping the world for Kali.

There were some plot holes in the script or otherwise I would have given The Stranglers Of Bombay a higher rating. Still it was an unusual subject for Hammer films, no unworldly demons or monsters to deal with, just some very human villainy.

Watching this, I was reminded all over again just how invigorating the output from Hammer Films was during its heyday; even so, this isn't a horror film as such – and, in fact, has recently been released on DVD through Sony as part of a double-disc 4-movie collection entitled "Icons Of Adventure" (none of which I'd previously watched).

The film has a good reputation quality-wise, but it's even better-known as one of the company's grisliest efforts – not that there's excessive bloodshed on display, but director Fisher was certainly able to milk the inherent savagery of British-ruled India for all it was worth (there's plenty of implied physical violence throughout, to be sure, which seems all the more obscene for being triggered by religious fanaticism!). Tying up with this fact, the BBFC (British Board of Film Classification) came down on THE STRANGLERS OF BOMBAY with particular alacrity. Unfortunately, many of the cuts they enforced back then (notably a female hanger-on's ecstatic reaction shots to the violence perpetrated by the titular cult have been all but eliminated, thus rendering her character virtually pointless!) have been retained for the R1 edition…though a scene involving a fight between a mongoose (the hero's pet which saves its master – having fallen prisoner to the vicious stranglers – from certain death at the eleventh hour) and a cobra, reportedly also trimmed by seven seconds, seems intact here!

I'm ambivalent about the picture being in black-and-white: admittedly, this allows it a gritty realism unusual for the company – however, at the same time, the lack of color tends to dilute the film's potential for exotic flavor…especially since this would have alleviated its unremitting bleakness somewhat! Incidentally, while the come-uppance of the cult itself feels a bit rushed, this is eventually redeemed by a satisfactory aftermath – wherein a former spiritual leader, now reduced to mere negotiator between his people and Britain's East India Company, gives himself away as an associate of the so-called "thuggees"; similarly devious had been a half-caste officer, whom the hero dealt with personally during a scouting mission for a 'lost patrol'. In any case, THE STRANGLERS OF BOMBAY features one of Hammer's strongest (and most sympathetic) male leads from this era in middle-aged Guy Rolfe – though he's matched by an intense display of villainy from George Pastell as the High Priest of the strangling cult; on the other hand, Allan Cuthbertson's overbearing snob of an upper-class officer fails to rise above mere cliché!

By the way, it's always a pleasure to see the names of all the Hammer stalwarts among the credits – with cinematographer Arthur Grant and composer James Bernard chief among them, they deliver exemplary work on this picture as well; having said that, THE STRANGLERS OF BOMBAY was uniquely scripted by an American – David Zelag Goodman – whose best work (Sam Peckinpah's STRAW DOGS [1971]), coincidentally, would also be filmed in England and prove a censorship milestone!

I saw this for the first time recently cos Thugs of Hindustan aroused my interest in the Thugee cult. While Thugs of Hindustan is more of an action, adventure n comedy film, Stranglers of Bombay is a horror film.

Captain Lewis of the British East India Company, is investigating why a large number of natives are missing. Lewis believes an organized cult group is robbing n killing people. The cult is headed by a godman (George Pastel). The film has lots of strangulation scenes, a nasty eye piercing scene (fans of Fulci rejoice), a snake n a mongoose fight, a glimpse of a tiger n most of all a very horrifying truth. The Britishers eradicated the worst horror, Sati n gave us Indians education but our recent politicians r taking us n our country back to the medieval era with the kinda lynching prevailing in India.

The Stranglers of Bombay is out of Hammer Film Productions. It's directed by Terence Fisher and written by David Zelag Goodman. It stars Guy Rolfe, Jan Holden, Andrew Cruickshank, George Pastell, Marne Maitland and Paul Stassino. Music is by James Bernard and cinematography by Arthur Grant.

For hundreds of years there existed in India a perverted religious sect, dedicated to the wanton destruction of human life....

So secret was this savage cult that even the British East Indian Company, rulers of the country at the time, was unaware of their existence....

So it begins, a compact and often violent retelling of the Thuggee Cult in India in the 1820s. It was considered strong stuff back on release and had the head suits at the BBFC shifting uneasily in their office chairs. It's a film that has also fallen unfairly into the realm where political correctness dwells, where some folk are seemingly obsessed with decrying old movies for their outdated political portrayals. This deserves better, for it's a very good script, where although the history is difficult to pin down as being correct, it does at least show a care and attention to detail where the Thugee Cult is concerned.

It's also a good old adventure yarn, full of intrigue, peril and detective work. Fisher directs at a clip, never allowing the plot to stagnate, and the low budget afforded the project is barely evident amongst some very effective sets. Cast are mostly good value for money, with lead players Rolfe perfectly restrained as an officer desperately trying to be heard and Pastell owning the film as the High Priest of Kali; in fact he is revelling in the bad guy role. Bernard provides an ear banging effective musical accompaniment.

Torture, maiming, heroics and a clever mongoose, something for everyone here! 7/10