Le mort dans le filet

When I watched and later reviewed "The Sinister Urge", I made the comment that pornography, as was defined by Ed Wood, consisted of women in non-revealing bikinis. I must amend that statement. Pornography in the case of "Horrors of Spider Island" consists of women wearing furry bikinis, as well as prancing, preening, and stripping at the drop of ANY hat.

Our story concerns the "tragic" plane flight of a group of dancers and their manager on their trip to Singapore. I guess the nice people of Singapore needed evidence of a morally bankrupt society before they went with their fundamental Islamic state. Anyhow, the girls are more seriously threatened by one of the guys who comes to rescue them. There's a dead professor, some uranium, and this mutant spider that's about the size of the Taco Bell dog who tries to strangle people. The only problem is, there's more scenes of women wiggling than there is of the spider that's causing all the "horror".

It's obvious what the real purpose of the movie is when one of the dancers says, "Ohhh, it's SOOOOO hot!" and then begins to strip for the camera. Notice also that the dancers come in every flavor from tall to short, meek to wild, and from non-athletic to athletic; all the better that every man find at least one of the ladies he likes. Be sure to keep your eyes on the very athletic one; she's a cross between Steffi Graff and "Chyna" from the WWF.

This is a German movie -- the dialog is dubbed, and not well in some places. It is quite racy even for the early 1960s. It's obvious that this bomb never was shown in America.

Sterno says this movie is number one...I just can't show you the digit that says so.

This West German production is a bona-fide trash classic. It's monumentally silly but hugely enjoyable. It concerns a troupe of female dancers and their manager whose plane crash lands in the ocean, leaving them stranded on a desert island. This island is rich in uranium, resulting in the mutation of a spider into a large alien-like creature whose bite turns an unfortunate victim into a werewolf-like spider-monster.

This is an early entry in the sexploitation genre, seeing as a large part of its running time is made up of scantily-clad women dancing, fighting, arguing and running away. Obviously it's now pretty tame stuff but that doesn't stop it from being a lot of fun. The women have a host of crazy accents as a result of the dubbing in the movie. Perhaps something was lost in the translation? Maybe so. But an awful lot was gained by it in terms of general hilarity. The dialogue in this film is pure crapola gold. Like when, shortly after arriving at the island, the manager finds a hammer and says something to the effect of, 'a hammer...and with a long handle...that must mean mining...most probably for uranium!' Brilliant. It certainly removes the need for any further exposition. Another classic line occurs when the girls find one of their party dead, and one of the women opines 'she must have been strangled by the spider'. Yeah, that IS the first thing one would assume isn't it? A spider that can strangle you. As it turns out, it is yet another quite brilliant guess by our heroes, as the spider is indeed capable of strangulation, seeing as it has little hands. And a funny evil face. I am quite badly arachnophobic but I was quite fond of this particular giant spider, and was a little sad to see him killed early on in the film. Yes, that's correct; The Horrors of Spider Island only has one spider. And his screen-time must be all of 30 seconds. In most 60's sci-fi horror schlock such a lack of screen-time for the central monster would be a disaster, as these films would be padded out with boring dialogue. Not in the case of this movie. It simply finds other ways to entertain via the hilarious spider-monster called Gary and the bitching women and the love-interest geologists who turn up. The geologists are two guys who arrive and cause the dancers to immediately fall in love and fight over them for no discernible reason. Furthermore, when one of the ladies asks one of these chaps to say something nice to her, he replies, with no irony, 'well, I'm really glad that your aeroplane crashed'. Ah, romance. Anyway, these two blockheads hold their own in the entertainment stakes, for example, at one point they argue and decide to have a fight but one of them insists that if they have to have a punch-up it must be indoors! So they go inside and proceed to knock each other about, in the process knocking over every prop in the room. So unnecessary, so funny.

This is definitely recommended. Trash enthusiasts will lap this one up. Where quite a few bad 60's sci-fi horrors disappoint and ultimately fall flat, this one delivers the goods. You'd be clinically mad to take this seriously, so instead sit back and enjoy a quite brilliant slice of rubbish.

Words can barely describe the genius of Horrors Of Spider Island. Fritz Boettger's crap classic embodies everything I love about Z-grade movies: ingenuity, innovation, ridiculous special effects and a complete disregard for anything as boring as logic or reason. Horrors Of Spider Island will resonate in your mind long after the final credits have rolled.

I think I'm going to start using IMDb's bottom 100 as my official viewing guide. There seems to be more quality product clogging up that list than the overwhelmingly insipid top 250. Horrors Of Spider Island basically owes its place in the bottom 100 to MST3K and their followers who automatically assume that a film is atrocious if MST3K have deigned to make a mockery of it. Forget about those failed comedians and out of work actors. If you want to fully enjoy the brilliance of this movie, watch it without MST3K's incredibly unamusing voice-over.

Horrors Of Spider Island begins like a raunchier version of "King Kong". Sleazy Gary is auditioning ladies to join his "dance" troupe, which is about to embark upon a tour of Singapore. The audition scene is a delight. These girls are a bunch of hardcore skanks. Linda doesn't even bother with the pretence of dancing; she simply walks into the audition and whips off her dress. Unfortunately for the men of Singapore, Linda and her colleagues never arrive. Instead, a plane crash leaves Gary and his ladies stranded on a remote Pacific island.

The film really comes into its own on the titular "Spider Island". We are treated to the hilarious arrival scene in which the women walk along the sand in high heels and then drench themselves under a pretty dubious looking waterfall. Our stranded friends soon find an abandoned house and do not appear to be overly concerned about finding a corpse hanging in a giant spider web. These women have more important things to worry about, like fighting over Gary and determining who looks the best in rags. Unfortunately, this idyll is ruined when Gary is attacked by a giant spider and transforms into a murderous spider hybrid.

The spider effects are adorable. I'm convinced that Gary is attacked by a fluffy toy and the mechanical giant spiders are a sight to behold. The inherent ridiculousness of these effects is kept under control but some wonderfully evocative black and white photography. Once Gary has transformed, the focus of the film returns to the lovely ladies. The scene where Babs, the buxom super-bitch, attacks Nelly with a belt surely belongs to the cinematic highlights of the 1960s. The film becomes increasingly lewd as help arrives in the form of two scientists. Before you can blink, these girls are falling over themselves to grab a man. Barbara Valentin deserved an Oscar for the scene where Babs tries to steal Gladys' lover.

Horrors Of Spider Island is a great 81 minutes of entertainment. The film has an inherent camp appeal but there is more to this film than its technical failings and ludicrous plot. Boettger's film is taunt, tight and terrific. The photography is great and the actors are charming. I can not recommend Horrors Of Spider Island highly enough. A fully restored, uncut version of the film is long overdue.

Those that put too much thought into this movie are missing the point. It was made for a few reasons; one to make a buck, and two, to bring in guys to watch scantily clad, exotic European women try to act, and I guarantee they weren't there to watch them act. They were there to watch the actresses run around in their bikinis and garter belts. Think about it, the ultimate male fantasy. To be alone on an island with several beautiful (and presumably willing) ladies.

Is it cheap? Sure. Is it poorly done? Perhaps. But this movie is no different or worse than the other B-grade European sexploitation or even American films of the same genre.

It's good for a laugh and the women were certainly enticing then as they would be now.

Unless you're Leonard Maltin or Roger Ebert, I say watch it and enjoy. Don't try to figure it out.

Oh God, was this painful, the most deepest of Deep Hurtings.

The plot seems to have been improvised. Actually, the plot was only partially concealed in those dancer's slit skirts, (some of which were more slit than skirt!) That is to say, scenes were mere contrivances to film the girls in various states of (un)dress as they lolled about this deserted cabin.

All female voices were obviously dubbed by one actress. She'd simply change her accent to differentiate. One line, she changed accents three times on the same actress! Just beautiful!

Many scenes were filmed murkily. The two fight scenes ivolving male cast members were laughably ridiculous. Watch as one guy, holdinga a chair over his head, WAITS for the other guy to get out of the way before he throws it!

Again, I digress. I realize this was just a thinly transparent effort for voyeurs. It's interesting to note what the concept of beauty was 40 years ago. It was different than today, because, like it or not, those grls had more meat to them than the anorexic models of today!

Oh yeah, I think there were spiders on the island, (plastic models, of course.)