IMDb RATING
3.7/10
1.1K
YOUR RATING
In the 22nd Century, Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station.In the 22nd Century, Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station.In the 22nd Century, Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station.
- Director
- Writers
- Stars
Rik Van Nutter
- Ray Peterson (IZ41)
- (as Rik Von Nutter)
Gabriella Farinon
- Lucy (Y13)
- (as Gaby Farinon)
Franco Fantasia
- Sullivan
- (as Frank Fantasia)
José Néstor
- Venus Commander
- (as Jose Nestor)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
OK, bad FX but given it was 1960 don't be too harsh in that judgment. Not having seen all SF films from that era it's hard to say whether it was below standard or not. Star Trek didn't get so much better by 1967, substituting flashing lights for analog gauges and completely rewriting/ignoring physics. I liked some of the techno babble here - the multi-stage rocket, the sleep chamber, the arched trusses inside the space station, weightlessness, hydrazine, the paramilitary dialogue. Tossing objects out to detect the beams and stay in the middle seems reasonable and inventive for a mere reporter. "Pecking the lobe" is an electronic way to do the same thing against enemy radar in modern warfare. There was a story here but things got compromised, as usual in movies time and space (ie distances), are ignored in order to cut to the chase (see Armageddon, 1997). The guy waxing philosophical during his space walk has been done in almost every space movie since, and even Neil Armstrong, Buzz Aldrin, et al spoke that way once on earth. Anyhow, good for a laugh.
This movie isn't half bad. At first glance, you think it's just another cheesy, sci-fi B-movie. Outside of some technical blunders (things done outside the parameters of reality) it's pretty good. Al is a very interesting character. I think a remake of this movie wouldn't be a bad idea. Steven Spielberg once said, "An audience will believe even the most far fetched fantasy if it's done seriously and with a lot of credibility". So given the right cast, and a good rewrite of the original screenplay this could make a good, modern day sci-fi. I'd even go as far as purchasing a remastered version if such care were given to preserve it.
I kinda like Assignment Outer Space. It's a real simple little sci-fi flick with your typically bad Italian effects. One scene made the movie for me though.
There's a scene where an astronaut tries to escape a crash by jumping down to one of Mars' moons (strangely similar to the big budget Mission to Mars). Suddenly, there's an explosion when his ship hits. Unfortunately, the person handling the mattes was apparently sleeping that day, because you see an explosion in front of a bunch of buildings and behind a Chevy. Here we are in deep space near the Red Planet and there's a Chevy on a street in Italy. One of the most jarringly funny scenes I ever saw in a grade z movie.
There's a scene where an astronaut tries to escape a crash by jumping down to one of Mars' moons (strangely similar to the big budget Mission to Mars). Suddenly, there's an explosion when his ship hits. Unfortunately, the person handling the mattes was apparently sleeping that day, because you see an explosion in front of a bunch of buildings and behind a Chevy. Here we are in deep space near the Red Planet and there's a Chevy on a street in Italy. One of the most jarringly funny scenes I ever saw in a grade z movie.
Very odd sci-fi film. Filled with quirky little details of some historical interest: The film is Italian and overdubbed in English; but if you watch the actors' lips carefully, they are mouthing the English words; so the film was intended for an English language market from the start.
The writers assume that the Russians will win the space-race of the time, hence the reporter refers to the spaceship crew as "cosmonauts).
The film claims to be shot in Technicolor; this simply cannot be the case. Occasionally the color red shows through, but much of it does look black and white. When Technicolor washes out, it takes on a light blue tint - other processes get very blue, light green, or, as here, simply washed out all together.
Gabriella Farinon is very easy to look at; she later did a very pretty spread for the Italian edition of Playboy Magazine (1975)(some of it can be searched for on the 'net), but her film career went pretty much nowhere.
The year is 1960; that may make this the first film ever to depict a black male as extremely intelligent, brave, wistfully philosophical, and treated by the other crew members as simply another crew member, no reference to race whatsoever. I'm afraid that would make this one of the most important films ever made, in terms of social history (which doesn't mean it's a good film - it isn't).
Director Antonio Margheriti, AKA Anthony M. Dawson, was extremely prolific; however, a filmography search, both here at IMDb and on Google, only discovers his fantasy films, and a small handful of westerns; but I remember his name popping up on almost every other spaghetti or sauer-kraut western produced in the '60s, at least until Sergio Leone came along (and radically changed that genre).
Yes, I can see the influence of this film on Kubrick's 2001; but beyond the film's essential pessimism, it's unclear why Kubrick would be impressed by a film so poorly made.
My viewing confirms a previous reviewer's note that the explosion of a spaceship is represented with brief stock footage of a car blowing up in a parking lot. Why?! Not the lowest budget imaginable for such a film can excuse this gaff - it would have been more effective to take the spaceship miniature and toss it on the ground - and then step on it.
Yet despite flaws like this, the writers seem to be determined to deploy science and technology (at least as it was popularly known at the time) in a fairly realistic manner.
A real stew of a film, made of leftovers as yet not fully cooked.
The writers assume that the Russians will win the space-race of the time, hence the reporter refers to the spaceship crew as "cosmonauts).
The film claims to be shot in Technicolor; this simply cannot be the case. Occasionally the color red shows through, but much of it does look black and white. When Technicolor washes out, it takes on a light blue tint - other processes get very blue, light green, or, as here, simply washed out all together.
Gabriella Farinon is very easy to look at; she later did a very pretty spread for the Italian edition of Playboy Magazine (1975)(some of it can be searched for on the 'net), but her film career went pretty much nowhere.
The year is 1960; that may make this the first film ever to depict a black male as extremely intelligent, brave, wistfully philosophical, and treated by the other crew members as simply another crew member, no reference to race whatsoever. I'm afraid that would make this one of the most important films ever made, in terms of social history (which doesn't mean it's a good film - it isn't).
Director Antonio Margheriti, AKA Anthony M. Dawson, was extremely prolific; however, a filmography search, both here at IMDb and on Google, only discovers his fantasy films, and a small handful of westerns; but I remember his name popping up on almost every other spaghetti or sauer-kraut western produced in the '60s, at least until Sergio Leone came along (and radically changed that genre).
Yes, I can see the influence of this film on Kubrick's 2001; but beyond the film's essential pessimism, it's unclear why Kubrick would be impressed by a film so poorly made.
My viewing confirms a previous reviewer's note that the explosion of a spaceship is represented with brief stock footage of a car blowing up in a parking lot. Why?! Not the lowest budget imaginable for such a film can excuse this gaff - it would have been more effective to take the spaceship miniature and toss it on the ground - and then step on it.
Yet despite flaws like this, the writers seem to be determined to deploy science and technology (at least as it was popularly known at the time) in a fairly realistic manner.
A real stew of a film, made of leftovers as yet not fully cooked.
I only wanted to see this movie because it looked like charming 60's Sci-Fi and, most importantly, because it was the first film directed by Antonio Margheriti (A. Dawson) who would later become one of Italy's most reliable horror/western/crime filmmakers. "Assignment: Outer Space" is a pretty insignificant and poorly produced science-fiction romp, but it's entertaining and you can clearly detect the enthusiasm of both director and cast-members. The first half is boring and filled with clichés, but the second half and particularly the climax offers some amusing, albeit textbook space adventure. The recently (October 2005) deceased Rik Van Nutter plays a pulpy reporter on board of a routine space mission and falls in love with the only female crew member, who's actually sort of like involved with the captain of the mission already. This results in a somewhat hostile relationship between all the passengers, until they all have to get over their personal troubles and prevent an unmanned ship to crash down on earth. The sets and special effects couldn't look more amateurish, still I think this actually ADDS to the charm of these kind of movies. In case you don't like fake planets made out of carbon or astronauts on strings, this certainly isn't your movie.
Did you know
- TriviaWith the international (including Italy) success of large-scale, effects-laden science-fiction spectacles from Japan, such as Ishirô Honda's Prisonnières des Martiens (1957) and Bataille dans l'espace (1959), Italian producers had hoped to duplicate their success with this, Italy's first big space opera.
- GoofsSome of the gauges/meters seen are for tape recorders (% wow and dB meters) and would have nothing to do with the navigation or operation of a spacecraft.
- Quotes
Lucy (Y13): They serve the purpose of changing hydrogen into breathable oxygen and they're as necessary here as the air is on Earth.
Ray Peterson (IZ41): But I still say, they're flowers.
Lucy (Y13): If you like.
Ray Peterson (IZ41): Do you sell them?
Lucy (Y13): I'm afraid not.
Ray Peterson (IZ41): But, maybe we could make a deal.
- ConnectionsFeatured in Out of this World Super Shock Show (2007)
Details
- Release date
- Countries of origin
- Language
- Also known as
- Assignment: Outer Space
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 13 minutes
- Sound mix
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Le Vainqueur de l'espace (1960) officially released in India in English?
Answer