Parfum de mystère

This is very silly and should not under any circumstances be taken seriously. Any attempt to not follow that advice will lead into the inevitable result of you not liking the movie at all. Actually of you dreading the movie. And it's comedy might be considered poor taste, it's acting poor too.

But it is silly and simple for a reason and it stays true to that formula til the end (even if it has hits and misses throughout). The main character with his conviction of knowing more than he actually does helps the movie a lot. Also Mr. Lorre in a role that we are not used seeing him, is great too. All in all, a crime comedy, that might not be something to really recommend ... But still funny to watch

Sent Of Mystery is not a bad film, though basically the answer to a trivia question it's still fun.

Over the years there had been various attempts at filling a movie theater with smells linked to the film being shown. Around 1915, a silent exhibitor distributed a tinted newsreel of the Rose Parade that came with Flit guns of rose sent so that the theater ushers could walk the isles pumping perfume while the film was being shown. In 1940, the Clark Gable & Spencer Tracy vehicle `Boom Town' subjected certain unfortunate audiences to the smell of crude oil pumped into the theater's ventilation system. This went over so poorly, that nobody tried anything like for years.

The `Smell-o-vision' used in Sent Of Mystery was an elaborate system that had vials of several scents within a rotating drum beside each theater seat. These drums were rotated on silent cues actually recorded onto the film's magnetic soundtrack. Each sent was puffed at the patron via compressed air, and in the system's real innovation, each sent was then nullified by another puff of fresh air when the scene was over. It was an elaborate gimmick that would have made Mike Todd Sr. or William Castle proud. In the film, it was used to great affect to identify the killer with a particular kind of pipe tobacco and at the climax the audience is were alerted to his presence before he is seen on screen! Unfortunately this crucial scene is meaningless without the scent and one is left to wonder how the hero is able to identify him, but at least the film does have a fun cameo by Liz Taylor at the end.

Scent Of Mystery later went into wider release under the more pedestrian title of `Holiday In Spain', and under that name it was eventually sold to TV. Around 1983 the film surfaced again when it aired in several US cities and on MTV as part of a cross-promotion with 7-11 convenience stores, which was when I saw it. The 7-11 stores sold a package containing coupons and a foldout card that came with a sheet of scratch-n-sniff decals. As broadcast, the film's `scent points' were marked with a flashing number at the bottom of the screen, which was the viewer's cue to peel & paste the corresponding decal onto their card, which was decorated with images from the film that could be followed like a board game. This included the peach blossoms, the cask of wine, the cooking onions, and the distinctive tobacco. Unfortunately, this broadcast gimmick blew the films surprise by making it more like the `Odorama' used in John Waters' `Polyester.'

Other than the aforementioned John Waters film, the only other use of scented cinema that I'm aware of in recent years is in an attraction at Disney's California Adventure theme park. Those experiencing the Omni-max film `Sorin' Over California' experience a pine scent as they `fly' over the Sierra forests and an orange scent as they `glide' over orchards of the Central Valley. It seems the `Smellies' are just one of those ideas that will never catch on.

There was a race to get smells into films at this time. It was won by the Walter Reade organisation in late 1959 with a documentary called "Behind The Great Wall", which added smells after the film was completed, in a process called aromarama. "scent of Mystery" was produced by Mike Todd Jr. in 70mm, with the smells to be used as clues to the mystery. It was a lighthearted romp, beautifully shot in Spain, with Elizabeth Taylor as a guest star. It has never been revived, or put out on video.

The cinematography is great, as expected with Jack Cardiff directing. A lot of the shots are ingenious. The story, or lack of a story, is terrible. Denholm Elliot, usually an engaging actor, walks through the film in a sleepy state looking like he's waiting for direction. I can't blame him for that. Peter Lorre is his taxi driver, at least in closeups, and his wisecracking guide. The Cinerama filming is a real treat for me. I've seen several roadshow movies in Cinerama including Ice Station Zebra. Diana Dors has a way too short bikini cameo. The film should have been built around Dors in that bikini. Elizabeth Taylor, wife of the producer, pops up at the end.

Englishman Oliver Larker (Denholm Elliott) is on vacation in Spain. He doesn't speak the language. He hires taxi driver Smiley (Peter Lorre). He thinks that he has stumbled upon a murder attempt on an unknown blonde woman.

This movie apparently came with a few gimmicks. It had Smell-O-Vision system and shown in Cinerama. I just simply watched it on TCM. While it maintained the curved picture, the smells can't be transferred. It's still interesting to see Peter Lorre at the end of his career. It's also interesting to see old Spain. I love the locations and the real people. The best scene may be the running of the bulls and it's nothing more than a traffic jam to the story. It was probably interesting to have the smells. There is a lot of interesting stuff other than the main story. I would also prefer to have less narration. This is better as a travelog.