Parfum de mystère

I have been tempted by the Belock/Everest Records/Todd AO link up in terms of LPs, Around the World in Eighty Days, and highlights from Mike Todd's Broadway shows and the Night in Venice, where I think one part of it was filmed in Todd AO. You can hear the front 5 channel sound compressed into remarkable standard 2 channel stereo on the 80 Days LP.

I know the 6 channel Todd AO sound was Westrex and entirely independent of Belock recording but the later development of 8 channels held the possibility of rear stereo effects, the 6 channel format having mono rear sound, but in this case of smello vision one of these channels was also used to steer the scent effects.

I have spotted a Scent of Mystery soundtrack LP from Everest Records and wonder whether it is worth getting in terms of quality of the music on this film.

This may have been a cinematic dead end. But the real bad thing that happened was the tragedy of Mike Todd's premature death in that plane accident.

This is a most interesting discussion and I thank the others for their helpful comments, especially the guy who speaks from first hand experience and who commented on the great sound...that's why I am curious about whether it supplied rear stereo and what the prospects of the LP. I imagine this all predates any form of dolby encoding so the notion of being able to extract a pro logic surround sound from a two track stereo source did not exist.

I saw this movie with the smells. Since the smells in many cases served as clues, it would be confusing without them. The machine that generated the smells was located in the lobby for examination by theater goers. The smells were introduced to the theater using a compressed air system and after a few examples, the audience recognized the noise (which was minimal) and commented to each other "Here comes another one" All in all not really a very good movie but a fun experience. I don't really see how this could ever have been anything more than an experiment.

Scent of Mystery, which is also known as Holiday in Spain. Stars Denholm Elliott and the talented but mysterious Peter Lorre. at the beginning, the card tells us we're going to see the original Smilebox version. wikipedia dot org shows us that this is a curved version of letterbox filming, where the camera tries to show things from the viewers point of view, curving around the viewer. then we spend a lot of time, as the butterfly flies over Spain. Elliott is "Larker", the writer who has created mystery stories about his private eye. and Lorre is his taxi driver. i guess because he's a mystery writer, he thinks he is caught up in a local incident, and they drive all over Spain following Mrs. Jordan (Beverly Bentley, who was married to writer Norman Mailer). and of course, we end up in Pamplona, during the running of the bulls. at one point, Peter Lorre even jokes about being in Casablanca years ago, stealing someone's wife. it kinds of plods along, as the story and the taxi tires go flat. a couple plot twists and turns, as Larker tries to help save the attractive young lady. Directed by Jack Cardiff, who won for Black Narcissus. and one of only three films produced by Mike Todd junior. (his dad, Todd senior had invented several filming techniques, before passing away a couple years back. and was married to Liz Taylor.) this adventure is like a slow, low-budget north by northwest. The best part of this film is the scenery! beautiful mountains, castles, views of Spain.

The cinematography is great, as expected with Jack Cardiff directing. A lot of the shots are ingenious. The story, or lack of a story, is terrible. Denholm Elliot, usually an engaging actor, walks through the film in a sleepy state looking like he's waiting for direction. I can't blame him for that. Peter Lorre is his taxi driver, at least in closeups, and his wisecracking guide. The Cinerama filming is a real treat for me. I've seen several roadshow movies in Cinerama including Ice Station Zebra. Diana Dors has a way too short bikini cameo. The film should have been built around Dors in that bikini. Elizabeth Taylor, wife of the producer, pops up at the end.

Sent Of Mystery is not a bad film, though basically the answer to a trivia question it's still fun.

Over the years there had been various attempts at filling a movie theater with smells linked to the film being shown. Around 1915, a silent exhibitor distributed a tinted newsreel of the Rose Parade that came with Flit guns of rose sent so that the theater ushers could walk the isles pumping perfume while the film was being shown. In 1940, the Clark Gable & Spencer Tracy vehicle `Boom Town' subjected certain unfortunate audiences to the smell of crude oil pumped into the theater's ventilation system. This went over so poorly, that nobody tried anything like for years.

The `Smell-o-vision' used in Sent Of Mystery was an elaborate system that had vials of several scents within a rotating drum beside each theater seat. These drums were rotated on silent cues actually recorded onto the film's magnetic soundtrack. Each sent was puffed at the patron via compressed air, and in the system's real innovation, each sent was then nullified by another puff of fresh air when the scene was over. It was an elaborate gimmick that would have made Mike Todd Sr. or William Castle proud. In the film, it was used to great affect to identify the killer with a particular kind of pipe tobacco and at the climax the audience is were alerted to his presence before he is seen on screen! Unfortunately this crucial scene is meaningless without the scent and one is left to wonder how the hero is able to identify him, but at least the film does have a fun cameo by Liz Taylor at the end.

Scent Of Mystery later went into wider release under the more pedestrian title of `Holiday In Spain', and under that name it was eventually sold to TV. Around 1983 the film surfaced again when it aired in several US cities and on MTV as part of a cross-promotion with 7-11 convenience stores, which was when I saw it. The 7-11 stores sold a package containing coupons and a foldout card that came with a sheet of scratch-n-sniff decals. As broadcast, the film's `scent points' were marked with a flashing number at the bottom of the screen, which was the viewer's cue to peel & paste the corresponding decal onto their card, which was decorated with images from the film that could be followed like a board game. This included the peach blossoms, the cask of wine, the cooking onions, and the distinctive tobacco. Unfortunately, this broadcast gimmick blew the films surprise by making it more like the `Odorama' used in John Waters' `Polyester.'

Other than the aforementioned John Waters film, the only other use of scented cinema that I'm aware of in recent years is in an attraction at Disney's California Adventure theme park. Those experiencing the Omni-max film `Sorin' Over California' experience a pine scent as they `fly' over the Sierra forests and an orange scent as they `glide' over orchards of the Central Valley. It seems the `Smellies' are just one of those ideas that will never catch on.