La mafia

This is a fine old film about the beginnings of the mafia in America. Their nemesis was the Italian squad of the NYPD of which my grandfather was a part and whose notes and case books were used in the making of the film. The mafia at the time was called the black hand and was made up in this country of cheap hoods who mostly ran protection rackets on the small business owners of little Italy. They were backed by the dons in Sicily and the Italian squad's task was to shut the rackets down. They tried hard but the squad was pretty much broken up after the death of Lt. Petrosino in Sicily. This film shows the good and bad guys of the time and what my grandfather called, very un-pc,"one guinea killing another".

I am the great half niece of Lt. Petrosino. I have seen the movie many years ago and have been trying to purchase it on either video or DVD for many years now. Ernest Borgnine did a great job playing the part of Lt. Petrosino. If anyone knows how to purchase this movie, could you please email me? I have tried to contact the Petrosino Lodge (Sons of Italy) without success and have been searching many websites. It is something I would love my children and grandchildren to see and to have. I can remember my Uncle Joe Petrosino, who looks much like Lt. Guiseppe Petrosino, who now all go by Petrosine. Thank you for any input... Please email me at lindarae1948@aol.com

Smoothly done crime drama based on an actual New York crime fighter. Police Lt. Petrosino (Borgnine) is proud of his Italian heritage, but rues presence of Mafia elements in New York's Little Italy. Thus he dedicates himself to cracking open the secret web that extracts money from honest shopkeepers. There is, of course, some violence but it's not spread on thickly, which keeps the story in central focus. Petrosino's personal life is somewhat complicated by an Italian girl (Lampert) whom he's attracted to. (At least that gets a pretty girl into what's otherwise an all male cast!) Trouble is he's middle-aged while she's attracted to a younger guy. So, all in all, will he be able to get beyond crime's chokehold on the neighborhood and maybe help his private life at the same time.

Borgnine delivers in robust fashion appearing in most every scene. His cop is likable, maybe too much so for the toughness he must display—but that's debatable. Lampert's a pleasant surprise as the neighborhood girl. I can see why the cop was stuck on her. Too bad actress Lampert didn't have an A-list career; she certainly had the talent. It's also a strong supporting cast of ordinary looking guys that fit their part, including familiar stalwarts like Simon and Marley. There's also a general and well-placed refusal to glamorize anybody or anything. Little Italy thus comes across as a struggling ethnic neighborhood looking for a chance to enter the American mainstream, but held back by criminal elements carried over from the old country.

All in all, it's an engaging movie with a few surprises that holds interest despite a lengthy runtime. Just as importantly, it shows that a lead actor doesn't have to be handsome in order to win an audience.

(In passing— It was about this time (1960) that the similarly themed The Untouchables with Robert Stack started its popular run on TV (1959-63).)

"Pay or Die!" is a very good film....not the least of which is because it's amazingly accurate for a Hollywood biopic. It's about Lt. Joseph Petrosino (Ernest Borgnine), the first Italian-speaking cop in New York City...and a crusader against organized crime.

When the story begins, various members of the Italian-American community are being harassed and threatened by 'the black hand'...an Italian organization based on extortion. The problem is that despite the damage they cause the community, everyone is afraid to cooperate with the police for fear of reprisals from this group. What Petrosino doesn't realize, however, is that the problem is much larger and well organized than he thinks and is actually part of the Mafia. To combat this, Petrosino starts an Italian Squad--a group of Italian-American cops who integrate undercover into the community to get the goods on the mob. What's next? See the film.

Why did I score this one so high? Much of it is because the acting is so good...as is the writing. The characters seem real and you really find yourself caring about Petrosino and his friends. Additionally, the film generally sticks to the true facts and is a nice history lesson. Well worth seeing...and quite exciting.

This 1960 crime drama was directed by Richard Wilson, who had just made a highly successful film on the life of Al Capone the previous year, and does another fine job with this one, set in New York's Little Italy in the early twentieth century. Ernest Borgnine is the hero, a policeman who takes on the dreaded "Black Hand" that was terrorizing shopkeepers and various other innocent, law-abiding people by forcing them to pay "protection money" (or else). It's the usual cops and robbers story, but with more heart than most, and with an unusual setting, stunningly realized by set designer Darrell Silvera. That the story happens to be based on fact gives the movie gravitas. Although it's filmed as melodrama the film is in many respects a semi-documentary of tenement life, much of it sadly true. There's nothing romantic about the Mafia depicted in this movie. They're presented as the brutal thugs they really are, without a trace of sentimentality. The sympathy here is all for the poor people of the streets, and for the man who was their champion.