La mafia

Great historical mafia movie. Terrific depiction of the early infiltration of the "Black Hand" in America. From its earliest beginning, to its deepest & darkest connections back to its Italian roots, the film delivers an in-depth incite into the powers and horrors of organized crime. The storyline and depiction could easily have been a inspiration for the "Godfather". This is a great film in which the cinematography, the acting, the art direction, and the script all coming together to create a seamless masterpiece. Ernest Borgnine as police Lt. Petrosino delivers an inspiring performance. This film is a lost classic that needs to be released in DVD.

"Pay or Die!" is a very good film....not the least of which is because it's amazingly accurate for a Hollywood biopic. It's about Lt. Joseph Petrosino (Ernest Borgnine), the first Italian-speaking cop in New York City...and a crusader against organized crime.

When the story begins, various members of the Italian-American community are being harassed and threatened by 'the black hand'...an Italian organization based on extortion. The problem is that despite the damage they cause the community, everyone is afraid to cooperate with the police for fear of reprisals from this group. What Petrosino doesn't realize, however, is that the problem is much larger and well organized than he thinks and is actually part of the Mafia. To combat this, Petrosino starts an Italian Squad--a group of Italian-American cops who integrate undercover into the community to get the goods on the mob. What's next? See the film.

Why did I score this one so high? Much of it is because the acting is so good...as is the writing. The characters seem real and you really find yourself caring about Petrosino and his friends. Additionally, the film generally sticks to the true facts and is a nice history lesson. Well worth seeing...and quite exciting.

In the early 1900's police detective Lieut. Joseph Petrosino (Ernest Borgnine) forms a special squard to combat the menacing Black Hand in New York City in this tough and convincing drama based on actual events. Hardworking store keepers are threatened with torture, death and destruction if they don't come across with "protection" money. Other than Borgnine's fine performance there's good support from Zohra Lampert (an actress who should have risen to the top), Al Austin, John Duke, Renata Vanni and John Marley (Hollywood mogul Woltz in "The Godfather"). The essence of the period is captured with the stunning black and white photography.

Smoothly done crime drama based on an actual New York crime fighter. Police Lt. Petrosino (Borgnine) is proud of his Italian heritage, but rues presence of Mafia elements in New York's Little Italy. Thus he dedicates himself to cracking open the secret web that extracts money from honest shopkeepers. There is, of course, some violence but it's not spread on thickly, which keeps the story in central focus. Petrosino's personal life is somewhat complicated by an Italian girl (Lampert) whom he's attracted to. (At least that gets a pretty girl into what's otherwise an all male cast!) Trouble is he's middle-aged while she's attracted to a younger guy. So, all in all, will he be able to get beyond crime's chokehold on the neighborhood and maybe help his private life at the same time.

Borgnine delivers in robust fashion appearing in most every scene. His cop is likable, maybe too much so for the toughness he must display—but that's debatable. Lampert's a pleasant surprise as the neighborhood girl. I can see why the cop was stuck on her. Too bad actress Lampert didn't have an A-list career; she certainly had the talent. It's also a strong supporting cast of ordinary looking guys that fit their part, including familiar stalwarts like Simon and Marley. There's also a general and well-placed refusal to glamorize anybody or anything. Little Italy thus comes across as a struggling ethnic neighborhood looking for a chance to enter the American mainstream, but held back by criminal elements carried over from the old country.

All in all, it's an engaging movie with a few surprises that holds interest despite a lengthy runtime. Just as importantly, it shows that a lead actor doesn't have to be handsome in order to win an audience.

(In passing— It was about this time (1960) that the similarly themed The Untouchables with Robert Stack started its popular run on TV (1959-63).)

Pay Or Die is the story of Police Lieutenant Joseph Petrosino and his struggle against the infamous Black Hand who has moved over from the old country in Sicily and is terrorizing the new Italian immigrants just trying to make it in a new country. The Black Hand is sad to say an unhappy reminder of what they left.

During the course of the film at one point Ernest Borgnine and Zohra Lampert as Mrs. Petrosino drink a toast to President Theodore Roosevelt. It's not just an idle toast. Not told in the film is the fact that as Police Commissioner, Roosevelt recognized the talent in Petrosino and made him a personal protégé and started his climb up the NYPD promotion ladder.

What attracted TR to Petrosino is the no nonsense way he dealt with criminals. Petrosino was not a guy who believed in civil liberties and rights for criminals. He'd be lost in a world of Miranda. But he was as he saw it representing the forces of law and order against a completely ruthless enemy. Just the guy you need to fight a war on terror.

His life and tragic death are dealt with in a way that makes Petrosino terribly human. Zohra Lampert's character who marries Petrosino survived him by decades, dying in 1957. She and Borgnine make a perfect couple on screen. In the supporting cast Robert Ellenstein stands out as an Italian shyster lawyer who gets a really tragic comeuppance.

Pay Or Die is a well constructed albeit B picture without any frills. It holds up well for today and should be in the ranks of great gangster films.