Danny Ocean gathers a group of his World War II compatriots to pull off the ultimate Las Vegas heist. Together the eleven friends plan to rob five Las Vegas casinos in one night.Danny Ocean gathers a group of his World War II compatriots to pull off the ultimate Las Vegas heist. Together the eleven friends plan to rob five Las Vegas casinos in one night.Danny Ocean gathers a group of his World War II compatriots to pull off the ultimate Las Vegas heist. Together the eleven friends plan to rob five Las Vegas casinos in one night.
- Awards
- 2 nominations total
Featured reviews
This version of 'Ocean's 11' hardly needed a plot, did it? Just an extended ad for the Rat Pack's Vegas shows and the enormous ego of Frank Sinatra, here strutting his stuff as Danny Ocean, leading his war chums in a plan to rob numerous casinos in one night.
So we get Sinatra, Dean Martin, Sammy Davis, Peter Lawford, and Joey Bishop (did they play characters in this? can anybody remember who?) and a fun romp to the pay off - still getting referenced in films being made today. George Clooney's remake was nowhere near as much fun. There's music in this movie, of course (with that cast you'd be disappointed if not), plus appearances from Angie Dickinson, Shirley MacLaine (uncredited but noticeable), Cesar Romero, and Errol Flynn's widow Patrice Wymore.
This really is a lightweight lark if you're in the mood. Is it a good film? Probably not. Is it good entertainment? Absolutely.
So we get Sinatra, Dean Martin, Sammy Davis, Peter Lawford, and Joey Bishop (did they play characters in this? can anybody remember who?) and a fun romp to the pay off - still getting referenced in films being made today. George Clooney's remake was nowhere near as much fun. There's music in this movie, of course (with that cast you'd be disappointed if not), plus appearances from Angie Dickinson, Shirley MacLaine (uncredited but noticeable), Cesar Romero, and Errol Flynn's widow Patrice Wymore.
This really is a lightweight lark if you're in the mood. Is it a good film? Probably not. Is it good entertainment? Absolutely.
Ocean's 11 never tries to be brilliant and is only sometimes good. The thin plot is a set up for the "boys" to look sharp (and they sometimes do), sing songs (which they do well) and to show off 1960 Las Vegas (which by today's standards looks pretty shabby).
This is a second rate heist story with a few gangsters thrown in. But after all, we have Sinatra and company. You can see that the excellent film, The Rat Pack, was very right on. Sinatra is his arrogant self. Martin is relaxed, Lawford is suave and the singing by Sammy Davis Jr. is great.
Ocean's 11 is a snap shot of what was "cool" in the ultimate era of coolness. It's all here, the clubs, the Marilyn Monroe look a likes, the flashy clothes and lots of money. It's better than imitations such as Swingers since Ocean's 11 is the source. Of course it includes the legendary bad treatment of women and African Americans. The actresses are either add-ons or pathetic martyrs (Angie Dickinson). As for Sammy, he puts up with the garbage man part, a racial slur (all in good fun of course!) and the self centeredness of these guys. I just admire him because he had to do it, so he could perform.
Back to the "fun". The boys get to be clever, then there's a surprise ending and finally we see them shuffle hung over in front of a casino. Every few years I check out Ocean's 11 not just to watch this silly movie but also to see the rats (or brats?) and chuckle (and wince) at an amazing time in the USA, baby.
This is a second rate heist story with a few gangsters thrown in. But after all, we have Sinatra and company. You can see that the excellent film, The Rat Pack, was very right on. Sinatra is his arrogant self. Martin is relaxed, Lawford is suave and the singing by Sammy Davis Jr. is great.
Ocean's 11 is a snap shot of what was "cool" in the ultimate era of coolness. It's all here, the clubs, the Marilyn Monroe look a likes, the flashy clothes and lots of money. It's better than imitations such as Swingers since Ocean's 11 is the source. Of course it includes the legendary bad treatment of women and African Americans. The actresses are either add-ons or pathetic martyrs (Angie Dickinson). As for Sammy, he puts up with the garbage man part, a racial slur (all in good fun of course!) and the self centeredness of these guys. I just admire him because he had to do it, so he could perform.
Back to the "fun". The boys get to be clever, then there's a surprise ending and finally we see them shuffle hung over in front of a casino. Every few years I check out Ocean's 11 not just to watch this silly movie but also to see the rats (or brats?) and chuckle (and wince) at an amazing time in the USA, baby.
What a difference a few decades make. When this movie was made, these were the coolest guys in the world for anyone over 25. They were cool because they thought so themselves and everyone believed them.
At least we did then. Now we see not only a particularly bad caper movie, we see how uncool these guys really were. Frank was merely a selfish bully, the skinny kind who paid others to rough people up.
So we see many stories here. We see the caper story.
We see the story about 5 guys who pretended to matter and did for a while, long enough to make lots of money and have a lot of sex.
But there's a bigger story here, one that this movie evokes more than any other I know. Its the story of America, the America defined by entertainers, the one the French New Wave thought was real. You can research it quickly by seeing "The Ocean's Eleven Story," a poorly made documentary, but one that hits most of the buttons.
These guys, at this time, were behind making the Mob bigger than they ever had been before. They married the Mob with presidential politics, even pimping to the president. This was where Marilyn's suicide was made inevitable. And Mob hits on Castro, and the embarrassment of the FBI by RFK, and subsequent rage by Frank at being jettisoned.
There is suicide and assassination behind their misogynistic prancing, their assumption that all they had to do was show up, and we would swoon.
This is an important film, if you think film is important.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
At least we did then. Now we see not only a particularly bad caper movie, we see how uncool these guys really were. Frank was merely a selfish bully, the skinny kind who paid others to rough people up.
So we see many stories here. We see the caper story.
We see the story about 5 guys who pretended to matter and did for a while, long enough to make lots of money and have a lot of sex.
But there's a bigger story here, one that this movie evokes more than any other I know. Its the story of America, the America defined by entertainers, the one the French New Wave thought was real. You can research it quickly by seeing "The Ocean's Eleven Story," a poorly made documentary, but one that hits most of the buttons.
These guys, at this time, were behind making the Mob bigger than they ever had been before. They married the Mob with presidential politics, even pimping to the president. This was where Marilyn's suicide was made inevitable. And Mob hits on Castro, and the embarrassment of the FBI by RFK, and subsequent rage by Frank at being jettisoned.
There is suicide and assassination behind their misogynistic prancing, their assumption that all they had to do was show up, and we would swoon.
This is an important film, if you think film is important.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
I haven't seen the new remake of this movie yet, but they have some pretty big shoes to fill. Technically Ocean's Eleven may not be a great film, but whatever minor plot shortcomings that exist are made up for in spades by immeasurable style.
I'm not going to explain the plot, as I'm sure that 50 other people already have. It's been a while since I've watched an older movie, so I found the loose-yet-confident chemistry and acting of the brat pack members to be very refreshing. They seemed so natural around each other, which is no surprise considering that they were buddies in real life. Sammy Davis Jr. was his usual charismatic self (why didn't he take off with the money??), Dean Martin seemed to be playing himself, a bit tipsy and sweaty with a drink in one hand and a smoke in the other, as he does in most of his films, and Frank Sinatra was also good as the understated womanizing organizer. However, I thought that Cesar Romero (known for his manic portayal of the Joker in the 60's Batman tv series) really stole the show right out from under the overly confident brat pack...I found his performance to be very commanding and impressive. A nice surprise to see comedian Red Skelton and Norm Fell (Three's Company's Mr. Roper!) in there as well!
A few things hilariously go unexplained, like how they all managed to get casino jobs virtually overnnight, but it hardly seemed to matter. You know this movie is basically just a vehicle for the brat pack, and it's pure entertainment to just watch all these legends hamming it up, especially during the couple of musical interludes where you get to hear Dean Martin and Sammy Davis Jr. croon a few really catchy songs, like E-O Eleven!
At the same time it's also a window into another era, a time of larger than life Hollywood stars. Another thing that really jumped out at me was how unabashedly politically incorrect this movie is, showcasing a dramatically different mentality than what we see in movies today. Ocean's Eleven is a pure guy flick, where all the women are no more than window dressing and are treated as such by the male characters. As dated as the macho attitude of the film may seem nowadays (and even already by late 60's standards), I found it to be a fascinating glimpse into the past when guys were guys and women were umm, dames! As ironic as it is, I found seeing this old movie without the typical modern day contrived politically correct preaching to be very refreshing, and somehow strangely rebellious!
I'm not going to explain the plot, as I'm sure that 50 other people already have. It's been a while since I've watched an older movie, so I found the loose-yet-confident chemistry and acting of the brat pack members to be very refreshing. They seemed so natural around each other, which is no surprise considering that they were buddies in real life. Sammy Davis Jr. was his usual charismatic self (why didn't he take off with the money??), Dean Martin seemed to be playing himself, a bit tipsy and sweaty with a drink in one hand and a smoke in the other, as he does in most of his films, and Frank Sinatra was also good as the understated womanizing organizer. However, I thought that Cesar Romero (known for his manic portayal of the Joker in the 60's Batman tv series) really stole the show right out from under the overly confident brat pack...I found his performance to be very commanding and impressive. A nice surprise to see comedian Red Skelton and Norm Fell (Three's Company's Mr. Roper!) in there as well!
A few things hilariously go unexplained, like how they all managed to get casino jobs virtually overnnight, but it hardly seemed to matter. You know this movie is basically just a vehicle for the brat pack, and it's pure entertainment to just watch all these legends hamming it up, especially during the couple of musical interludes where you get to hear Dean Martin and Sammy Davis Jr. croon a few really catchy songs, like E-O Eleven!
At the same time it's also a window into another era, a time of larger than life Hollywood stars. Another thing that really jumped out at me was how unabashedly politically incorrect this movie is, showcasing a dramatically different mentality than what we see in movies today. Ocean's Eleven is a pure guy flick, where all the women are no more than window dressing and are treated as such by the male characters. As dated as the macho attitude of the film may seem nowadays (and even already by late 60's standards), I found it to be a fascinating glimpse into the past when guys were guys and women were umm, dames! As ironic as it is, I found seeing this old movie without the typical modern day contrived politically correct preaching to be very refreshing, and somehow strangely rebellious!
I remember back in the day when the commercials were out for Ocean's Eleven it was described as the heist of all time. It wasn't exactly that, but there is a spirit of camaraderie that is present through out the film.
Frank Sinatra had signed a picture deal with Warner Brothers and was beginning a long term commitment to the Sands in Las Vegas. What better way than to combine everything at once. A film on location in Las Vegas.
So Frank got his pallies together and they filmed Ocean's Eleven in between shows at the Sands. They also managed to get into another film, several of the principal players in Ocean's Eleven did guest shots in Pepe while at the Sands.
Ocean's Eleven has a lighthearted insouciance about it, a group of former Airborne Rangers get together in Las Vegas for a heist of the big casinos carried on with military precision. Why waste all that good airborne training now that they're civilians.
Sinatra doesn't sing in this, I can't imagine why he didn't give himself a song here, but Dean Martin and Sammy Davis, Jr. did sing two numbers suited to their talents.
Ocean's Eleven marked the first time that Richard Conte worked in a Sinatra film. He became a Sinatra retainer in his later years, appearing in several Sinatra films. They parted when Conte appeared in The Godfather against Frank's wishes.
After Ocean's Eleven came Sergeants Three with the main cast members appearing again. After that the Rat Pack broke up with these guys going their own way, though many of them did have joint projects together over the years. The quality of the films went down hill, except for Robin and the Seven Hoods. That was a musical and not something to be done in your spare time.
The remake of Ocean's Eleven that George Clooney, Brad Pitt, Matt Damon and several other name players of today did was a far more serious film. Good in its own way, but just not the same.
Frank Sinatra had signed a picture deal with Warner Brothers and was beginning a long term commitment to the Sands in Las Vegas. What better way than to combine everything at once. A film on location in Las Vegas.
So Frank got his pallies together and they filmed Ocean's Eleven in between shows at the Sands. They also managed to get into another film, several of the principal players in Ocean's Eleven did guest shots in Pepe while at the Sands.
Ocean's Eleven has a lighthearted insouciance about it, a group of former Airborne Rangers get together in Las Vegas for a heist of the big casinos carried on with military precision. Why waste all that good airborne training now that they're civilians.
Sinatra doesn't sing in this, I can't imagine why he didn't give himself a song here, but Dean Martin and Sammy Davis, Jr. did sing two numbers suited to their talents.
Ocean's Eleven marked the first time that Richard Conte worked in a Sinatra film. He became a Sinatra retainer in his later years, appearing in several Sinatra films. They parted when Conte appeared in The Godfather against Frank's wishes.
After Ocean's Eleven came Sergeants Three with the main cast members appearing again. After that the Rat Pack broke up with these guys going their own way, though many of them did have joint projects together over the years. The quality of the films went down hill, except for Robin and the Seven Hoods. That was a musical and not something to be done in your spare time.
The remake of Ocean's Eleven that George Clooney, Brad Pitt, Matt Damon and several other name players of today did was a far more serious film. Good in its own way, but just not the same.
Did you know
- TriviaAccording to Frank Sinatra Jr. on the DVD commentary, Sammy Davis Jr. was forced to stay at a "colored only" hotel during the filming because Las Vegas would not allow blacks to stay at the major hotels despite his appearing with Frank Sinatra, Dean Martin, and the others at the Sands Hotel. He was only allowed to stay at the major hotels after Frank Sinatra confronted the casino owners on his behalf, therefore breaking Vegas' unofficial color barrier. That hotel was Mrs. Harrison's Boarding House, located in the historic Westside district. The establishment hosted a stellar array of African American entertainers in its day and is now a listed historic building.
- GoofsThe chest x-ray seen as Bergdorf is talking to the doctor is upside-down.
- Quotes
Danny Ocean: [Answering the phone] Hello, this is a recording. You've dialed the right number; now hang up and don't do it again.
- Crazy creditsThe opening credits list George Raft and Red Skelton as "guest stars." The term "guest stars" is a misnomer for the film industry because guest stars are actors who are not part of the regular cast, but unlike television and radio programs, films don't have a regular cast. Several films from the 1960s used "guest stars" in place of "special appearance" or "featuring."
- ConnectionsEdited into La Nuit des vers géants (1976)
Details
Box office
- Budget
- $2,800,000 (estimated)
- Runtime2 hours 7 minutes
- Aspect ratio
- 2.39 : 1
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