Un vison pour mademoiselle

Very odd film. The sort of film that only the British could make.

Terry-Thomas is cast out of his usual flash, boisterous role as the rather timid Major Rayne, down on his luck and living in a boarding house with the weirdest collection of women you're ever likely to see, including a very young Billie Whitelaw and a masterful Hattie Jacques.

By pure mischance, they embark on a campaign of fur robbery in order to support their landlady's charitable work. The film is a wonderful caricature of the down-at-heel gentry in Britain at that time, includes some very endearing characters and is genuinely funny in its naive fashion.

Recommended to any fan of the wonderful Terry-Thomas and British comedies of this era.

The last time I saw this film was about 40 years ago when I was a kid. My sister and I would watch movies on Channels 9 and 11 in NYC and we saw Make Mine Mink about 3 times, I figure. Since then, I have unsuccessfully sought it in movie stores, like a man wistfully returning to the haunts he frequented with his first love, hoping against all odds to catch another glimpse of her. Part of my curiosity is determining whether I would think it as funny today, and my sister wonders the same thing. Terry Thomas was an absolute favorite of mine back then, too, and I haven't seen anything of him on TV for a long time. So what's this got to do with the movie itself? Well, it's just that kind of film. There's such a combination of comedy, sweetness, surprise, and intelligence in it that it sticks with you for a long time. The combination of the odd British major living in a rooming house with an extraordinary collection of women, the craziness of their plans and the situations they get themselves into, and the smart understating of the comedy that was such a British specialty before they became so self-conscious about that particular gift, make it a rarity in more ways than one.

Make Mine Mink is based on Peter Coke's West End play Breath Of Spring. The story centres around a group of odd-ball amateurs, who led by their aging landlady Dame Beatrice Appleby {Athene Seyler}, venture into crime by way of stealing valuable fur coats and then giving the proceeds from their crimes to charity. Joining the eccentric Dame is a has-been military officer {Terry-Thomas}, a larger than life etiquette instructor {Hattie Jacques} and a batty china mender {Elspeth Duxbury}. Oddly, and crucial to the plot of course, the house keeper is an ex-convict {sexy Billie Whitelaw} who is not involved. Just as well since her boyfriend is a Copper! This sets us up for a number of delightful sequences as our "crims" blunder into one caper after another, whilst trying to avoid capture by the increasingly baffled police force. The film even has time to homage The Third Man in one particularly funny scene as Thomas' Major Rayne goes in search of a "fence" for their ill gotten gains.

There are so many great things about Make Mine Mink, but what stands out the most is that it's a testament to what good writing and a quality cast can do for a basic premise. More known for being the director of film's starring that bastion of Jerry Lewis a like British comedy, Norman Wisdom, Robert Asher keeps it simple and lets the cast run with the material. The pace never lets up and there is not one sign of filler or awkward padding. Thomas is revelling in being the sole male actor in the core group and both Jacques and Seyler light up the screen regularly {look out for an hilarious smoke bomb moment from Jacques}. But it's Duxbury's movie all the way, a relative unknown with only 7 acting credits to her name {she passed away in 1967}, Duxbury gives a performance of such high comedic quality, this film becomes a fitting and lasting legacy to her name. As Pinkie she runs everywhere, forgets everything and has all her co-criminals constantly in despair. It's a truly joyous turn that for me personally has become a highlight of my viewings this year.

Available on Region 2 DVD, and part of the wonderful Terry-Thomas Box Set, Make Mine Mink should hopefully now start getting more exposure. It deserves it, a throwback to great British comedy days, and a film that's sure to have you grinning from ear to ear. 8.5/10

For no reason I can fathom, this title recently popped into the disordered clutter of my memory. I haven't seen it since those halcyon days in Southern California, before multiplexes, when admission prices were affordable on a frequent basis, and when the area where I lived had theaters that booked all sorts of films from all over the globe, or so it seemed. It's one of the few films I went back to see almost immediately, since the uproarious laughter it provoked obscured some of the dialogue during my first viewing.

Terry-Thomas and his female partners-in-crime are truly hilarious and, for me, the special bonus of two of my favorite British character actresses, Irene Handl and Hattie Jacques, appearing in a film together, made this one of those gems I'll never forget. The slapstick elements are handled with that special brand of wit for which English comedies are noted and the modest production values actually enhanced the fun. I note that it's not currently available from American purveyors to the U.S. video market, but a DVD is offered in the U.K. Guess it's time to discover what's involved in exchange rates, international shipping, and so forth. It should prove worth the effort to renew a happy memory.

Just saw it on TCM. It was much funnier than I expected. It is unusual for a slapstick comedy to have so much sympathy for the characters. You really get to like them. Even the love interest is well done. Its well worth watching. Terry Thomas is superb. As good as I remembered him from my misspent youth. The three women who worked with him were also very good. I didn't remember any of them but will look for them in the future. It is a shame that the wondrous tradition of British comedies disappeared. From Guiness to Sellars to Margaret Rutherford. The Remake of The Ladykillers proved just how good they were. It is amazing how even a fine actor like Tom Hanks was unable to match the quality of the original movie.