Panique à bord

I heard once that Andrew Stone and Alfred Hitchcock were friends. If so, I can just imagine those two gents sitting around during a long, rainy evening discussing ways of torturing an audience with suspense.

"The Last Voyage" cuts to the chase right away. Something happens on board the ocean liner "Claridon" and before you can sing "row, row, row your boat" the vessel is plunged into crisis. No soapy melodramas, bickering couples, singing nuns, etc. Just a good old-fashioned straightforward action flick. There are two stories. One involves the entirely myopic attempt by the captain (George Sanders) to save the ship and his reputation. He's the voice of authority in denial, prevalent in countless movies (where he's challenged by the pragmatic man-of-action). "Jaws" is a prime example.

The other story concerns the entrapment of Robert Stack's wife in the film (Dorothy Malone) under a steel beam and his race to save her. Naturally, Stack soon finds himself at odds with the captain as he tries to get help to free his wife, and all kinds of obstacles get in his way. Meanwhile things are getting worse with the ship. The suspense keeps cranking tighter and tighter, as I breathlessly watch and try to convince myself that all will be well in the end - to no avail! Filming on a real ship is what really makes this movie work; in fact, the ship becomes a major character in the story. There's very little suspension of disbelief required. Stone keeps the story moving with dispatch and the ninety minutes fly by quickly. There are a few anomalies that I found problematic (where were the ship's medical staff, and how could the captain be SO intransigent), but these were diminished by the strong emotional elements and the movie's depiction of courage, devotion and loyalty, which were inspiring.

I found Dorothy Malone to be particularly moving as the wife who, sensing a hopeless situation, just wants her husband and their kid to get themselves off the ship. It may be that, because I found her to be so sanely practical and REAL, that I kind of fell in love with her. She's the emotional centre of the film.

When I was small I saw a movie on TV with my grandfather that scared the BEJEEPERS out of me: its images of a woman imprisoned by steel beams on an exploding, sinking ship have haunted me all these years. I was watching TCM today and when I saw the opening sequences of "The Last Voyage" I recognised it straight away as the movie with the poor lady trapped in the wrecked liner. As an adult I found the movie suspenseful: no wonder it terrified me as a kid. Dorothy Malone's performance masterly captures the wife's desperation, panic, and concern that her child and husband survive. Robert Stack makes the viewer feel the loyalty and drive that makes the husband battle to save his wife against the odds. It was great to see a movie from my early childhood present a black character who is every inch a hero as the leading character, who fights to rescue the wife as much as her husband does. The characters of the captain and the British main officer are finely drawn and the struggles of the officer to preserve the ship and take care of the passengers while the captain fails to grasp the seriousness of the situation make an effective counterpart to the husband's attempts to free his wife and daughter from the wreckage of their cabin. The overhead shots of the daughter perched on the edges of a hole ripped through several decks of the ship are horrifying and I'm sure they are responsible for my still being scared of heights. This movie's style is matter of fact, complete with a historical-sounding narration, but this increases the impact of the terror of the wife and the growing desperation and frustration of the husband as he races to find someone who will help them. The engineer's outburst at the captain reflects the growing tension that the film creates. This is not just another hokey disaster film in Technicolor - this is a film that shows how people facing danger and death keep their heads to honour their relationships, professions and their humanity. An unforgettable film, and one that puts the overblown special effects and underdeveloped characterisations of Titanic to shame.

Viewers of "The Last Voyage" who have branded it a "cinematic turkey" are mislead, in my opinion. This film achieves a realism that is superior to the many disaster genre films that followed it. But more importantly, it is a visual record of one of the finest transatlantic liners ever--the French Line's Isle de France. I don't know of any motion picture that actually used a ship as a floating prop as extensively as Stone's film. The Isle de France represented an important departure in ship design. Earlier liners attempted to disguise the fact that they were ocean-going vessels. The "Isle de France" brought the new art deco and moderne styles to the high seas and utilized some of the finest French designers to craft this ship of state. When the later Normandie was lost, many of her furnishings were transferred to the Isle including furnishings by the famous designer Ruhlman. Here in this film are these exciting interiors for all to see for the last time prior to sending the Isle to the ship breakers. The film also heralds the very twilight of regularly scheduled transatlantic and transpacific liner service as the jet began to rapidly displace this very civilized way to travel.

Did you like 'The Poseidon Adventure' ?? If yes, you will love 'The Last Voyage'. This is one of the most believable pictures I've ever seen; and not without reason: did you know that most of the sinking scenes were shot on the French Liner 'Ile de France' right before it was sold to Chinese wreckers (by the way: that's the reason for all the Chinese Stewards in the picture)?? They actually flooded parts of the engine room for the shooting. And even the scene in the Dining room (at the end)was real; Wanna see how it REALLY is to see a ship sinking ?? Get this movie... The only really disappointing scene is the actual sinking of the 'Claridon'. But it's worth it anyway...

A good decade before the disaster films of the '70s we had this engrossing, tightly knit disaster film about a luxury passenger liner's last voyage after a fire and explosions make it sinkable.

George Sanders is the Captain who doesn't want to alert the passengers and thinks the fire can be contained before things get worse. Robert Stack is traveling with his wife and daughter and having a wonderful time until they learn the hard way that the ship is doomed. Most of the film has him trying to find someone help him rescue his wife who becomes trapped beneath some steel girders. Fortunately for him, Woody Strode agrees to help and most of the suspense deals with their efforts to free her despite no help from the Captain or his crew--until Edmond O'Brien joins forces with them to free her.

All of the details are realistic and certainly the actors had to undergo some uncomfortable physical demands in going through their paces. Woody Strode is impressive both physically and otherwise as the man who gives his all to help Stack. He and Robert Stack give the strongest performances in their physically demanding roles.

George Sanders is rather bland as the stubborn Captain but since most of the action concerns Stack and his efforts to free Malone, it doesn't matter too much. Dorothy Malone is impressive as the woman who tells her husband and daughter to save themselves before it's too late.

A very engrossing thriller...but one that had me squirming uncomfortably while watching situations that seemed painfully real. A forerunner of James Cameron's TITANIC, it tells the tale in a swift one hour and thirty minutes with some of the action filmed aboard the real Ile de France.