La polka des marins

Sailor Beware is the 5th big screen outing for Dean Martin & Jerry Lewis. It's directed by Hal Walker and also stars Corinne Calvet, Marion Marshall, Robert Strauss & Leif Erickson.

As was normally the way with a Martin & Lewis vehicle, the plot is rather thin. This one sees the boys, against all odds, pass the requirements for joining the Navy. When Lewis' bumbling kissing phobe Melvin Jones is mistaken for being "Mr Temptation" on a TV show, it leads to a big wager amongst the ranks that he can't kiss supposedly ice cold Corinne Calvet. The bet is on and chaos follows. Sailor Beware is one of the better black & white pictures from the duo. It finds Lewis on particularly manic form, suffice to say those with an aversion to his high energy buffoonery are best advised to stay away. Highlight here is the whole boxing sequence, the pre fight chatter and the actual fight itself. Some good tunes like Sailor's Polka and Blue Hawai brighten up proceedings, while Robert Strauss as a Bluto type character is perfect foil for the duo.

As a double act they were just about finding their feet in this one. Better things were to come but this certainly pays dividends for the Martin & Lewis fan. 7/10

Al Crowthers (Dean Martin) and Melvin Jones (Jerry Lewis) are in line to join the Navy. Ladies man Al has already been rejected 11 times, but he's doing this to get kisses from the girls. Melvin is the idiot with a weird reason to join. Navy requirements have been lowered and everybody gets accepted.

This is the fifth Martin and Lewis film. It is exactly what one expects from them. Lewis can be annoying at times especially when he talks gibberish as other ethnicities. He does that. Otherwise, he is good fun. Martin is super cool and does his singing. That's it. It is ok humorous but not great.

This is not especially well written. The songs are not memorable. The cast, however, squeezes a lot out of this Martin and Lewis in the Navy situation. They both look great as young sailors. They are believable. The scenes on the submarine show how cramped it must have been on those underwater missions in the 1950s and before.

Lots of sailors in many scenes. Hundreds perhaps, in a big outdoor exercise field, and again in a boxing arena.

You will see James Dean in his scene. He does stand out even though he is an extra here. In a scene where Jerry walks across a busy street we see some of his "almost accident" comedy which he would bring into play years later in The Patsy.

Dean giving Jerry boxing instructions is a good comedy skit to watch for. Jerry in the boxing ring shows his high energy that was his trademark in the late '40s and early '50s. Dean and Jerry dancing is a bit of a treat. Not great, but better than most non dancing movies.

Worth seeing if you don't mind black and white. Good ending.

Tom Willett

Jerry and Dean serve again in the Armed Forces this time in the Navy. Jerry does his antics managing to sink a dinghy and disrupt a submarine. Dean sings a few numbers. Robert Strauss co stars as a hard boiled CPO. Look for a young Vince Edwards and Jack Benny's semi-sidekick Don Wilson. Corinne Calvet appears as herself. Betty Hutton has a quick scene as Deans girlfriend. If you look real close you'll catch a glimpse of screen cult legend James Dean.

This B&W film reached the spartan movie house of my Frisian village about 18 months after its release. In those days much of our full-length comedy fare hailed from Denmark (Nils Poppe anyone?) so this movie struck like a thunderbolt -- it had me weeping with helpless mirth, ROTFL as we'd now put it. OK, so some of the sight gags were in fact recycled vaudeville 'schtick', but how was this 'barefoot boy with cheeks of brass' to know that at the time? In any case, my favorite scenes had Jerry's unique brand of frantic clowning, like that Hawaii boxing match.

Seeing "Sailor Beware" again fifty years later I still guffawed loudly at the goings-on. Granted, without the nostalgia component it would probably be just another fair-to-middling comedy. But then, another movie that once had me in stitches even more helplessly, the Spike Jones outing "Fireman Save My Child", now seems dated and stilted apart from some too-short orchestra bits and Doodles Weaver scenes. Must be some special ingredient that makes Martin & Lewis product stay fresher longer. To me this one at least rates eight out of ten.