Le voleur de Tanger

This was made by Universal as part of the grooming process aimed at turning Tony Curtis from contract player into a star ,allowing him to build up an audience over the years.It is just as well he was a busy actor and other product came along to obscure just how very bad this is. Curtis is the eponymous Prince ;earmarked for assassination while still a baby he is spared by the soft hearted would be assassin who raises him as his own son As an adult Curtis becomes involved in a nonsensical plot to recover a priceless pearl and in so doing rescue his native city from attack by heartless enemies.Along the way he falls in love with the scheming princess ,not noticing the vivacious Tina (Piper Laurie )until it is almost too late

Insultingly slipshod in every respect -poor acting ,garish colour ,weak sets etc .This is juvenile and unengaging and wastes everybody's time in watching and the talents of those who made it.

Several years ago, many viewers rediscovered this lively, literate gem with script by Gera;d Drayson Adams, direction by Rudolph Mate. It was show as a rerun on a local TV Aos Angeles station hosted by Jackie Joseph, and ignoring critics who look down on all adventure genres, she and many of her crew fell in love with the movie. And why not? Theodore Dreiser's noted story has here been turned into a well-acted and entertaining movie; and master director Mate draws a very fine performance from a very young Piper Laurie indeed. The storyline is a sense-of-life piece, one where the hero, ably played (if one ignores his accent) by young, handsome Tony Curtis who has been raised by the thief who spared his life years before discovers that he is the rightful Prince of the kingdom. To save his adopted father from death, he helps him catch the man who has stolen the great pearl on which the safety of the city from a hostile army depends. This mission involves him with two women, Tina, thief, daughter of a thief played by Laurie and the princess, ably played by Peggie Castle; of course there are thefts, escapes, arguments, misunderstandings, fine dialogue scenes, a Guild of Jackals who are both help and hindrance and an usually satisfying climactic battle and denouement to a romantic ending. Admas' script is masterful, the direction very smooth, and all the technical aspects unusually satisfying, specially Hans J. Salter's music. Those in the cast besides the leads include talented Everett Sloane, Bettey Garde, Donald Randolph,Hayden Rourke, Marvin Miller, and Jeff Corey. There are some dancing girls seen here, but there are also scenes in the great souk, first-rate comedy, a robbing of the Treasury that is a classic caper, and enjoyably-three-dimensional characters. Favorite line--the Prince appoints his father to be the new keeper of the keeper of the new keeper of the Treasury--the Master of the Guild of Jackals. Colorful, abounding in action and very memorable, this treat is deserves to be a favorite with all those who enjoy uncomplicated adventure and the Grecianized-Near-eastern genre particularly.

Early in the movie whilst the lovely Piper is in his arms, Tony gracefully utters- "Yonder lies da castle of my fadder da King." Cut him a little slack! At that time he was VERY new to the movies! What better example could there be of starting out 'shaky' and then becoming a film legend? At least in 'Spartacus', when Olivier told Tony that he preferred "Both oysters AND clams", Tony disappeared without a trace, and Olivier just smiled.

"The Prince Who Was A Thief" was a good movie---the story was interesting and entertaining. Best part of the movie: Piper Laurie. On a funny side, most of the stars were pretty convincing as Muslims (wink, wink; nudge, nudge). I for one was fooled! That notwithstanding, this movie deserves to be copied onto DVD--far worse movies have made the cut! Tony Curtis played Julna, a prince who was supposed to be killed by a good-hearted guard who balked at the last minute and decided to adopt the child instead. The kid grew up and eventually came under the eye of the evil ruler (boo, hiss). Finally he took his rightful place. If movies like "Arabian Nights" and "The Golden Voyage Of Sinbad" have made it to DVD why not the equally good "The Prince Who Was A Thief"?

Am a huge fan of classic film and 'The Prince Who Was a Thief' interested me. Mainly to see a very young Piper Laurie and Tony Curtis in his tenth film (credited) in just three years, though his first film as the star, and how they would fare individually and as a partnership. Also because the story on paper seemed intriguing if silly.

Saw 'The Prince Who Was a Thief' with the mind-set of not expecting a masterpiece and just 90 or so minutes of escapist entertainment without expecting too much or everything to be of superb quality. 'The Prince Who Was a Thief' achieved this goal. It may not blow the mind and it may not be one of Curtis's best films or contain one of his best performances. A lot is done right however and it compels and entertains throughout its length, which didn't feel too long or too short.

The story sure is pure nonsense and the silliness occasionally goes overboard, complete with some over-familiarity. The costumes are somewhat unlikely and don't look as appealing, in colour and style, as the rest of the production values.

Curtis's accent is a bit of a stretch too.

However, he is at his most athletic and is both youthful and charming, clearly having fun with his role. Lovely Piper Laurie matches him in the charm factor and is equally spirited. Their chemistry has a real warmth and playfulness. Everett Sloane in particular has fun as a suitably hissable character of the more than able supporting cast. The script is not one with many surprises, but has wit and lively character. The direction has an efficiency that suits the adventurous element of the story perfectly.

It is very difficult to dislike the story completely. For all its ridiculousness and predictability, it is not a dull one and clips along at a breezy pace, with a clear idea at what it was trying to be and appeal to without trying to do more. The characters are archetypes but likeable ones. The action-oriented parts, especially towards the end, excite and the music is rousing. 'The Prince Who Was a Thief', costumes aside, is shot with vibrant colour and the setting exotic-looking if perhaps not evocative.

Overall, good fun. 7/10 Bethany Cox