Le peuple accuse O'Hara

Spencer Tracy plays a seasoned attorney with his work cut out for him defending a young man in a murder trial. In some ways a routine courtroom drama, but it goes beyond that. Tracy is terrific, doing his usual crusty cynic bit but that's what we love him for. The role has some depth to it, as the character is a struggling alcoholic who makes a mistake in a moment of weakness. The rest of the cast doesn't match his performance, although John Hodiak is pretty good as the opposing counsel. The plot takes some interesting turns and goes into true noir territory in the third act. And cinematography by John Alton... need I say more? Those brilliant patches of light amidst deep, deep shadows look fantastic as always. I'll be honest, courtroom movies don't generally excite me, but this one is a cut above the usual fare.

***SPOILERS*** Courtroom drama in and out of the halls of justice with former high profile defense attorney James Curtayne, Spencer Tracy,handling a murder case for the first time in years. As Curtayne finds out that he just doesn't have it anymore in defending the accused. With his boss Bill Sheffield shot down in front of his building young Johnny O'Hara, James Arness,is picked up going to his parents apartment the next morning and arraigned for Sheffield's murder.

With his car identified at the murder scene and Johnny having no alibi to were he was at the time things don't look too good for the ex-con and WWII vet. Fingered by one of the notorious Korvac brothers Frankie (William Campball), who's fingerprints were found in the car, as the hit-man made Johnny's conviction for the murder of Sheiffeld a lead pipe cinch. Defense attorney Curtayne nonetheless took up the case for Johnny, pro Bono, because he knew him all his life and felt that he was innocent.

Having been away from dealing with criminal cases for years put a tremendous strain on the once brilliant defense attorney. Curtayne once successfully defended 18 murder cases in a row getting his clients off. Turning to the bottle and being drunk while handling Johnny's defense Curtayne lost his grip on the case and had assistant D.A Louis Barra ,John Hodiak, run circles around him in the courtroom and easily had Johnny convicted of murder.

Johnny himself didn't help his case at all by not revealing that he was with his girlfriend Catrina, Vetta Duguay, at the time of the Sheffield killing since she's married to big time mobster Sol "Knockles" Lanzetta,Eduardo Ciannelli. That revelation would mean curtains for both Johnn & Catrina of them if "Knockles" ever found out.

Curtayne desperately trying to get his client off the hook even went so far as to pay off a witness local stevedore Sven Norson, J.C Flippen, to change his testimony with a $500.00 personal check no less! This not only would get him disbarred but thrown behind bars. Convicted and waiting for a sentence that may well strap him into the electric chair Johnny still didn't want to bring out the fact that he was with Catrina when Sheffield was shot and killed; even when she came forward herself willing to be a witness for his defense.

It was later in the movie that Catrina unknowingly brought out the real reason for the Seffield murder and it was something that was right in front of both D.A Barra, in fact he was photographed with it. Curtayne all during the trial would not only identify the killer, or killers since by revealing it would bring them out in the open and put her life in danger.

A bit confusing at times "The People Against O'Hara" does hold together pretty well with James Curtayne risking his life in the end to save Johnny O'Hara from being executed by the state for a murder that he didn't commit. Attorney Curtayne having himself "wired" to get the goods on the real murderers had him make up for all the mistakes he made in the movie by putting his life on the line to do it.

After a successful career as a D. A, James P. Curtayne (Spencer Tracy) decides to forgo civil law and accept a homicide criminal case involving an old time family friend. Det. Vincent Ricks (Pat O'Brien) a police detective and friend advises him as does his daughter Virginia (Diana Lynn) not to do it as does his heart and former bout with alcoholism. Still Johnny O'Hara (James Arness) needs his established reputation to save him from prison. The story is fraught with dangers which involve the local mob as well as Curtayne's inability to deal with his return to drinking as the case tests his ethics. For Tracy this is a remarkable film as one sees the sober lawyer deal with an inability to deal with his weaknesses. This remarkable B/W film is designed to entertain and highlight Tracy's unique talent. A great movie and one easily recommended to Tracy fans. Although not credited, you can see a very young Charles Bronson making an appearance. ****

An excellent performance by Spencer Tracy in "The People Against O'Hara" lifts this all too familiar plot line to a different level. Tracy is an alcoholic who, for the sake of his health and sobriety, becomes a civil attorney, only to be drawn back into criminal work when neighborhood friends need him to defend their son. The son is played by a pre-Gunsmoke, blond James Arness, and it was a pleasure to see him do something besides the one-note Matt Dillon. Diana Lynn does an excellent job as Tracy's protective daughter, and a pathetically young Richard Anderson is her patient fiancé.

Tracy's performance drives the film, which is really just an excuse for a character study, and who better to essay it. He beautifully shows the man's torment and loss of abilities. The ending is tense and suspenseful.

There is a fine cast, including the above, Pat O'Brien John Hodiak, Eduardo Cianelli, and William Campbell (who in real life was for a time married to Judith Exner, the woman who went public with her affair with JFK).

I think Spencer Tracy is always worth watching, and this film is no exception.

People Against O'Hara, The (1951)

*** (out of 4)

Part noir and part courtroom drama, this film isn't a complete success but it has enough going for it to make it worth viewing. In the film Spencer Tracy plays an alcoholic lawyer who decides to help a couple poor friends out by defending their son (James Arness) who has been accused of murder. The lawyer knows the kid is innocent but he can't get enough information on the streets as to who the real killer is so he must put his own life on the line to try and clear his client. Sturges and Tracy would re-team four years later on the masterpiece BAD DAY AT BLACK ROCK and while this film is no where near that one, this here at least offers up some fine performances and a terrific ending. I think the weakest aspect of the film was the actual court case. I'm not sure what it was but it really seemed like Sturges was struggling with how to build up any type of suspense during these scenes. The courtroom stuff just didn't contain enough suspense or anything overly interesting to make it work very well. I thought the director did a much better job with the personal demons battling Tracy as he's trying to avoid drinking but as the pressure builds he keeps wanting back at the bottle. Sturges handled these scenes extremely well including a heartbreaking and rather shattering one between Tracy and his daughter (Diana Lynn) as both of them break down and let their emotions show. It comes as no shock but Tracy is terrific as usual. He did a really good job with the role and the scenes with him battling the alcoholism were very well handled and you could tell Tracy was giving it his all. He suffered from drinking his entire life so I'm sure he put some of his own feelings into the role and they show. Pat O'Brien gets a pretty good bit as the Detective working the case and John Hodiak is very good as the D.A.. Lynn shines in her scenes including the unforgettable moment mentioned earlier and we also Eduardo Ciannelli playing a gangster. I really wasn't too impressed with Arness here who gets several scenes where he's suppose to be playing scared and frustrated yet I didn't believe either emotion. If you look quick you'll see Charles Bronson sitting around a diner table. While the courtroom stuff doesn't work too well the director makes up for this in the final fifteen-minutes where we get a masterfully directed sting sequence. Basically Tracy, the D.A. and the cops try to lure the real killers out and this is done with Tracy leading the way yet we never get to see him. It's filmed from the cops point-of-view as they listen to Tracy over a radio and the way this is done builds up a terrific amount of suspense and easily makes the film worth sitting through for.