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Miracle à Milan

Original title: Miracolo a Milano
  • 1951
  • Tous publics
  • 1h 32m
IMDb RATING
7.6/10
9.1K
YOUR RATING
Miracle à Milan (1951)
Watch Trailer [OV]
Play trailer1:52
1 Video
99+ Photos
SatireComedyDramaFantasy

An open-hearted, unrelentingly energetic orphan struggles to make the best of his life on the streets of Milan.An open-hearted, unrelentingly energetic orphan struggles to make the best of his life on the streets of Milan.An open-hearted, unrelentingly energetic orphan struggles to make the best of his life on the streets of Milan.

  • Director
    • Vittorio De Sica
  • Writers
    • Cesare Zavattini
    • Vittorio De Sica
    • Suso Cecchi D'Amico
  • Stars
    • Emma Gramatica
    • Francesco Golisano
    • Paolo Stoppa
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    9.1K
    YOUR RATING
    • Director
      • Vittorio De Sica
    • Writers
      • Cesare Zavattini
      • Vittorio De Sica
      • Suso Cecchi D'Amico
    • Stars
      • Emma Gramatica
      • Francesco Golisano
      • Paolo Stoppa
    • 29User reviews
    • 60Critic reviews
    • 78Metascore
  • See production info at IMDbPro
    • Nominated for 2 BAFTA Awards
      • 4 wins & 3 nominations total

    Videos1

    Trailer [OV]
    Trailer 1:52
    Trailer [OV]

    Photos103

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    Top cast25

    Edit
    Emma Gramatica
    Emma Gramatica
    • La vecchia Lolotta
    Francesco Golisano
    Francesco Golisano
    • Totò
    Paolo Stoppa
    Paolo Stoppa
    • Rappi
    Guglielmo Barnabò
    Guglielmo Barnabò
    • Mobbi
    Brunella Bovo
    Brunella Bovo
    • Edvige
    Anna Carena
    Anna Carena
    • Marta, la signora altezzosa
    Alba Arnova
    Alba Arnova
    • La statua che prende vita
    Flora Cambi
    • L'innamorata infelice
    Virgilio Riento
    • Il sergente delle guardie
    Arturo Bragaglia
    Arturo Bragaglia
    • Alfredo
    Erminio Spalla
    Erminio Spalla
    • Gaetano
    Riccardo Bertazzolo
    Riccardo Bertazzolo
    • L'atleta
    Checco Rissone
    Checco Rissone
    • Il comandante in secondo
    • (as Francesco Rissone)
    Angelo Prioli
    • Il comandante in primo
    Giuseppe Berardi
    • Un povero
    • (uncredited)
    Gianni Branduani
    Gianni Branduani
    • Totò a 11 anni
    • (uncredited)
    Enzo Furlai
    • Un povero
    • (uncredited)
    Jerome Johnson
    Jerome Johnson
    • Il negro
    • (uncredited)
    • Director
      • Vittorio De Sica
    • Writers
      • Cesare Zavattini
      • Vittorio De Sica
      • Suso Cecchi D'Amico
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews29

    7.69.1K
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    Featured reviews

    10albertocrienzi

    For True Film Lovers Only

    The snobs and pseudo experts consider it "a far cry from De Sica's best" The ones suffering from a serious lack of innocence will find a problem connecting to this masterpiece. De Sica spoke in a very direct way. His Italianness doesn't have the convoluted self examination of modern Italian filmmakers, or the bitter self parody of Pietro Germi, the pungent bittersweetness of Mario Monicelli, the solemnity of Visconti or the cold observation of Antonioni. De Sica told us the stories like a father sitting at the edge of his children's bed before they went to sleep. There is no attempt to intellectualize. Miracolo A Milano and in a lesser degree Il Giudizio Universale are realistic fairy tales, or what today we call magic realism. The film is a gem from beginning to end and Toto is the sort of character that you accept with an open heart but that, naturally, requires for you to have a heart. Cinema in its purest form. Magnificent.
    10raskimono

    A Chaplinesque masterpiece

    This obscure de Sica delivers the goods. And it is said "the meek shall inherit the earth." This tale of classes on the surface but really an allegory for all the homeless people that populated Europe after the great war. They are homeless but cheerful, in a societies too impoverished and selfish to care for or acknowledge them, footmats for the Italian carpetbaggers. de Sica chooses to tell it as a fairy tale, a Cinderella story. I have not read the book it is based on so I cannot foresay if the deus ex machina is the construct of the writer or Vittorio. It begins with the words, "Once upon a time..." to exemplify the timelessness of its tale, for the story could be set anywhere and everywhere. Caricature sketches of the aristocracy that cut to the bone, whimsical nature of the homeless especially when they begin to grant their wishes and an ending right out of a Spielberg picture makes this boulange a delight for all. De Sica's most accessible picture is also one of his best. Abandoning neo-realism, he always dallied between that and pure good old film-making, he creates a movie that breaks the heart and at the same time fills it with the yearning of hope that one needs to continue leaving in this world. Gracias Vittorio! Gracias! Gracias!!! Gracias!!!!!!!!!!!!
    9planktonrules

    a wonderful film--one of De Sica's best

    This is a really strange film--and that is NOT a bad thing. It is a combination of a neo-realistic film about the homeless AND a fairy tale. I'm sure that some may find this movie a bit too strange, but I loved it. Once again, this director brings together a wonderful cast of everyday people (not actors) and gets a great ensemble-type performance. Although not nearly as sad as Umberto D, both movies have a very similar point to make--this one just does it in a very absurdist way. Ignore the cheesy special effects--after all, it was made in the early 1950s and special effects aren't terribly important anyway (or at least they shouldn't be in films). Instead, just sit back and enjoy the very strange and silly ride. Unless you are a total curmudgeon, you'll have a ball.

    By the way, since I first reviewed this film, I have seen another DeSica directed film that is an absolute must-see and that is THE CHILDREN ARE WATCHING US. While not a fantasy or light in spirit like MIRACLE IN MILAN, a great film nevertheless.
    6blott2319-1

    Charming movie with a weird third act turn that doesn't work so well

    Miracle in Milan is a movie that has one of those heart-warming characters with an indomitable spirit who brightens the lives of everyone around him. I quite liked how Francesco Golisano played this character because he never acts as though this is a struggle for him, he simply is kind and optimistic as a part of his nature. The film starts off somewhat comical, but otherwise perfectly normal as the people living homeless in Milan seek a way to survive. I was charmed by this whole section of the film, and seeing the way that the human spirit fought to live a normal life despite not having all the modern conveniences that money provides. There is also a fun contrast when we see these poor people interacting with the rich and privileged people who want to take possession of the land. A meeting in the big city was one of the most humorous scenes in the film, as we see these homeless people in the most over-the-top opulence.

    The turn for the film comes later when a magical element is added to the story. This is where things got weird. I liked the idea of empowering our hero in a unique way, but his new-found ability kind of shifted the tone and even the plot of the film. Suddenly, it was looking at how greed could entrap even those who once knew how to live with nothing. But it never felt the script fully addressed how damaging this behavior was to the people as they received everything that they thought would make life better. Also, the original plot is still happening, but it seems the importance of it is diminished. I wouldn't mind a kind of Monkey's Paw story, where someone is given magical powers that end up ruining life when it was supposed to help, but it is not the plot I was invested in from the outset. Then the ending is extremely odd and leaves me with more questions than answers. I definitely liked elements of Miracle in Milan, but if it remained focused in one direction or the other I would have enjoyed it more.
    9miagy

    Cheerful and refreshing

    This movie was my first touch with Mr Sica so I really didn't know what to expect. But what I saw just broke all my expectations - in a good way.

    The storyline is not complex and shows us a life of found boy- orphan and particularly his connection into the community of poor people who together built themselves a hood of simple metal plate houses. This little city in another city lives own life and things are going fine. But one day there is a water resource found and a rich nobles man is getting interested in the buying the place. But as the title of the movie hints - there is a miracle taking place. Our character gets a wonder dove from his dead mother. What is he going to do to protect his friends and all built city as well?

    It was just a masterpiece of natural comedy. There is shown the behavior of poor people and how money and property can talk and play with people. Also many funny moments and scenes are included - at the beginning with the spot where sun is shining and many more.

    So according to the fact that I m not a comedy lover you should see this movie because I liked it much

    I

    Related interests

    Peter Sellers in Dr. Folamour ou : comment j'ai appris à ne plus m'en faire et à aimer la bombe (1964)
    Satire
    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comedy
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Elijah Wood in Le Seigneur des anneaux : La Communauté de l'anneau (2001)
    Fantasy

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      To create the special effects for this Italian production, producer/director Vittorio De Sica imported American special effects specialist Ned Mann. This would be Mann's final project.
    • Quotes

      Totò: Would you like the sun?

      [Edvige nods, so Totó looks toward the horizon, where the sun comes up in a few seconds]

    • Connections
      Edited into Histoire(s) du cinéma: Une vague nouvelle (1999)

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    FAQ17

    • How long is Miracle in Milan?Powered by Alexa

    Details

    Edit
    • Release date
      • November 21, 1951 (France)
    • Country of origin
      • Italy
    • Languages
      • Italian
      • English
    • Also known as
      • Miracle in Milan
    • Filming locations
      • Piazza del Duomo, Milan, Lombardy, Italy
    • Production companies
      • Produzioni De Sica
      • Ente Nazionale Industrie Cinematografiche (ENIC)
    • See more company credits at IMDbPro

    Box office

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    • Gross worldwide
      • $435
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 32m(92 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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