Le Cavalier de la mort

Average Scott western, at best. There're some darn fine Lone Pine vistas that aren't usually seen, plus mountain scenes from southern Sierras. That's one thing about well-produced westerns— the scenery can sustain even when all else falters. Scott, of course, is Scott, strong-jawed and humorless, carrying the film even when the congested script doesn't. The plot's pretty familiar, rich landowner taking over hero's land, along with a number of subplots. Then too, we've got not just one ingénue, but two. Leslie and Drew may be malt shop girls from the 40's but they do well enough here. I'm glad their hair color differs, otherwise they would be hard to tell apart.

I'm with those who think Rober and Knox too bland to compete with Scott. Also, I agree that Russell would have made a much more vivid villain; too bad he's wasted in what looks like a tacked-on role. And catch how easily Bedoya goes from clown to menace, even without "stinkin' badges". I really did expect sharper results from ace director DeToth. Given the right material, he can be quite affecting, as his western masterpiece Ramrod (1948) proves. As Andrew Sarris points out, few movie makers had a better feel for human treachery than the eye-patch Hungarian. My guess is he regarded the script as little more than a vehicle for Scott, though a few nice fringe touches do emerge, such as the straggler who gets in the way of the showdown.

All in all, the oater's too sprawling in both cast and story to achieve anything more than a scenic time passer.

Man in the Saddle could be looked at as just another Randolph Scott western, but for one noteworthy difference: it's the first movie produced by Scott-Brown Productions. The rest is history, and thankfully, the gamble to leave mainstream Hollywood paid off: Randolph Scott westerns were some of the most popular movies of the decade!

The story of this one is fairly straightforward: Scottie McScottie Pants and Alexander Knox battle it out over a girl. You might think it's not a fair fight, since Scottie is a western superstar, and Alex usually plays ministers. However, Alex has one thing Scottie doesn't, and it's important: money. The object of their affection, Joan Leslie, values money and all it can buy, so she leaves Scottie for Alex. Does she ever regret her decision? You'll have to watch this ninety minute brawl to find out. It's not ninety minutes of pure fighting, of course; but the gigantic fight scene in the end is extremely impressive. Keep an eye out for Ellen Drew, Guinn "Big Boy" Williams, John Russell, and a young Cameron Mitchell in the supporting cast.

Big rancher Alexander Knox has married Joan Leslie former girlfriend of smaller rancher Randolph Scott. Knox is a brooding jealous sort of man and wants Scott out the territory. He hires some gunslingers headed by Richard Rober to do the job.

Scott's a 'peaceable man' in the tradition of Wild Bill Elliott, but don't provoke him too much. But Knox is determined to start a range war out of jealousy.

It becomes an open war after Rober kills brothers Cameron Mitchell and Richard Crane who work for Scott. And the wild part is that Scott's now taken a fancy to Ellen Drew.

A previous reviewer said that Alexander Knox was miscast in a western. True he isn't a typical western actor, but a whole lot of people went west to make names for themselves of all kinds. Knox does a good job of the brooding and jealous rancher with a deep seated inferiority complex.

Now it's also true that Richard Rober is a little too nattily dressed for a villain, but that sure is a western stereotype. I think he made a very good villain in this western. Rober was tragically killed in an automobile accident soon after this picture was finished. A good career in villainy was cut short.

A lot of plot similarities to this and The Violent Men also done by Columbia Pictures a few years later. It's a good entry from the Randolph Scott western collection.

I really enjoyed this. Most of Scott's films are pretty similar, however in this one its nice to see him commit to the fight much earlier on than he normally does.

Plenty of good action and some well put together characters.

Its interesting to me that they made the head bad guy British, it set a different tone, "I don't belong here so I'll force my way'. This miss fitting gave the character strength and weakness.

The head henchman was a little lacking, good verbally but not given any great opportunities. The other independent lead henchman was also wasted a little and could have added more.

Great film :)

This film begins with a rancher by the name of "Owen Merritt" (Randolph Scott) attempting to adjust to the realization that his former girlfriend "Laurie Bidwell" (Joan Leslie) has recently agreed to marry an unscrupulous businessman named "Will Isham" (Alexander Knox) in the very near future. And although Will knows Laurie is entering their marriage strictly for financial reasons, he is also aware that she still has feelings for Owen. Because of that, he becomes even more intent to take everything else Owen has as well. What he doesn't realize, however, is that Owen isn't the type who can be bullied and he is more than capable of taking care of himself if he is pushed too far. Now, rather than reveal any more I will just say that this turned out to be an okay Western for the most part which benefited by solid performances by Randolph Scott, Joan Leslie and Ellen Drew (as "Nan Melotte"). On that note, I must admit that the relationship between Owen and Laurie seemed rather odd at times but other than that this film managed to pass the time fairly well and I have rated it accordingly. Average.