L'assassin frappe à minuit

Rex Harrison and Lilli Palmer star in the British "The Long Dark Hall," from 1951.

Harrison plays Arthur Groome, who stands trial for the murder of a showgirl, played by Patricia Wayne. Actually, the person who did it is a man who has killed before (Anthony Dawson), which we see in the beginning. However, thanks to some circumstantial evidence, Groome, who was involved with Rose, stands accused.

His wife Mary (Palmer) knows he couldn't have killed the woman, no matter what, and stands by him.

This evidently was an attempt to cash in on the suicide of Carole Landis in 1948. As the story goes, Harrison, who was married to Palmer at the time, refused to divorce her and marry Landis, which is said to have driven Landis to suicide. She left two suicide notes, one of which was for Harrison, and Harrison destroyed it and claimed he knew no reason for her suicide. This was long ago, and I imagine many stories have sprung up and been embellished, so it's hard to know what happened. It is known that Landis knew by 1948 that she wasn't going to have the career she wanted; she was 29, and by the time you were a female aged 30 in Hollywood, you were done playing the kind of role she did. Palmer stood by Harrison during the scandal and attended Landis' funeral with him.

Now, why these two would have agreed to do this film is beyond even my wild imagination, except both of them might have been trying to prove something.

It's an okay movie with one problem. We are taken through the criminal's first murder and his murder of Rose; the arrest of Arthur; the trial; the testimony; his alibi witness guilty for not coming forward; the verdict. And then, one minute before the film ends, we are told the whole rest of the story. It seemed a little abrupt to me, as if the money ran out or something.

The acting is very good, Harrison a great pro and Palmer, lovely and elegant. Though she and Harrison did not divorce until 1956, she left him in 1954 and made films in her native Germany, though she continued to make American films.

The plot is not original...Mistress is Murdered,Married Man accussed...Wife stands by him. But Sir Rex Harrison makes you believe in the story. Harrison gives an extremely fine and brilliant performance which raises the film from a typical pot boiler into the story of a regretful innocent man. Lily Palmer (at the time..Mrs. Harrison) is also in fine form as his on screen wife.

A Broody, Moody Movie that is a slightly better than Average British Thriller that makes up for its slim Story and vapid Ending with Atmospheric touches and strong Characters. It has a striking Noirish beginning with very dark streets inhabited by a Serial Killer that resembles a sewer rat.

One of the Victims has a cheating Husband as a Lover and He is falsely accused of Her Murder. The middle becomes a Courtroom Melodrama with cross examinations and suspect Witnesses. This all leads to a confrontation between the real Killer and the Accused Man's Wife that is edge of your seat Suspenseful.

This Movie has a Sleazy Look and a Downbeat Tone that aside from the aforementioned Wrap Up, places it in the Realm of Foreign Film-Noir and has a Creep Factor that is exploited by the truly unsettling Murderer and dingy surroundings. Slightly underrated.

Solid if not impressive light thriller about a man infatuated with a young actress whilst still married soon to be entombed in a vault of lies when the young girl turns up dead and murdered - not by his hand or so he says? Rex Harrison gives a subtly good performance as Arthur Groome - the man who loves his wife and children yet also "loves" the young murdered actress. The film chronicles how the pieces of that puzzle unravel and whether or not Groome or someone else is the actual murderer. As a mystery film The Long Dark Hall is effective and entertaining for the most part. Harrison is as ever affable and Lili Palmer, his real-life wife, plays his wife here. All of the British cast do workmanlike jobs with Anthony Dawson particularly being effective. Patricia Cutts plays a very lovely girl in her turn as the victim. I would agree that the ending is somewhat unsatisfying and predictable but not wholly bleak. Directors Anthony Bushell and editor Reginald Beck(also getting his one time directorial credit for this film)create some very nice work - particularly those shots of the long, dark hall. This film is not a big budget affair in any way but still makes for a relaxing, enjoyable time.

A very fine actress was Lilli Palmer - sensitive, thoughtful, moving - and this picture gives us another reason to admire her skill. And anyone wishing to learn how to create a believable performance would do well to study her work and profit by bit. In THE LONG DARK HALL she brings great strength to her role as a wife who wants to believe in her husband, come what may.

THE LONG DARK HALL was produced by Rex Harrison himself. For the film he brought together a fine group of artists to help him make it, among them screenwriter Nunnally Johnson, whose long and distinguished record in the film world needs no introduction. He chose a top British cinematographer, Wilkie Cooper, to bring the proper film noir look and mood to the film and commissioned Benjamin Frankel to compose another of his fine scores. The cast is extremely good. One always marvels at the effortless perfection of the likes of Denis O'Dea, Brenda de Banzie and Raymond Huntley who have never, to my knowledge, ever given a bad performance. The villainy in the film was in the very capable hands of Anthony Dawson, whom many will remember as the paid murderer in Hitchcock's DIAL M FOR MURDER.

While the ending is cobbled together a shade too quickly the great fun I had watching this drama made up for any disappointment. After all, the ending was a logical one, even if it could have been handled with a bit more cinematic flair. All in all, a nice, atmospheric, well-made thriller.