IMDb RATING
6.2/10
1.4K
YOUR RATING
Ex-President Andrew Jackson sends Texan Devereaux Burke back home on a mission to facilitate Sam Houston's drive for U.S. statehood.Ex-President Andrew Jackson sends Texan Devereaux Burke back home on a mission to facilitate Sam Houston's drive for U.S. statehood.Ex-President Andrew Jackson sends Texan Devereaux Burke back home on a mission to facilitate Sam Houston's drive for U.S. statehood.
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I liked this movie and appreciated its general historical context. We sometimes forget the power of Mexico in early American history and before; and all the rapid annexation and political machinations. It's not like it was just quick and easy to build and adopt all the American states. There were fights with Indians, Mexicans, inner-state fighting as to annexation or not. Texas was independent for 10 years. And yet we know that Texas has always had its "I am my own country" view and this movie helps you see why and the Texas patriotism.
British and French were involved having a heavy hand in supporting the British or opposing them (French). France was a major instrument in helping the US gain its independence, and therefore lessen the UK's power, which was a strategic prerogative for France.
The movie does a good job keeping it about annexation and the forces that oppose it. Strong character development for Clark Gable as a man driven at times by heroism; by money; by doing the right thing. He forms a strong, believable, complex character, and his character unfoldment is strong.
The romantic interest with Ava Gardner is kept in its place, only about 10% of the movie. So we stay on track with the main plot.
The serious, egomaniacal Craden who wants to be president of Texas and to stay independent --- a great serious foil to Gable. It works well. However, a real wrecker of the film was the writing at the end: After Craden fights, and fights and fights -- and in really nasty, cruel ways -- we find out that Mexico is preparing for war (they will once they find out about annexation.). After Craden loses his fight to Gable, he shrugs his shoulders, joins Gable to fight Mexico. That brought down the movie score for me by 2 points. A ridiculous wink "Well I might as well join 'em" that just doesn't ring true. You feel everyone is having a good time, but all the tough stuff they just endured, "well, this is all for fun, glad we are entertaining you."
Great star cast. Gable is strong. Broderick the enemy is strong until the last ridiculous scene. Ava Gardner has fine acting; she is just given little to do. She still plays a critical role as the independent journalist who prints the truth - whether she likes it or not.
This movie was solid with great acting, good action scenes and history. I can't figure out why it doesn't go to the next level --perhaps because we just know everything is going to be ok. I'd say its formulaic but its not - they had some real depth to Devereax/Clark's character who had hero runs, runs for money, stays to do the right thing, never settles down -- a lot of mixed motives. There are different factions, Texas enemies, Mexico, indians. There are votes in Congress, exciting battle scenes, a romance and good acting. Somehow, though, it doesn't take it to the next level where you rave. I think we know it is going to be okay in the end, and so we relax too much; the writing could be different; and there needs to be a bit of a more serious tone for us to be on edge. The ending made you think they were all fooling around and don't take it that seriously.
Instead it's a solid, enjoyable, semi historical film, with very good acting. Great actors and good pacing. I enjoyed it a lot. Make the ending not joking/playful and it goes up 1.5 points.
British and French were involved having a heavy hand in supporting the British or opposing them (French). France was a major instrument in helping the US gain its independence, and therefore lessen the UK's power, which was a strategic prerogative for France.
The movie does a good job keeping it about annexation and the forces that oppose it. Strong character development for Clark Gable as a man driven at times by heroism; by money; by doing the right thing. He forms a strong, believable, complex character, and his character unfoldment is strong.
The romantic interest with Ava Gardner is kept in its place, only about 10% of the movie. So we stay on track with the main plot.
The serious, egomaniacal Craden who wants to be president of Texas and to stay independent --- a great serious foil to Gable. It works well. However, a real wrecker of the film was the writing at the end: After Craden fights, and fights and fights -- and in really nasty, cruel ways -- we find out that Mexico is preparing for war (they will once they find out about annexation.). After Craden loses his fight to Gable, he shrugs his shoulders, joins Gable to fight Mexico. That brought down the movie score for me by 2 points. A ridiculous wink "Well I might as well join 'em" that just doesn't ring true. You feel everyone is having a good time, but all the tough stuff they just endured, "well, this is all for fun, glad we are entertaining you."
Great star cast. Gable is strong. Broderick the enemy is strong until the last ridiculous scene. Ava Gardner has fine acting; she is just given little to do. She still plays a critical role as the independent journalist who prints the truth - whether she likes it or not.
This movie was solid with great acting, good action scenes and history. I can't figure out why it doesn't go to the next level --perhaps because we just know everything is going to be ok. I'd say its formulaic but its not - they had some real depth to Devereax/Clark's character who had hero runs, runs for money, stays to do the right thing, never settles down -- a lot of mixed motives. There are different factions, Texas enemies, Mexico, indians. There are votes in Congress, exciting battle scenes, a romance and good acting. Somehow, though, it doesn't take it to the next level where you rave. I think we know it is going to be okay in the end, and so we relax too much; the writing could be different; and there needs to be a bit of a more serious tone for us to be on edge. The ending made you think they were all fooling around and don't take it that seriously.
Instead it's a solid, enjoyable, semi historical film, with very good acting. Great actors and good pacing. I enjoyed it a lot. Make the ending not joking/playful and it goes up 1.5 points.
It's 1845. Texas' future is in the balance. Sam Houston recently published an opinion against annexation after earlier attempts. News reaches ex-President Andrew Jackson (Lionel Barrymore) who decides to send in cattle baron Devereaux Burke (Clark Gable) to talk to Houston and recruit for the cause. He is opposed by powerful state senator Thomas Craden. He battles injuins on the way to Austin where he meets Craden's girlfriend Martha Ronda (Ava Gardner) who runs a local newspaper. He is assumed to be anti-annexation and decides to play along while Craden supporters hunt for him.
Historical accuracy is not always important. In this case, I find the history rather interesting and I wouldn't mind having the real story. This is obviously not the real story. I don't know anything about the real story and this is not going to enlighten me that much either. Some of the background issues are presented. The cast is headed by the great looking Clark Gable. This is a fine film but I would probably be more interested in a deep dive into the history.
Historical accuracy is not always important. In this case, I find the history rather interesting and I wouldn't mind having the real story. This is obviously not the real story. I don't know anything about the real story and this is not going to enlighten me that much either. Some of the background issues are presented. The cast is headed by the great looking Clark Gable. This is a fine film but I would probably be more interested in a deep dive into the history.
1845 Texas, Independent, survived Alamo, Goliad and San Jacinto ... But Annexation?
Quite often the joy in being a fan of genre film making, in this case Westerns/Southerns et al, is that a pic can coerce you into reading up on real instances. Thus making this particular picture a requisite requirement for literature delving.
Directed by Vincent Sherman and written by Borden Chase (who would supposedly be irked by the depiction of his writing) and Howard Estabrook, Lone Star comes off as an "A" list film given "B" list production values. Nothing wrong with cast performances, Gable still has charisma in his fifties, Gardner oozes sexuality and Crawford dominates like a great presence should. However, it looks stagy, is overly talky as the makers try to make a politico pot boiler out of a sow's behind, while the action - in spite of a grandiose battering ram finale - just doesn't have an oomph factor.
Romantic love triangle feels pointless in the context of such historical filmic tellings, but this is off set by the Sam Houston and Native American splinter of the narrative. Rendering this as a frustrating whole, not without merits, and above average for sure, but difficult to recommend as one to seek out as a must. 6/10
Quite often the joy in being a fan of genre film making, in this case Westerns/Southerns et al, is that a pic can coerce you into reading up on real instances. Thus making this particular picture a requisite requirement for literature delving.
Directed by Vincent Sherman and written by Borden Chase (who would supposedly be irked by the depiction of his writing) and Howard Estabrook, Lone Star comes off as an "A" list film given "B" list production values. Nothing wrong with cast performances, Gable still has charisma in his fifties, Gardner oozes sexuality and Crawford dominates like a great presence should. However, it looks stagy, is overly talky as the makers try to make a politico pot boiler out of a sow's behind, while the action - in spite of a grandiose battering ram finale - just doesn't have an oomph factor.
Romantic love triangle feels pointless in the context of such historical filmic tellings, but this is off set by the Sam Houston and Native American splinter of the narrative. Rendering this as a frustrating whole, not without merits, and above average for sure, but difficult to recommend as one to seek out as a must. 6/10
A movie set in 1845 Texas that deals with Texas either joining the union or going off and becoming an independent republic. Lionel Barrymore plays Andrew Jackson is who for joining the union and so is Clark Gable. Broderick Crawford and Ava Gardner want Texas to become an independent and Crawford wants to be the leader. Both sides are waiting for what Sam Huston has to say, but he is out helping the Indians form a peace treaty. Crawford is willing to do anything to get what he wants and Gardner begins to fall for Gable. At the end, of course, there is a big battle between Gable and Crawford's army and then a fight between the two of them. Clark Gable is the same as always and Broderick Crawford is miscast in this role. Ava Gardner is only OK and Lionel Barrymore is only in two scenes.
Passable western from MGM and director Vincent Sherman is set in 1845, as the independent Republic of Texas is caught in turmoil over whether to accept annexation into the United States, or to stay independent and sign a mutual protection treaty with Mexico. Former US president Andrew Jackson (Lionel Barrymore) sends trusted envoy Devereaux Burke (Clark Gable) to Texas to try and sway the legislature to side with annexation, which sets Burke at odds with independence advocate Thomas Craden (Broderick Crawford). Burke and Craden also find themselves both after the affections of newspaper publisher Martha Ronda (Ava Gardner). Also featuring Beulah Bondi, Ed Begley, James Burke, William Farnum, William Conrad, Moroni Olsen, Russell Simpson, and George Hamilton in his debut.
The action gets bogged down in too much political talk, but this movie isn't without its merits. The big action finale is well-mounted, with an interesting variation on the battering ram that I don't think I've seen before. Gable and Gardner have screen chemistry, and Crawford gets a more complicated character than usual. I liked William Conrad's small role as a Cajun. Barrymore, reprising his turn as Andrew Jackson from 1936's The Gorgeous Hussy, has only a brief appearance, and he looks in ill health. This would prove to be his last character role. He appeared in one more movie, 1953's Main Street to Broadway, playing himself, before passing away in 1954 at age 76.
The action gets bogged down in too much political talk, but this movie isn't without its merits. The big action finale is well-mounted, with an interesting variation on the battering ram that I don't think I've seen before. Gable and Gardner have screen chemistry, and Crawford gets a more complicated character than usual. I liked William Conrad's small role as a Cajun. Barrymore, reprising his turn as Andrew Jackson from 1936's The Gorgeous Hussy, has only a brief appearance, and he looks in ill health. This would prove to be his last character role. He appeared in one more movie, 1953's Main Street to Broadway, playing himself, before passing away in 1954 at age 76.
Did you know
- TriviaLionel Barrymore had previously played US President Andrew Jackson in L'enchanteresse (1936). Beulah Bondi, who plays Minniver Bryan, played Jackson's wife, Rachel Jackson, in the earlier film.
- GoofsThe map showing what the new Republic of Texas will look like shows West Virginia and Virginia separated. This did not happen until the beginning of the Civil War when a number of western counties ceded from Virginia to create West Virginia. This separation and the actual counties that ceded not have been predicted before it happened.
- Quotes
Devereaux Burke: Put it this way - I've always had a wandering foot. This is the first time I've ever wanted a woman.
Minniver Bryan: [Taking him literally] What?
Devereaux Burke: Hear me out. This is the first time I've ever wanted a woman to be my wife.
- ConnectionsReferenced in Golden Saddles, Silver Spurs (2000)
- SoundtracksMoonlight Is Meant for Lovers
Sung by Ava Gardner
- How long is Lone Star?Powered by Alexa
Details
Box office
- Budget
- $1,600,000 (estimated)
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.37 : 1
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