Rires au paradis

I first saw this as a youngster and liked it, but over the years it's really grown on me until now I regard it as a minor classic. The main characters were all played excellently, with many lesser characters also played memorably.

Practical joker Hugh Griffiths dies and leaves GBP 50,000 to each of his four living relatives if they complete various silly but onerous tasks within one month of his death. Pulp writer Alistair Sim, snobby Fay Compton, womaniser Guy Middleton and timid George Cole are all faced with problems that are against their natures, and their attempts to succeed ultimately result in a worthy moral and laughter on Earth. Cole's "juvenile" sections used to irritate me when younger but there's plenty else to savour, especially the incomparable Sim as a determined shoplifter, Compton as a harassed skivvy and Middleton as a hornswoggled suitor. As icing on the cake there's also fluffy Joyce Grenfell, scathing John Laurie, suave Anthony Steel, jolly Ernest Thesiger, and many other old friends – even the forever bald Noel Howlett and a young Audrey Hepburn. The direction and production values were top notch too; the sets were so beautifully wooden, the acting certainly was not.

It's flimsy yet logical, life-affirming and recommended – stay with it to the end to have the last laugh.

A nice sly comedy that has similarities to Brewsters Millions. When Henry Russell (Hugh Griffiths) dies, known during his lifetime as a practical joker, he sets his beneficiaries a task that they must achieve before they can gain a share of their inheritance of £50,000. The tasks are related to some character weakness.

Alastair Sim who writes thrashy crime stories, long term engaged to Joyce Grenfell has to get himself arrested and spend 28 days in jail. George Cole a hapless and bullied bank clerk as to stick up the bank that he works for.

Fay Compton has to work as a maid to the curmudgeonly John Laurie without getting fired. The caddish Guy Middleton has to marry the first single woman he meets.

Sim and Cole have the funniest escapades, Middleton passes over a young Audrey Hepburn to pursue the second eligible woman he encounters. The characters discover something about themselves while pursuing their tasks, it is a nice bit of light whimsy.

After a wealthy eccentric dies, he leaves his very sizable fortune in equal portions to four relatives, but they can only claim the money if they each perform a difficult task. Former military officer and gentleman (and secret crime novelist) Deniston Russell (Alastair Sim) must spend 28 days in prison. Ill-tempered Agnes Russell (Fay Compton), often cruel to her own servants, must herself become a servant. Milquetoast bank teller Herbert Russell (George Cole) must rob his own bank, and his own boss, at gunpoint. And gambler and ladies man Simon Russell (Guy Middleton) must wed the first woman he speaks to. All four struggle to complete their tasks, each with unique and unexpected outcomes.

I wasn't much looking forward to this one, as I only recorded to see Audrey Hepburn's brief turn as a cigarette girl. Depending on the source, this was her movie debut, and it doesn't amount to much although she's very cute. However, I was pleasantly surprised to find this a charming little comedy with some winning performances and enjoyable plot turns. Sim steals the show as a proper gent utterly befuddled at trying to become a criminal, attempting a variety a minor offenses in an attempt to earn the requisite 28 days in the clink. Any fans of British comedy that missed this the last time it was shown would do well to try and catch it on its next showing.

This is such a funny film! It's a clever plot which owes more than something to the old "warhorse" Brewster's Millions, and is filled with the eccentric lunacy which characterised so many British films made after WW2.

Alistair Sim is THE truly great British comic actor, even more so than Alec Guinness or Peter Sellers. To watch the scene when he tries to get arrested for shoplifting in the department store is to experience sheer comic inspiration.

I am no fan of remakes (have you seen the Thomas Crown remake!!), but funnily enough I am amazed that Hollywood hasn't had a go at this. In the right hands it could be made to work again.

One would be hard-pressed not to laugh along with the Russell family in the final scene of this, my most favorite of British post-war comedies. It is a comedy in every sense, albeit one which points up several life lessons as it unfolds. Alistair Sim - whose roles have run the gamut from Headmistress of a girls' public school (the St. Trinian's series)to benign assassin (The Green Man) to the dramatic (the quintessential Scrooge in A Christmas Carol) once again proves here that he is without doubt the best of many comic actors in the English cinema. Surrounded by a cast of equal talents (Fay Compton, George Cole, Guy Middleton, A.E. Matthews, John Laurie, and the irrepressible Joyce Grenfell) Sim leads a Light Cavalry charge through a wonderfully woven plot. There are wonderful morals to be learned here also. If you haven't seen this gem, by all means get the video and fill that gaping void in your filmic experiences.