L'épreuve du bonheur

Lamar Trotti, one of the finest writers in Hollywood during its golden age, was a native of Atlanta. The year before he died, he was both producer and screenwriter for this tale of a Georgia mountain preacher and his beautiful wife in the early years of the 20th century. The movie was shot on location in what was then a very rural area of the state, and Trotti promised the locals that their culture would be respected.

He kept his word. "I'd Climb the Highest Mountain" avoids condescension toward the people of Appalachia and their religion, which makes it an unusual film. But thankfully it's not too sentimental either, though it is ultimately an inspirational film.

The story is adapted from a 1910 novel by Corra Harris, a Georgia writer who was once nationally famous, and somewhat controversial, though she was not much remembered by the time the movie was made. Harris had been married to a minister herself, but the story was not autobiographical. It does have the ring of authenticity, though. The backwoods was really the backwoods a century ago, and a stylish, city-bred woman would have felt restless even if she was deeply in love.

Henry King was a great choice to direct the film. He was religious himself, and at home with the material, and he had begun his long filmmaking career in the era in which the story takes place. Stars William Lundigan and Susan Hayward do an adequate job, though she seems just too glamorous for her surroundings. Ironically, from today's perspective, the fact that Lundigan is no longer much of a "name" makes him a better fit for the role of the preacher.

The scenery is a big part of the film's appeal. North Georgia is not as spectacular as the Rockies, or even the Great Smokies, but it is a gorgeous area. And it was largely unspoiled when this movie was made.

I notice that many Georgians writing about this movie have strong memories of the time when it was being made. In those days, it was rare indeed for a motion picture to be shot in Georgia. People drove from hours away to see what Hollywood types looked like.

Susan Hayward's move to Georgia in the late 1950s had nothing to do with this film, and her new home wasn't in the mountains, but what she did was unusual for a Hollywood star of that era. She met and married a Georgian with the unglamorous name of Eaton Chalkley, and she lived with him on his farm when she wasn't making films. Chalkley was the love of her life. When he died, she moved out of the state because she couldn't bear to live at their home without him. When she herself passed away, she was buried beside him, in the cemetery of a church near his farm.

Whenever I see "I'd Climb the Highest Mountain," I think of the Chalkleys.

I had seen this movie 30 years ago with my Grandad in rural middle Tennessee and have searched for it any times since. However, I could not remember the name of it. I found it yesterday on TBN and it was all I had remembered it to be. The story as well as the scenery was first class. Many of the homes were still like that in Middle Tn when I first seen the movie. Based on the scenery, the story, and what my relatives told me of rural life in the early 20th century this appears like a pretty accurate portrayal. While life was simpler it was not without tragedy.

Well worth seeing.

Simple, easy-to-take evocation of a 19th century rural religious life in Georgia, "I'd Climb the Highest Mountain" is one of director Henry King's profoundest and most personal works. I just saw it for the first time. A friend recommended it to me a while back, told me it's a timeless experience I would never forget. My expectations were further aroused when I found out the director had been Henry King, one of the most underrated American directors of his time.

The screenwriter is Lamar Trotti, who used to collaborate with John Ford, and who previously worked with director King in films "In Old Chicago"(1937), "Alexander's Ragtime Band"(1938) and "Captain From Castile"(1947).

Filled with lush, resplendent scenery of Georgia's Blue Ridge Mountains & gorgeously photographed in Technicolor, "I'd Climb…" is the uplifting story of a dedicated, scrupulous preacher William Thompson (William Lundigan) and his marriage to a charismatic city girl Mary Elizabeth (Susan Hayward). They settle in a small peaceful town populated by simple town folk trying to live, survive happily and peacefully.

Hayward and Lundigan are outstanding throughout, and give some of their most moving performances. Narrated by Elizabeth, the story flows nicely through several moments of tenderness. The preacher heals the community, providing hope and support in time of a fever epidemic, and transforms an atheistic neighbor into accepting the community's uncomplicated way of life.

Nothing of significance happens; it is a film of hope and harmony, a sense of time and place, beautifully realized.

This movie was being filmed in the mountains of Cleveland, Georgia, at the time I had just finished high school in Atlanta, and one of my co-workers was from that town. I saw it as it was first released the following year, and enjoyed the beautiful mountain scenery as well as fine acting by Susan Hayward, who later married a Georgian and made her home in Carrollton. The author, Cora Harris, was married to a Methodist circuit riding pastor, and had a good understanding of the trials and triumphs of pastors. I would heartily recommend this film along with "A Man Called Peter" and "One Foot in Heaven" as among the best that Hollywood offered when it sought to inspire better behavior.

Warm piece of Americana, based on Corra Harris' semi-autobiographical novel The Circuit Rider's Wife with Susan as the new bride of country parson William Lundigan and her travails learning the ways of his flock. This is one of her more subdued roles but she gets one opportunity to show off the Hayward moxie. Although she didn't recall the film itself with any special affection she did become enamored of the Georgia countryside where it was filmed, eventually falling for and marrying a Georgian businessman and settling in Carrollton, ultimately at her passing having it be her final resting place. Aside from Lundigan and her fine performances there is quality work by the entire supporting cast with Alexander Knox a standout. A good family film.