Fini de rire

The central character of `His Kind of Woman' is Dan Milner, a down-on-his luck gambler, who is persuaded by local villains to undertake a mysterious assignment that involves his travelling to a luxury Mexican holiday resort. On arriving there, Miler meets and falls for Lenore, the beautiful mistress of the famous actor Mark Cardigan. Lenore is hoping to marry Cardigan after he has obtained a divorce from his wife; he, however, is having second thoughts after being warned by his agent that a divorce would be bad for his clean-cut image. As the film progresses, the reason why Milner has been lured to the resort becomes clear; the man behind the scheme is Nick Ferraro, an Italian gangster who has been deported from the USA for his criminal activities. Ferraro wants to return without attracting the attention of the US authorities, and is hoping to do so using Milner's passport, having first disposed of Milner himself and undergone plastic surgery to make himself look like the dead man.

In a way, the film can be seen as three films in one. The opening scenes are shot in the dark, menacing film noir style. (Robert Mitchum appeared in a number of films of this type around this period). When Milner arrives in the resort the mood becomes lighter, and the film resembles more one of those `sophisticated' comedies about divorce and adultery that were the nearest that the fifties got to sex comedies. When the villains arrive and the nature of their plans becomes clear, the mood of the film changes again. It does not, however, revert to the dark mood of the opening scenes, but rather resembles a comedy action-thriller as Milner and his allies (principally Cardigan) try to thwart Ferraro and his designs.

Despite these shifts from one style of film-making to another, the film hangs together reasonably well. The real star performance comes from Vincent Price as Cardigan, the sort of `luvvie' actor who overacts as much in real life as he does in the swashbuckling roles for which he has become famous, and whose conversation is enlivened by frequent resort to Shakespearean or pseudo-Shakespearean language. Cardigan is delighted to be caught up in a real crime drama, as it gives him a chance to act out his on-screen persona for real. (I found myself wondering if his character was based on Errol Flynn). Although he is at times outshone by Price, Mitchum succeeds in making Milner a likeable hero despite his rather seedy past. Jane Russell was not the greatest of actresses, but here she brings the necessary touch of glamour and sex-appeal to the part of Lenore. There are, as other reviewers have pointed out, holes in the plot, but given that this is light-hearted entertainment, played as much for laughs as for thrills, these should not trouble the viewer too much. Not a classic, but still very enjoyable for all that. 7/10.

This brilliant and mind-boggling film noir might be more properly called an anti-noir, doing for the crime movie what 'The Missouri Breaks' would do for the Western. It's not every noir hero who both offers marriage guidance AND does his own ironing.

'His Kind of Woman' is, in fact, three movies. It starts off as a fairly straight film noir, although its poker-faced pastiche of 'Out of the Past' is a little TOO poker-faced. Then, when the hero goes to Mexico to meet the other characters, the plot stops dead and enters narrative limbo, in a kind of noir precursor to Bunuel's 'The Exterminating Angel': Six Noir Characters In Search Of A Plot.

Then lunacy truly takes hold, as the plot eventually arrives, and Vincent Price, playing a barmy ham actor, takes over from Mitchum (magnificent as ever, baffled and goaded by a plot even less alert than he!) as the presiding spirit, and turns a moody thriller into the giddiest farce, where all the unpleasant aspects of film noir (fatalism, misogyny) are happily overturned. Proof that genre-busting didn't begin with Melville or Godard.

Noir comedy adventures starring Robert Mitchum are a Hollywood rarity; especially this is true when the storyline is a good straight mystery to begin with adding fine touches of first-rate satirical comedy. He and Jane Russell, beautifully teamed as an adventurous tough-guy and a brave saloon singer are very smooth together, in a movie where Vincent Price supplies many of the laughs, and everything works as effortlessly as a wave crashing onto a Mexican beach's sands. The plot line is innately interesting. A gambler played by powerful Raymond Burr ensnares Mitchum by wrecking his enterprises. He then pays him to come to work for him. Object: to get back into the US from which he was deported as a crime boss--as a dead Mitchum, using his papers, etc. But where does Jane Russell fit into the plot? The joker in the deck is Price as a ham motion picture star who jumps at the chance to play a death-defying adventurer, and ends becoming a hero. The best moment in the film comes as Price and a mountainous cowardly deadpan brother-in-law of the Police Chief start off in a small boat overloaded with help for Mitchum--and slowly sink like a stone. But the battle on a boat is finally won, Price is thrilled to be wounded, Mitchum gets Russell and all comes out favorably in the end. The film was finished by Richard Fleischer with Howard Hughes after John Farrow had shot it already. Leigh Harline provided the music, Albert D'Agostino the inspired art direction. A very stylish B/W film all in all, with a leaven of comedy. The pace is surprisingly good, the gambling joint depicted very believably and the intricate storyline by Gerald Drayson Adams and Frank Fenton, Jack Leonard and others, holds together amazingly. This film was an enjoyable experience for many viewers when it was first released; a sultry romance, played by believable leads, added to the pluses. Mitchum and Russell are fine. Others in the huge cast include Charles McGraw, Tim Holt, Marjorie Reynolds, Jim Backus, Philip Van Zandt and many more, some familiar faces. A most enjoyable romp and a surprisingly good mystery.

A broke California gambler is paid thousands to travel to a resort in Mexico and meet someone who'll instruct him on what comes next. The plot is initially quite muddled and does not become clear until about halfway through. It starts as a film noir, turns into a romantic comedy, and finishes with furious action. Russell is a sultry presence and she and Mitchum have good chemistry. However, Price steals the film in a hilarious turn as a hammy Hollywood actor. The action scenes are not convincing. The bad guys take forever to aim their guns, allowing Mitchum and Price adequate time to react. There is also a ridiculously protracted scene where bad guys try to stick a needle into Mitchum.

Executively produced by Howard Hughes and directed by John Farrow, His Kind of Woman seems to have it all. It has a great cast under more than competent direction with a good, interesting, and inventive script. The film tells about gangster Raymond Burr, deported from the country, planning on using drifter Robert Mitchum's identity. Mitchum is flown down to a resort for the wealthy in Mexico awaiting further instructions after having been given $5,000 as a down payment on $50,000. Mitchum goes but is very curious as to what he has to do for so much dough. On his way he meets with sultry Jane Russell(Hughes's squeeze - and a LOT at that to squeeze!) who is trying to endear herself to hammy actor Vincent Price. The film really does a good job with the characterizations of all the major and minor characters. Mitchum is rock solid in his role. Russell is just beautiful and believable in her role. Tim Holt, Jim Backus, and the rest of the cast do very well. Burr plays one mean gangster. But it is Price who steals the film(for me). The first 3/4's go quite smoothly with Mitchum wondering what is going on with waiting for instructions and getting close to Russell. Price gives the film an energy boost though when he starts to play the real HAM actor in the final fourth of the film. No actor I know can be as hammy and that good as Vincent Price can. He aids Mitchum with an aplomb of such audacity and rhetoric(quoting the Bard on several occasions) of such depth and exaggeration as to make his role almost camp. But his hammy performance works well with the tension of Mitchum's plight with Burr. Director Farrow does a very nice job pacing the action in the film and adding humour here and there. Russell almost disappears from the end - but what's a girl to do wearing a dress she is barely able to walk in when action is needed. His Kind of Woman is one of those classic Noir type films with a great cast that should have your complete attention. Afterall when all is said and done: Robert Mitchum playing the leading man, Jane Russell wearing low-cut gowns, good vs. evil conflict, Howard Hughes production, character actor Jim Backus, and Vincent Price hamming it up as only he can - PRICELESS!