Les flèches brûlées

"Flaming Feather", shot on location around Oak Creek Canyon near Sedona, Arizona, is a good example of a new type of Western which was becoming popular in the early fifties, using striking Technicolor photography of the magnificent scenery of the West as a backdrop to their stories. The Hollywood studios hoped that such films would become an important weapon in their battle against the new enemy, television, which at this stage could only show black-and-white pictures on a small screen.

The story centres upon a mysterious outlaw, known as the Sidewinder (after a species of poisonous snake). Although the Sidewinder is believed to be a white man, he leads a band of Ute Indians who have carried out a number of robberies. A rancher named Tex McCloud and a U.S. Cavalry officer named Tom Blaine both decide to bring the Sidewinder and his gang to justice and make a wager over which will get him first. There are a number of complications to the plot, including an attempt by a saloon entertainer named Carolina to persuade Tex to pursue Lucky Lee, a businessman and mine owner who allegedly owes her $20,000. (We never find out what this debt is for). Other important characters include Lucky's beautiful girlfriend Nora Logan, Turquoise, an Indian woman who is Nora's rival for Lucky's affections, a gambler named Showdown Calhoun and a mysterious figure named Tombstone Jack who is suspected of being the Sidewinder.

Some of the "new Westerns" of this period, such as the Mann/Stewart Western "The Naked Spur" were not just notable for striking photography but also brought to the genre a greater degree of character development and psychological analysis. Others, however, were beautiful to look at but their looks only served to hide a banal plot or second-rate acting. (I am thinking here of something like William Wellman's "Across the Wide Missouri", conceived as a large-scale epic, but so cut by the studio into something resembling a B-movie that Wellman virtually disowned it).

"Flaming Feather" falls somewhere between the two extremes. It does not have the depth of something like "The Naked Spur" or some of the other Mann/Stewart Westerns, but it is well-made and the plot, although complex, is always entertaining. There is no one outstanding star performance, but the acting is generally of a good standard. There is some very fine photography of the Arizona desert scenery. This is not quite in the first class of Westerns, but it is a good example of a second division one. 7/10

I consider this western as one of my favorite from director Ray Enright, a western specialist from the forties, as also was Edwin L Marin, both proposing Randolph Scott for many of those westerns. Here, you have Sterling Hayden, instead of Randolph Scott and the result is flawless for me. Victor Jory as the villain is not a surprise but the film shows us many action scenes, splendid settings, photography, and a fast paced story. I have not seen this film since a long time and I don't regret to have seen it. The forties western from Warner Brothers and Paramount were better than in the fifties.

Flaming Feather is directed by Ray Enright and written by Gerald Drayson Adams. It stars Sterling Hayden, Forrest Tucker, Arleen Whelan, Barbara Rush, Victor Jory, Edgar Buchanan and Richard Arlen. A Technicolor production, music is by Paul Sawtell and cinematography by Ray Rennahan.

The mysterious outlaw known only as The Sidewinder is in cahoots with the Native Americans and terrorises Arizona's settlers. But when The Sidewinder chose Tex McCloud (Hayden) as one of his targets, he hadn't banked on Tex linking up with the U.S. Cavalry to hunt him down.

Enjoyably energetic Oater that makes up for what it lacks in originality with gorgeous location photography and a barn storming finale. Ray Enright was a good old pro at this sort of thing, and here he doesn't waste any time with pointless filler scenes or drawn out conversations that don't advance the plot. From the get go we are thrust into an action sequence, and from there on in the film rarely pauses for breath.

Hayden and Tucker make for a beefy coupling, and although the mystery element is not exactly rocket science to work out, the presence of three lovely lady characters does spice up the intrigue surrounding The Sidewinder and those in pursuit of him. It all builds to a wonderful finale that starts out with a Little Big Horn type siege, which then develops into a pursuit and battle up at the Montezuma Castle Monument in Arizona, where fire pit punch ups and ladder skills enthral greatly.

It isn't hard to pick holes in it, it is after all one of those quintessentially early 1950s Westerns that was ignorant to intelligent scripting and screenplays. Yet for sheer gusto and consistently airy beauty this is a must see for Western and Hayden lovers. 7/10

Sterling Hayden stars as a cowboy who hits the trail in search of a renegade white man leading a band of Indians who burned his ranch and ran off his horses and cattle. The mysterious raider is responsible for the killing and looting of towns and wagon trains manages to elude the pursuing cavalry until events conspire to unmask the villain. Barbara Rush is the romantic interest of Hayden and also the renegade and her role is that of a damsel in distress throughout the picture. Forrest Tucker is good as an army lieutenant and there are comical exchanges between old timers Edgar Buchanan and George Cleveland. Victor Jury is also good as the dark, saturnine trading post owner. Arleen Whelan's role as a saloon singer doesn't have much to do with the film's plot but is quite a looker nonetheless. The technicolor is excellent, as is Paul Sawtell's spare music score.

Presumably, the title relates to the Red Feather Saloon, and flaming-haired Arleen Whelan, who sometimes sings there. Arleen's character: Carolina, is your iconic 'bad' girl, as opposed to Barbara Rush's 'good' girl, Nora. They both have occasional incidents with the lead male: Sterling Hayden, as Tex. Tex saves Nora from great harm on several occasions. Thus, naturally, she is friendly with him. But, she also feels gratitude toward wealthy local, Lucky Lee, who looked after her, after her parents were killed and their house ransacked and burned by The Sidewinder and his band of renegade Utes, who have been the terror of Arizona Territory for 20 years! Now, Lucky has asked her to marry him, and she has accepted. However, Nora has also developed an obvious attraction to Tex, and worries about his safety. Meanwhile, Lucky has a beautiful Ute mistress in Turquoise(Carol Thurston), which doesn't seem to bother Nora. Turquoise thinks Lucky should marry her, but he says a man in his (exalted) position should marry his own kind..... Caroline has an attraction/repulsion relationship with Tex. Sometimes, she tries to have him killed. Other times, she saves him from being killed. Sometimes she's angry at him. Other times, she proposes that they run off together. Caroline also has a thing going with cowboy Showdown((Richard Arlen). Most of these romantic conflicts will be resolved in the spectacular climax battle between The Sidewinder plus his Ute vs. most of those characters I've talked about, plus the US cavalry. This battle takes place in and around the Montezuma Castle Pueblo cliff dwellings, with a number of successive ladders to climb to the top......The main point of the story is the search for the identity of The Sidewinder, and eliminating him and his Utes......Some of the other characters include: Tombstone(Ian MacDonald): a shady gunslinger type, Forrest Tucker as Lt. Blaine, and his sidekick: Edgar Buchanan, as Sgt. O'Rourke. Another easily identified character actor is George Cleveland, who plays the aged Dr. Fallon: horse and people doctor, dentist, lawyer, justice of the peace, and no doubt a few other odd skills.......The location shooting takes place in various scenic areas of Arizona, and complements the 3 beautiful women included. You can see it all free, at YouTube