Le renard du désert

This is a pretty solid attempt to portray a soldier's great dilemma - balancing loyalty to the state and obedience to orders with the higher calling of loyalty to what's right and just. Erwin Rommel was one of the great German generals of World War II (a hero in Germany and respected by the Allies.) In the end, he also became involved with the conspiracy against Hitler. The movie shows us some of that development, beginning with his incredulousness at Hitler's orders that the Afrika Korps stand and fight to the last man in Africa rather than withdrawing to fight another day. According to the movie, it was this "stand and fight to the last man" attitude of Der Fuhrer that finally pushed Rommel over the edge. That makes Rommel consistent with what I know of most of the leaders of the "resistance" (such as it was) to Hitler. The opposition wasn't political; it wasn't based on a rejection of Nazi ideology or distaste for Hitler's racial policies - it tended to be based simply on the belief that Hitler was leading Germany to defeat in the war. That's the overarching sentiment portrayed here. That being the case, Rommel may not have been the sympathetic character this movie makes him out to be - maybe he just had the smarts to realize that Germany was fighting a losing war. There's also no mention of his performance during the German invasion of France in 1940, in which Rommel - as a panzer commander - received some German criticism for both his tactics and his tendency to exaggerate his achievements.

James Mason was very good as Rommel. His portrayal was believable, although I wish there had been more exploration in the story of where Rommel came from rather than simply starting us abruptly in Africa. Made only 6 years after the end of the war, the movie is also somewhat courageous in presenting a German general (even one who was unsympathetic to Hitler) in such a sympathetic light. I didn't find this to be structured particularly well. There was too much narration involved, which seemed put an end to any flow the movie might have been trying to develop. Some scenes (particularly of the Allied landings on D-Day) featured a little too much patriotic American and British and French music as the troops went ashore (frankly, listening to the Marine Fight Song or The Marseillaise in a movie about Rommel seemed a bit silly.)

It's an interesting movie, but doesn't seem to completely capture the man it portrays.

While a highly rewatchable war movie, with a corker of a performance from James Mason, this motion picture does have its inaccuracies--beginning with its memorable opening. In truth, British commandos did not sneak or charge in, outfitted in nightfighting fatigues; they simply walked in, disguised in Axis uniforms with fake ids. Though the covert mission proved a fiasco, Rommel, in true chivalrous tradition, had these would-be assassins buried with full military honors. However, cinematically-speaking, it's a gripping moment, and it's considered the first true pre-credit movie sequence, a trick one would see quite often in later movies, such as the Bond films and others.

The movie focuses largely on the Field Marshall's involvement with the attempted assassination of Hitler, but just how much (or how little) Rommel was involved is still arguable. Curiously, James Mason once mentioned how he was up for the part of Rommel and was competing with another Fox contract-player, Gary Merrill (best known as Bette Davis's love interest in ALL ABOUT EVE). Mason was impressed by how well Merrill marched and strutted, doing bits of military-like physical action that didn't come easily to the urbane Mason. Even though Mason ultimately won the part over Merrill, he self-critically felt he didn't fully do the role justice (though many, including myself, wouldn't agree with him). Perhaps the studio opted for Mason to bring out a sympathetic quality, because viewers do tend to forget the numbers of Allies who died directly because of the main character! Rommel was a great general for his energetic and ingenious tactics, not for (possibly) wanting Hitler killed.

Don't get me wrong; this movie is still a joy.

The story of the final years of the respected World War II German general, Erwin Rommel (James Mason).

I really didn't know much about Rommel going in to this film, and I don't know if I know all that much more coming out of it. Apparently he was British? And he answered to a silly Hitler that seemed liked a caricature of the real thing? I joke, but it is amusing how movies used to make no attempt whatsoever to get people's nationality correct.

Beyond that, the film is actually fairly decent because it operates more or less as a one man show for James Mason. And Mason is a joy to watch (and an even bigger joy to listen to). Not a bad story, either, although I am not sure how openly people were calling Hitler "evil" and trying to overthrow him.

For meritorious service above and beyond the call of duty to his country, Rommel was advised in the end to 'off' himself. No trial necessary, as he was guilty until proved innocent, and why waste everyone's time. But, of course, he was working for the original 'wild and crazy guy'.

"The Desert Fox" is an excellent biopic and is an idealized version of Rommel's military career, particularly as it pertains to Germany's WW II Afrika Corps. It is one of James Mason's best pictures, right behind "Odd Man Out" and slightly ahead of "A Star Is Born". It is a sympathetic portrayal of a man torn between loyalty and love of country, and perhaps a man a little slow on the uptake regarding current internal military affairs. Supporting acting was in very capable hands and there was chemistry evident between Mason and his wife, played by Jessica Tandy. Good script, good direction - hard to find a flaw in this one, which played on FMC the other morning.

I cannot count the number of times I've seen this excellent film. It is endlessly watchable. James Mason plays a very believable Rommel (at least he looked the proper age unlike the actor who played him in PATTON). True, this is an idolized portrait of Rommel, whose reputation in history (after all he was Hitler's favorite general, an autocratic and egotistical warrior who served his Furher with skill and zeal) was salvaged because of his final opposition to Hitler, an action that caused his death on Hitler's orders. It would be interesting, as one reviewer wrote, to see a German filmmaker's take on Rommel's life.

The script is tight, giving the cast excellent opportunities to create intelligent and believable characters. To the film's credit, the historical events are generqally presented with fairly good accuracy. As a side note: the voice of British General Desmond Morris (upon whose biography the film is based and who gives a running narration throughout) was dubbed by actor Michael Rennie (THE DAY THE EARTH STOOD STILL), but who is not credited.

Despite flaws that mark all historical movies of any age, but especially biographies, I highly recommend THE DESERT FOX, especially for it's acting.