Les aventures du capitaine Wyatt

Army Lieutenant Tufts (Richard Webb) is assigned a dangerous mission by General Zachary Taylor (Robert Barrat). He must accompany captain Quincy Wyatt (Gary Cooper) along with a scout named Monk (Arthur Hunnicutt with his usual raccoon skin hat ) into the Everglades to rout the Seminole Indians who are threatening the early settlers in Florida. After destroying a Seminole fort , people is rescued from Redskin captivity , then the command is forced to get away . The small band of American soldiers and their rescued companions ( Mari Aldon among others )tries to stop and must face the dangerous Everglades and hostile Indians in order to reach safety and battle against risks.

This exciting Western packs thrills , noisy action , spectacular struggles and lots of gutsy adventure . Brawling , sprawling , almost primitive action, teeming across the screen . Impressive images when Wyatt and Seminole Chief Oscala square off in a breathtaking climax . Raoul Walsh demonstrates a special talent for making the densest action sequences seem uncomplicated and uncluttered and his characters , like the scenes distinguished , often have an unfettered , raw power . Gorgeous Mari Aldon as a ballerina from Savannah who bears a dark past , she does an enjoyable and prominent debut though didn't have a notorious career . Good secondary cast with familiar hearted features as Richard Webb, Robert Barrat , Arthur Hunnicutt , Ray Teal and uncredited Darren McGavin as Navy Lt. The picture was photographed by Sidney Hickox in the heart of the Florida everglades , at Silver Sprags and at Castillo of San Marcos in the Southeastern nation , monuments through the courtesy of the United States Department of Interior National Park Service. Thrilling as well as emotive musical score by the classic Alfred Newman .

The motion picture produced by Milton Sperling is well directed by Raoul Walsh . From his starts in the silent cinema he achieved successful films until the 50s and forward , early 60s , when he was less dominant , but is still stayed lots of lusty adventure , stories of comradeship and friendship , and Raoul makes the most of plentiful action scenes . Walsh was an expert director of all kind genres but with penchant in Western as ¨Colorado territory¨ , ¨They died with their boots on¨, ¨Along the great divide¨, ¨Saskatchewan¨, ¨King and four queens¨ , ¨The sheriff of fractured jaw¨, ¨A distant trumpet¨ ; Adventure as ¨Thief of Bagdad¨, ¨Captain Horatio Hornblower¨, ¨World in his hands¨, ¨Blackbeard the pirate¨ , ¨Sea devils¨ ; Warlike as ¨Objetive Burma¨ , ¨Northern pursuit¨, ¨Marines let's go¨ ; and Noir film as ¨White heat¨, ¨High Sierra¨, ¨They drive by night¨, ¨The roaring twenties¨. Rating : Fairly straightforward movie and above average . This interesting Western and action film makes it of the finest of Raoul Walsh genre entries.

United States Pictures which released Distant Drums through Warner Brothers was I think Gary Cooper's own production company. Looking at The Films of Gary Cooper book, I noticed about three others with same credits in the Fifties of which Distant Drums was the first.

The film was shot on actual location in the Everglades, I think Gary Cooper must have gotten some taste of what Bogey and Hepburn were enduring doing The African Queen. Too bad the story didn't rate the same as The African Queen.

Cooper is an American Army captain on duty with the army of General Zachary Taylor, played by Robert Barrat, who lives on his own island and doesn't dress in any army uniform. Zach Taylor had a reputation for informality, but that was carrying it a bit too far. The only other guy who had his own private island during war was Lt. Commander Quentin McHale and his PT Boat crew.

Anyway Barrat gives Cooper a mission and a Navy lieutenant played by Richard Webb to carry it out. To attack an old Spanish fort and go by boat across Lake Okechoobee. An early type of amphibious warfare. The attack goes off as planned and some civilian prisoners are rescued from the renegades using the fort. But the Seminoles are in hot pursuit of Cooper and the whole bunch through most of the film.

I can't believe by the way that a director like Raoul Walsh had the army and the Seminoles fighting with repeating rifles and six shooter revolving pistols. Stuff wasn't invented yet.

For the early years of the republic, Florida under Spanish rule and loose rule at that, was a thorn in our side. Pirates like the ones you see here used it as a haven for raiding purposes. But it was also a refuge for runaway slaves. Our southern states wanted Florida acquired to put an end to that. The indigenous tribes to Florida, the Seminoles did offer refuge for runaway slaves. So a war there was inevitable, especially when southern presidents like Andrew Jackson were in the White House.

Maybe one day someone will do a proper film on the early history of Florida, but this ain't it.

There are not very many films depicting the 2nd Seminole War of 1835-1842, in Florida. This is unfortunate as this was not only America's longest, but its bloodiest Indian war as well. Other films relating to this conflict include Seminole, and Naked in the Sun. Due to the sparsity of Seminole War films I will admit a bias for this film despite its ridiculous plot, bargain basement Hollywood surplus wardrobe (The soldiers are in a mix of fanciful fringed pants and ca. 1898 Spanish-American War hats and shirts etc.), and anachronistic armaments(the soldiers are using M-1873 Trapdoor carbines, the Seminoles the full length M-1873 rifle-both sides used flintlock weapons in 1840). A large chunk of the plot surrounds Cuban gun runners supporting the Warriors. In truth, despite 7 years of naval blockade of the Florida Coast, the US Navy never proved the fears of such a trade from Cuba...I could go on and on... True, this is nothing more than a transplanted "western" in the Swamps of Florida, although I detect a great deal of Director Walsh's previous Objective Burma in this flick (compare the gator pit in the Seminole village with the similar scene in the Japanese held village in Objective Burma) The true star of this one is the scenery, as, almost alone amongst the few Seminole War films, this one takes full advantage of the wildly beautiful Florida Wilderness. Other comments note the great underwater battle scene, but I am spellbound by the cypress swamp and saw-grass settings as well. You won't learn much about the War from this movie, but it does have some basis in fact. By 1840 the army was relying on small patrols like Cooper's in the film to track down hostile Seminoles for removal to the west. Thats about as close as it comes to the history books, but it is still an exciting action film with an O.K. musical score.

I first saw this film while living in Port Huron, Mich. in the early '60s. What I remember most about it is Max Steiner's music. As overworked as Steiner was in those days he always turned out consistently beautiful, and in this film, thrilling scores.

This Technicolor hokum set in 1840 follows a similar narrative arc to 'Northwest Passage' but instead of Alaska is located in the Florida Everglades and is far more tongue in cheek; with a noisy and anachronistic score by Max Steiner, plenty of gunplay, explosions and reptiles, and a worldly leading lady in Marie Aldon.