The Devil's Sleep

Our kids are in trouble, as Judge Lita Grey Chaplin explains, but it's not their fault. There are adults who take advantage of them, people like Timothy Farrell, who makes his money selling "goofies".

You know there are some issues with a movie when Timothy Farrell gives the best performance. Here, he's the owner of a workout gym, contemptuous of the middle-aged women (thirtyish, I'd guess) who are his overweight clientele. They look fine to me. Farrell plays it smarmy, and he's very good at it, as the guy who uses his gym as a front to push his bootleg prescription drugs; they'll take the weight off you in a flash, but don't use them if you have heart problems. Lita Grey is top-billed, which shows you how desperate for star power this production was. The compositions were suitable for girlie magazines, and the film's 'serious message' is delivered by a man playing a doctor, droning along.

Clearly an exploitation picture, this was the sort that distributor Screen Classics might have "four-walled": rent a theater, cover the town with pamphlets and keep all the receipts themselves.

The print of "The Devil's Sleep" available through Sinister Cinema is probably the the best in existence and it burps, skips, and tears all the way trough. No matter, "The Devil's Sleep" the first film in producer George Weiss's Umberto Scalli" trilogy, in an invincible classic, a virtuoso guttersnipe flemball of a film, and the most filthy minded vision ever committed to the screen.

Timothy Farrell's Umberto Scalli, the dark, pencil mustached keeper of the keys that stick together; makes his maiden voyage here, working as a pill pushing honcho of a hole in the wall fat farm for "society dames". In an entrance befitting one of the greats, Scalli looks over his clients and smirks to a typically unsavory side kick; "I gotta laugh, they're like trained elephants, give them a pill and send them on their way."

In what plays out like the A.C.L.U.'s ultimate nightmare, a crusading Lady Judge is working hand in hand with the cops to fight juvenile crime. Her problem is that Scalli; through an insanely elaborate practical joke, has a photo of the judge's daughter...NUDE. Alas, morality rears it's ugly head when the "Mr. America" Scalli hired to amuse the elephants turns goodie two shoes. I won't give away the ending, but suffice to say in the final scene a character we don't know ties things up from a camera angle too far away to see what he looks like. It's that kind of movie.

Some mere trivia: Weiss seemed to have a soft spot for Silent Movie people: the ex wives of Chaplin and Loyd both are given prominent parts, in the latter's case a horribly degrading one. Also, Jim (Robert's brother) Mitchum makes an early appearance. The only conventionally competent performances are by young unknows playing mixed up kids. "Racket Girl" fans beware: Scalli does no pimping in this film.

But again, no matter. What counts is that, not so very long ago, there were people who looked like the people in "The Devil's Sleep", and others who behaved something like the characters. Somehow individuals got together and made "The Devil's Sleep", and it played in small, dingy, urine smelling theaters in horrible neighborhoods, and some people watched it. Truly this was The Greatest Generation. Ten out of ten.

Devil's Sleep, The (1951)

** (out of 4)

Incredibly silly "drug warning"/exploitation film from legendary producer George Weiss (Glen or Glenda?). A pusher (Timothy Farrell) is selling pills to fat women in a gym and the school kids. A tough as nails Judge (Lita Grey Chaplin) wants to hammer him down but her daughter gets set-up and now the pushers blackmail the Judge with a nude photo. Poor acting, poor directing and a poor script adds to the overall "so bad it's good" nature of this film. There's some insanely funny dialogue that matches Ed Wood, especially one un-PC scene where the overweight women are the "butt" of all the jokes. Very funny throughout and contains some of the same sets as Glen or Glenda?. Lita Grey Chaplin was the former wife of Charles and it's clear he wasn't teaching her how to act. Also contains some full frontal nudity, which certainly wasn't the norm for 1951.

This is the second film I've seen from director Merle W. Connell. The other one was Test Tube Babies which was a hilariously schlocky movie about artificial insemination. The Devil's Sleep is another 40's exploitation flick along similar lines. This one combines the drugsploitation angle personified by films such as Reefer Madness and Cocaine Fiends with the youth gone wild narrative of the likes of Delinquent Daughters and The Violent Years. Like most exploitation films from the time it's a lot more fun to watch that most boring poverty row flicks. I love these movies pretence at preaching against social evils while blatantly throwing as much sleaze at their audience as they could get away with. Obviously the films of the 40's were very tame but this one like most of its ilk manages to include scenes of semi-nudity. Always very welcome in these old flicks thank you very much. While the drug taking angle is covered by an unscrupulous health club manager pushing bennies onto vulnerable youths and women. The scenes in the health club are cheerfully sexist in that 1940's-political-correctness-hasn't-been-invented-yet-guv kind of a way. Also, the chief drug pusher is played by none other than the legendary anti-actor Timothy Farrell who is always a very welcome presence.

While this isn't as funny as either Reefer Madness or Test Tube Babies, it's still something of an entertaining time-capsule movie. It's entirely ludicrous of course. And its exploitation efforts are commendable – women seem to strip down as much as possible at every given opportunity – while it's heroically bad acting is a delight to see, with some characters clearly reading their lines off bits of paper. All-in-all, a good laugh.

Timothy Farrell is not a household name. However, among bad movie buffs he's a god--or at least should be one. While not a terrible actor, he managed to star in a huge string of absolutely awful films--such as "Glen or Glenda?", "Jail Bait", "Dance Hall Racket", "Racket Girls", "Gun Girls" and "Test Tube Babies"--as well as this film, "The Devil's Sleep". All of these movies managed to achieve an amazing degree of crappiness as well as sleaziness that you just have to see to believe. As for me, if I know Farrell is in a movie, I'm sure to see it! This film is about a campaign to clean up the streets by stopping low-lifes who target teens for the drug trade. The idea is to get the kids hooked and then to use them to commit crimes to make the big boss, Umberto Scalli (Farrell) rich. However, getting the goods on this jerk won't be easy, as he has an aura of respectability about him and runs a local health spa. So, it's up to the police and some teens to infiltrate the place and see what's cooking.

Many times during the film, ladies take their clothes off--showing quite a bit more than a Hollywood production of the time and titillating the audience. It's amazing how much they show you without really revealing that much! This is pretty much the norm for exploitation films--and this is clearly one of them. However, it's a bit better than most--with mostly decent acting, competent direction and some weird stars. Apart from Farrell, you'll see Lita Grey (one of Charlie Chaplin's ex-wives and George Eiferman (Mr. America, 1948). Neither of these two had any obvious acting ability and were probably chosen for name recognition and so that the producers could exploit the heck out of their being in the film. Overall, quite enjoyable sleaze.