L'homme en noir

Poor old "Molly" (Natasha Parry) has the misfortune to witness the eponymous character commit double murder. He knows she knows, and she knows he knows that she does, and so now he (Maxwell Reed) is determined to shut her up before she can tell pursuing police inspector "Vine" (Edward Underdown) and he faces the gallows. There's no real jeopardy here - we all know who did what to whom, but it's still quite an engaging little cat and mouse thriller that, though it could certainly do with losing twenty minutes or so, has a strong supporting cast and some nice photography of England's Sussex coast as the adventure hots up to an exciting, if predictable, denouement. The acting and script are all pretty generic, but it's still worth a watch.

I noticed the weighted average user rating on IMDb.com for this film was only 5.6 and mainly voted for by males/females aged 45+.I thought it a cracking murder mystery and watching it tonight on YouTube.com and I voted 7/10.I had just started infants school when this was filmed in 1951 (I am now 65) but was attracted to it by seeing Edward Underdown in the cast list and seeing it was a wholly British film.The afore mentioned actor (1908-1989) played "Harry Chelm" in the cult John Huston 1953 film "Beat The Devil" playing the husband of my personal sex goddess film favourite, the late Jennifer Jones.

Like another reviewer I enjoyed seeing England as I remember it in my childhood.We too holidayed in Kent in the late 1940s/early 1950s.I particularly enjoyed seeing the almost complete absence of private cars and how one could park almost anywhere without seeing those wretched double yellow lines/no parking/"resident parking only" signs we see today.Maxwell Reed seems to be a favourite of the few reviewers above and I too have the DVD of him in "The Clouded Yellow" (1951) starring another of my raven haired favourite film actresses, the late Jean Simmons.

I was intrigued by the user comment that Edward Underdown (1908-1989) was much older than Natasha Parry who plays "the love interest" and indeed she is apparently still with us being born in 1930 and so was only 21 when this was filmed, while Edward was 43 during filming a sizable age difference.You rarely see detectives kissing the heroine on films of this age but Edward made a wry comment that "little detectives have to be born sometimes"!

Short but effective suspense thriller shot on England's south-east coast. Although we know the bad guy from the start, the suspense is nevertheless maintained until the final shoot out on the rifle ranges which provide an unusual setting. Accents & dialogues typical of 50s England. Definitely worth viewing !

You can punch a lot of holes in this one.

From 1951, The Dark Man, directed and written by Jeffrey Dell, stars (and is) Maxwell Reed. He was Joan Collins' first husband, and ever since I heard what she said about him, I've never been able to stand him. Good thing he always plays creeps.

In this film, on a lonely road, he (Dark Man) kills a cab driver who could recognize him (his second murder that we know about). A young actress, Molly Lester (Natasha Perry) out on her bike hears the shot and sees him in the distance.

When a fellow thespian reads that the police are looking for witnesses, a reluctant Molly tells an officer (Edward Underdown) what she knows, and he informs her that her life is in danger. She will have to be guarded. There's a romantic interest, though he's 43 and she's 21.

Well, when you're being guarded, that means all the time, one would think. In Molly's case, I guess it's when they get around to it. At one point, Dark Man breaks into her apartment, removes the lightbulbs, and attacks her.

The guy has killed twice. Does he kill her? No. He turns on the gas. She lives.

Okay, then he picks her up in a cab. He wants to kill her because she may recognize him. Obviously she doesn't know who the heck he is or why he is heading out to a remote place.

It's well photographed, keeping Dark Man tall and in the dark. I wouldn't have recognized him either.

A terrific British B movie of the period! One of the filming locations listed is Camber Sands, but the denouement takes place at Dungeness where the Lighthouse and the Railway Station of the Hythe/Romney and Dymchurch Narrow Gauge Railway feature strongly - the line swings around the Dungeness terminus and can be seen quite clearly.