Bride of the Gorilla

Typical and run-of-the-mill monster movie in the Fifties style. Very mediocre terror movie with some scenes fun to watch . On a remote and deep location, in a South American jungle rubber plantation , a foreman called Barney Chavez (Raymond Burr) spends much time dodging working and visiting the boss' (Paul Cavanaugh) wife , Dina Van Gelder (Barbara Payton) , whom he tells he would like to take away from her husband. When her hubby , the chief Klass Von Gelder dies from suspicious circumstances Barney deceives his jealous lover Larina (Carol Varga) but the housemaid Larina Gisela Werbisek) uses weird magic to cast a spell on Barney , who's plagued by a strange voodoo curse . Barney starts transforming before his own eyes into a Gorilla and family physician Dr. Viet (Tom Conway) sees that the man is laboring under something he believes is poison . Then an enormous being on the loose begins to become evil and escapes around the lush jungle , killing here and there . When investigating the rampage of an ancient and mythological being called Sukara , local constable Taro (Lon Chaney, Jr.) realizes that Barney is missing at night coinciding with ravaging animal killings on the jungle and he and Dr. Viet work to get to the bottom of the mystery . Along the way, Barney suffers long lapses of memory loss, and continues to see himself as a Gorilla causing wreak havoc . Her clothes torn away, screaming in terror!.Her marriage vows were more than fulfilled!.A Blonde Beauty and a Savage Beast... alone in the Jungle!

Routine and regular monster movie about habitual issue concerning an enormous , unfriendly , stalking and very anger gorilla. This is a cheap , humdrum and monotonous production, written director Curt Siodmak himself , being spoiled by suffering from lousy interpretations and an embarrassing lack of imagination . Fakey special effects might have been decent in the Fifties or Sixties , but they just don't cut it today. T Here only stands out Raymond Burr who travels to jungle where he meets a wife , a plantation and a curse in this African twist on the werwolf legend , replacing him with a gorilla . In fact , there appears Lon Chaney Jr ,though he doesn't takes his Wolf Man usual role , but a local police officer on the trail a strange creature on the loose . Raymond Burr physical changes are amusing to watch , while turning nightly into a rampaging gorilla . And gorgeous Barbara Payton (who acted in important films as ¨Dallas¨, ¨Only the valiant¨, ¨Drums in the Deep South¨, ¨Kiss Tomorrow goodbye¨, ¨The Great Jesse James Raid¨) , she performed one of the saddest stories from dark chronicle Hollywood . Attractive blonde sexpot and her life eventually disintegrated , mostly for her own doings . She was the subject of a spread in Confidential Magazine in the early 1950s when then fiancé Franchot Tone allegedly caught in bed with Guy Madison . Tone later married her , despite of the indiscretion , in addition she had a tempestuous relationship with Tom Neal . But happened the downfall , her once enticing countenance now blotchy and once sensational figure now bloated , Barbara sank deeper into the bottle and had several brushes with law , among them public boozy , bad checks and ultimate prostitution . The 39 years former star was found on the bathroom floor . They're well accompanied by a nice secondary cast , such as : Tom Conway, Lon Chaney, Paul Cavanagh, Gisela Werbisek , Carol Varga and Woody Strode.

The motion picture was badly directed by exiled writer/filmmaker German Curt Siodmak . One of Siodmak's first film-writing assignments was the screenplay for the German sci-fi picture "Floating Platform 1 Does Not Answer", based on his own novel. Curt and brother Robert Siodmak started in the film business writing German inter-titles for Mack Sennett comedies. In 1928 he wrote scripts for movies for the first time; his idea for the script for People on Sunday (1930) constituted the first directorial success for his brother Robert Siodmak. Compelled to leave Germany after Adolf Hitler and the Nazis took power, Siodmak went to work as a screenwriter in England and then moved to Hollywood in 1937. He got a job at Universal through his director-friend Joe May, helping write the script for May's The Invisible Man Returns (1940) . It was at Universal where Siodmak became identified with science-fiction and horror; especially with movies like The invisible women (1940) and The wolf Man (1941). Landed a worldwide success with his novel "Donovan's Brain" in 1942, which was filmed four times over the next 20 years. Siodmak directed a few films such as : Ski Fever , The Devil's Messenger , Demon Street , Tales of Frankenstein , Love Slaves of the Amazons , Curucu, Beast of the Amazon, The magnetic monster. His final significant genre credit was for Terence Fisher's German production Sherlock Holmes and the Deadly Necklace . Bride of the Gorilla(1951) rating : 4.5/10 . Below average.

Don't be deceived by the prominent billing of Lon Chaney Jr or the advertising that stresses all the horror in this little yarn. In point of fact, Mr Chaney is confined to a rather small role. He's neither our heroine's husband nor lover. He's not even the gorilla! Mr Chaney stays firmly on the right side of the law for once, while Raymond Burr in his usual confidently cool, surly, self-assured manner enacts the title role opposite the legendary Barbara Payton (here looking extremely attractive, thanks to flattering photography and most seductive—if rather inappropriate by jungle standards—costumes. She speaks her lines with more than adequate conviction too).

Tom Conway walks through his part with his usual, blandly smooth impeccability, whilst Carol Varga's eye-catching native girl gives Barbara a fair run in the beauty stakes. Woody Strode is also on hand as a policeman who has a key scene with a black-robed, rather sinister servant-lady.

As a director, Mr Siodmak takes great care that every word of the marking-time hokey dialogue he has contrived for his script, be clearly and distinctly heard. His actors are coached to speak carefully and to enunciate with great deliberation so that not one time- consuming cliché be lost. In other respects too, Siodmak's handling has not a great deal to recommend it. Even at 65 minutes, the pacing appears remarkably slow, even tired, listless, dull. Except for a few shots of the camera tracking subjectively through the undergrowth and the jaws of the gorilla flashing momentarily right in front of the lens, Siodmak does little to capture audience interest in his tale. He focuses more of his attention on the bride than the gorilla—which is fine for us Barbara Payton fans, but may leave horror and fantasy devotees feeling rather short-changed.

All told, from a horror perspective Bride of the Gorilla turns out as a tame and tedious affair that signally fails to deliver the frights and the terror promised by its script and its advertising. We see only a few flashes of the gorilla (an obvious impersonation by a stuntman in the same well-used monkey suit the costume company has been renting out for twenty years) and there's no impressive special effects work either. Most of the movie perambulates around three or four sets and was obviously lensed on an extremely tight budget. (In fact, it was reportedly shot in ten days).

Bride does have one other important factor (aside from Miss Payton), in its favor, however. It was superbly photographed by Charles Van Enger. If you love glossy photography, Bride of the Gorilla is your meat.

O.K., so this is not a critical classic. In fact, it's oddball, low-budget nonsense. But you have to admit, it's great fun to watch. It's so strange that it forces you to watch it to the very end, just so you can be sure you are not making an error about the preposterous plot you're seeing. It's campy madness and I'de recommend it to anyone interested in the obscure. You will find yourself wondering: How did they ever get Raymond Burr to take such a role?

Beautiful Barbara Payton is married to a much older man who has little time for her. What is a blonde, buxom girl to do? Well, no secret here that she has an affair with the foreman of her husband's plantation, Raymond Burr, who gives a performance worthwhile yet plays a guy with which you will have virtually no sympathy. Things get nasty in the jungle: Barb's husband is killed and Ray marries her. Yet, a native old woman seeks revenge on Burr by poisoning him so that he will turn into some jungle demon...a big gorilla. On his track is none other than Commissioner Tarro - Lon Chaney Jr. playing a native-turned-educated policeman from the jungle land. Chaney isn't really bad, just unbelievable in his role. Curt Siodmak directed this film and wrote the script. Siodmak was the writer of Universal's classic The Wolfman. In both pictures we have an average man turn into a beast at night. In both pictures we have transformation scenes - grand ones in The Wolfman and pitifully cheap ones in this production. Chaney also is in both films. Siodmak really does a less-than-average job behind the camera. My guess is budgetary constraints really held his hand in check. This is a very cheaply made film. The jungle house looks fine, but jungle scenes look less than real. Siodmak does have a few nicely shot scenes, particularly as the lens becomes a character walking into the jungle. What about the gorilla? No Jack Pierce here. In fact the gorilla maybe makes three appearances and none of them very substantial. The film has a lot of talking, Raymond Burr brooding a lot, and Chaney lecturing us on the "laws of the jungle." Payton does a decent job, but let's face it. She is there for one reason only. And Evelyn Ankers she is not! Character actor Tom Conway rounds out the leads, giving another one of his wooden but amiable performances.

In my movie reference books this movie is variously described as a "bomb" or recommended as a suitable choice for inclusion in the 100 worst movies of all time. Nevertheless, I have no qualms in saying that it is not that bad, and was quite happy to sit for 65 minutes (the short running time probably helps) and see it through until the end.

To begin with Curt Siodmak's story is interesting enough (as are many of his screen writing efforts), and has more than a touch of complex moral ambiguity. His direction here however has very little flair and tends to be on the perfunctory side. The low budget is a major constraint, and for the most part the film tends to be on the flat side visually, with unimpressive jungle scenes and minimal interior set pieces of the kind typical for a low budget production.

The cast (described in one reference book as 4 non-actors) are actually all competent, and Raymond Burr, in fact, is quite good in the part, managing to impart a human dimension to what could have been merely an unsympathetic villain. In fact it is interesting to actually analyse how much of the films dramatic load actually rests on his shoulders.