Symphonie en 6.35

What talent, Shelley Winters, Farley Granger, William Demarest, Lon Chaney, Jr., Hans Conried, Elisha Cook, Jr., Allen Jenkins, Sheldon Leonard, Francis L. Sullivan, King Donovan. What an idea for a funny movie, having a stray dog get a newly married couple who have to live with the wife's obnoxious mother into all kinds of murder and intrigue. What a talented dog, Archie, right up there with Asta. What fine cinematography by James Wong Howe highlighting Wilshire Blvd in the early 1950's. Then what went wrong? One thing is a lack of comedy timing by Farley Granger who even overacts at time. Apparently he was using Jerry Lewis as his model, but was unable to come close to Jerry Lewis' élan. Other weaknesses involve the script and direction, by the same person, George Beck. In more capable hands Farley Granger could have been restrained and, given his acting ability, could have turned in a good comic performance. The script? With some revision it could have been a winner. As is, the best performances are by Elisha Cook, Jr., Hans Conried, and Shelley Winters, with the standout being by an uncredited canine who must have had a gifted trainer. This comedy is worth seeing if you don't expect too much.

I was actually surprised at how funny this comedy was--I guess I wasn't expecting much. Still, I laughed out loud several times. Shelly Winters proves grating at times with her one-note performance, but Farley Granger (looking as sexy as ever)proves to be extremely good at comedy. However, the single best performance in this movie is given by Archie, the dog, who is crucial to the plot. And he's not even listed in the credits on this website! (I actually looked the movie up on IMDb just because I wanted to see if Archie was in other films. And I've never, ever done that for a DOG before.) Elisha Cook Jr. is very welcome in a cameo role, but is not given nearly enough to do.

A star studded cast -- Granger, Demarest, Lon Chaney, Allen Jenkins, Sheldon Leonard, Elisha Cook, Marvin Kaplan. Some bigtime hollywood names here. Bill brings a stray dog home after shopping for an anniversary gift for his wife, but she thinks the dog IS the gift. and this dog is special.... it's been trained to work for the mob. and they want it back ! it does get a little annoying. Bill spends a whole lot of time talking to the dog to get him to leave the bedroom, but for some reason, the dog doesn't seem to understand. that got annoying after a while. Fun premise, but so much time spent on stupid minor things. Script could have been so much better. just one mis-understanding after another. Demarest and Jenkins are the cops trying to railroad Bill (Granger). It's okay. Directed by George Beck... this was the one and only film he directed.

From RKO, this minor rom-com starring Farley Granger and Shelley Winters is quite entertaining, thanks to the pleasant lead players but especially filled with great character actors, mocking the format of a crime movie. And with Archie the dog stealing scenes throughout, it represents the type of innocuous entertainment that kept fans happy during 1950s Hollywood.

One could easily imagine a straight, serious film noir with this cast, and Granger/Winters playing tough guy and femme fatale, but here they are ably involved in crazy comedy situations, intentionally goofy as sets of criminals all compete to find the cute doggy who has attached itself to Granger. Murders keep occurring and Granger's little white lie (he pretended the pooch was an anniversary present for his wife Shelley) ends up getting him into big trouble.

Elisha Cook Junior, Hans Conried and Lon Chaney Junior are among the familiar faces who are so much fun to see, even seven decades later when such obscure films show up regularly on YouTube. Influence of producer Norman Krasna is obvious here, while obscure writer-director George Beck (this was the only movie he ever directed) does a fine job keeping things moving at a brisk pace.

Farley Granger and Shelley Winters form an unlikely couple in this screwball caper. The script was supposedly written in four days, and quite frankly, it shows. But there are some genuinely uproarious events, most of them involving William Demarest as a homicide chief. Hans Conreid appears in a heavy British accent, but he isn't nearly as funny as Demarest, though he certainly tries to be.

In fact, they all try to be funny in this offering from RKO, perhaps a bit too much. The energy, though, is good, and there is an adorable pooch named Archie whose presence is central to the plot. Near the end of the film, Granger bites Archie in an attempt to elicit laughs, proving there is such a thing as bad taste in movies. Obviously, Granger's character does not see the value in behaving himself.