Le cheval de bois

This unsung quiet gem tells the true story of a POW escape during WW II. The performances are incredible, especially Anthony Steele. The movie works on many different levels: cerebral, emotional, visual, and literal. The dialogue is ingenious and rings very true. In fact, an unusual all-around authenticity puts this one head-and-shoulders above most war epics.

In the long line of distinguished & inspiring war movies made in England in the 40's & '50s (Went The Day Well, Dam Busters, Cockleshell Heroes, One of Our Aircrafts is Missing, We Dive At Dawn) about British military personnel resisting German aggression in the second War, comes this little gem. This movie tells the story of Stalag Luft III where British airmen Leo Genn & David Tomlinson (both more famous for their roles in Quo Vadis & Mary Poppins respectively) are imprisoned. In a daring attempt the duo with one more accomplice break out of the heavily guarded camp by digging a tunnel from under their exercise title instrument. The second half of the movie concerns their attempts to reach Sweden, a neutral territory from where they can reach England.

Leo Genn performs convincingly as the pipe-smoking elder Flight Lt. who goads & coaxes the younger David Tomlinson on, first through the tunnel & then through enemy territory. Both had war time experiences & borrow heavily from that. Peter Finch has one of his first roles as a Australian soldier who helps in the escape plan. Two of the funniest parts of the movie are the 'venture capitalists' in the form of the escape committee headed by senior officers approving of the plan & later financing it, & the retort of one of the injured soldiers in the hospital to a German comment that Beethoven is a good German.

So ignore some of the incongruencies and enjoy this suspensor. It is no 'Stalag 17', but still a good entertainer all the way.

The Wooden Horse was one of the first "great" escape stories from World War II, telling the true story of Eric Williams and others in their escape from Stalag-Lufft III in October of 1943. I really like this film, but had to by it on VHS from Amazon in England and get it transferred from PAL format in the U.S. I read the book when I was in hight school, after having seen a portion of the film in the early 60's on T.V. The taunt drama of Peter and John trying to escape from Germany during the war is more realistic than the treck of the escapes portrayed in the Great Escape. This film is a lost treasure, that should be made more available to American audiences.

Playing out as a sort of pre runner to The Great Escape some 13 years later, this smashing little British film plays it straight with no thrills and dare do well overkill. First part of the movie is the set up and subsequent escape of our protagonists, whilst the second part concentrates on their survival whilst on the run as they try to reach Sweden. The film relies on pure characters with simple, effective, and yes, believable dialogue to carry it thru, and it achieves its aims handsomely. No little amount of suspense keeps the film ticking along, and as an adventure story it works perfectly for the time frame it adheres to, so a big thumbs to the film that may well be the first of its type? 7/10

In 1943, a group of RAF Officers, including Eric Wiiliams, decide to escape from a POW camp using a Gymnastic Vaulting Horse in the courtyard. In 1950, it was decided to film his account, and it kick-started a peculiar British Film Genre- the Military Prison Camp story that reached its apogee in Danger Within (1959).

The Wooden Horse is one of the quietest films I have ever watched. There are no great dramatic moments, but a steady storyline eventually builds to a climax that has more tension because the story doesn't give way for unlikely drama, jump cuts or jacked up (somethings about to happen!) music. It is utterly of its time and works beautifully.

Leo Glenn, Anthony Steel and David Tomlinson lead a curiously low key cast of extras and (I suspect) non-actors. Without exception, all are constantly mono-tonal and quiet. They keep emotion out of their roles. As so many were, until recently, ex-service, I suspect they recreated their war time roles as 'Officers and Gentlemen'.

This unemotional approach does not detract from any dramatic tension. On the contrary, unlike most Wartime Escape Films, the story doesn't end at the barbed wire: and that fact alone keeps me glued to the end.