BBC Radio's 20 Questions receives anonymous clues that connect to a series of murders. Reporters try and break the code before more deaths come to pass.BBC Radio's 20 Questions receives anonymous clues that connect to a series of murders. Reporters try and break the code before more deaths come to pass.BBC Radio's 20 Questions receives anonymous clues that connect to a series of murders. Reporters try and break the code before more deaths come to pass.
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Liam Redmond
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A film that will remind you that a Dimbleby has always been on the BBC as Richard Dimbleby plays himself as a member of the Twenty Questions radio panel. The panel receive a series of anonymous clues that lead to murder.
A journalist Bob Beacham (Robert Beatty) realises that a question sent by a listener regarding Riki-tiki-tavi is somehow linked to the death next day of a man with a name similar to it.
Along with a fellow journalist Mary Game (Rona Anderson) they look for similar clues in the next edition of the radio program as they figure that a pattern is developing.
It is never explained why the murderer has gone to elaborate lengths to the taunt the police but they seem to be more interested in fitting up an Indian manservant called Mohammed Ali.
All through the film you get comments on the case by two BBC workers on the reception of the radio show.
There is a lot of casual sexism in the film, yet it is a rather amusing, dated and diverting thriller.
A journalist Bob Beacham (Robert Beatty) realises that a question sent by a listener regarding Riki-tiki-tavi is somehow linked to the death next day of a man with a name similar to it.
Along with a fellow journalist Mary Game (Rona Anderson) they look for similar clues in the next edition of the radio program as they figure that a pattern is developing.
It is never explained why the murderer has gone to elaborate lengths to the taunt the police but they seem to be more interested in fitting up an Indian manservant called Mohammed Ali.
All through the film you get comments on the case by two BBC workers on the reception of the radio show.
There is a lot of casual sexism in the film, yet it is a rather amusing, dated and diverting thriller.
The classic radio show receives a clue to a series of murders and reporter Beatty picks up the trail.
Actually quite well written with the script careering on at quite a pace with some nice characters with some witty one liners - in fact the script is more entertaining than the whodunnit.
Enjoyable afternoon fare.
Actually quite well written with the script careering on at quite a pace with some nice characters with some witty one liners - in fact the script is more entertaining than the whodunnit.
Enjoyable afternoon fare.
It begins with some originality, even blurring the lines between reality and fiction by having several real panelists of a (rather obscure today) radio game show playing "themselves" but acting out a script. However, all of this is quickly mostly abandoned, and the film becomes a conventional, talky and overlong murder mystery. A dull male protagonist does not help much. The killer, however, is admittedly well-hidden. ** out of 4.
I really quite enjoyed this rather quirky crime thriller. It starts off with the most spurious of clues - a man writes into the famous BBC radio panel game "20 Questions" with a puzzle for them all. The answer turns out to be incredibly similar to the circumstances of a murder the next day... When this happens again, two sparring reporters get down to investigating what's going on. Robert Beattty and Rona Anderson blend their gentle journalistic competitiveness (and a gently burgeoning romance) well, and alongside Edward Lexy as the pursuing policeman ("Insp. Charlton") and the real quiz panel - including legendary British broadcasters Richard Dimbleby and Jack Train - help to keep the mystery rolling along nicely. It's just a bit too long, I felt - the story does start to recycle itself a bit and there is a great deal of dialogue, but it is still an intriguing enough watch as the brains start to piece together this complex series of evidence threads that keeps us guessing right to the end. A couple of nice cameos from Kynaston Reeves and Liam Redmond help out well, too.
The BBC's legendary Twenty Questions show is the subject of a killer's macabre sense of humour, sending in questions as leads to their heinous crimes.
It's a very cold and wet day, the curtains are shut, so the setting is cosy, this film has been the perfect antadote to a cold and wet day. The pace is slow, but it's engaging enough, it's atmospheric and will keep you guessing. The acting is varied to say the least, but there are some interesting characters.
It's 1950, it holds up, nice production values, although some of the attitudes are representative of the time.
Poirot's Whitehaven Mansions appear to be the external home of Mary Game.
It's a decent pot boiler, 6/10.
It's a very cold and wet day, the curtains are shut, so the setting is cosy, this film has been the perfect antadote to a cold and wet day. The pace is slow, but it's engaging enough, it's atmospheric and will keep you guessing. The acting is varied to say the least, but there are some interesting characters.
It's 1950, it holds up, nice production values, although some of the attitudes are representative of the time.
Poirot's Whitehaven Mansions appear to be the external home of Mary Game.
It's a decent pot boiler, 6/10.
Did you know
- TriviaShot in three weeks.
- GoofsThe murderer is able to successfully strangle his victims in a couple of seconds: the evidence suggests that in reality it takes longer than that.
- Quotes
Mohammed Ali: He was English, and to an Indian all are alike. They are big, their faces are red, and they smell of whisky.
- Crazy creditsOpening credits: All characters appearing in this film are entirely fictitious and are not intended to represent or portray any person whether living or dead, except the "Twenty Questions Team" who appear in person.
- ConnectionsReferences Hamlet (1948)
Details
- Runtime
- 1h 35m(95 min)
- Color
- Aspect ratio
- 1.37 : 1
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