No Trace

A curiously different type of murder mystery. Hugh Sinclair is a successful crime writer who is blackmailed by a former criminal confederate, so he proceeds to bump him off. He thinks it is a perfect crime but his secretary (Dinah Sheridan) starts to try to piece the murder together - almost as a challenge - with him being her sleuthing mentor. As she gets closer to the truth, it all gets a little too close for comfort for our murderer... There is a more substantial role as the police inspector for John ("we're dooooomed") Laurie and a couple of cameos from Dora Bryan and Barry Morse, but the ending lets this down rather badly for me. Definitely better than the usual weekly Saturday feature, though, and well worth watching.

"No Trace" from 1950 is about a mystery novelist (Hugh Sinclair) who finds himself being blackmailed about his past and murders the blackmailer. His secretary (Dinah Sheridan) sets out to solve the mystery of the man's murder.

I love these English B mysteries. It was fun to see The Fugitive's Barry Morse here as a young investigator and speaking with a British accent - he didn't on his most famous role, Lt. Gerard on The Fugitive.

My only problem with this film is I don't understand how the Sheridan character felt any affection for her boss, a cold, arrogant man.

Founded in 1948, Berman & Baker's Tempean Films got off to a flying start with this splendid little thriller which resembles an episode of 'Columbo', with secretary Dinah Sheridan as the killer's nemesis; although the police themselves (in the person of John Laurie & Barry Morse) are permitted to display more competence than usual.

As in an episode of 'Columbo', anti-hero Robert Southley (the "distinguished crime novelist") is too arrogant and condescending for his own good, and there is plenty of barbed dialogue to go around.

Ernest Butcher has a brief but memorable cameo as the neighbour who innocently blunders in, and exits blustering "No harm done"!

Recommended.

Above average (I voted 7/10) British crime thriller from 1950.The Secretary in question is Dinah Sheridan who seems more intelligent than her boss (Hugh Sinclair), an ex-actor, ex-robber with a shady past now crime writer trying to bury his past by producing successful novels.In accordance with IMDb.com policy I won't give away the plot and thus spoil future viewers enjoyment of this film.Incidentally, I have never seen this film on DVD nor for sale commercially but the good news for readers is that it is shown on the wonderful youtube.com, so come on readers, let us have a few more comments than mine and those above, I would be interested to hear other opinions.

As I am 65 and therefore was 4 in 1950, I have a vague memory of the stylish gull winged Triumph sports car that Hugh Sinclair drove around in the film.As stated in another of my reviews, it is a pleasure for me to see film characters driving around London AND PARKING! where they please, with hardly any other competing motorists or eagle eyed, intimidating traffic wardens.More disturbing is the frequency with which early post war film actors/actresses light up cigarettes (made a man/woman of you!).I noticed Hugh Sinclair only lived to 58 and if he smoked in real life like his stage persona, it does not surprise me.It was unlikely a Scotland Yard detective, (played by "Dads Army" stalwart John Lawrie) would invite a crime thriller writer along for the ride to help him solve the case.The direction/writing is in the safe hands of Robert S Baker/Monty Berman partnership.

It's always great to see a film with John Laurie of "We're doomed" fame from "Dad's Army". You just will him to say it whenever he appears - ha ha! In this film, he plays the Inspector in charge of solving a murder and takes along the rather big-headed crime author Hugh Sinclair (Robert) as part of a friendly understanding between the two. Perhaps Sinclair can solve the crime before the Inspector can? If only Laurie knew.

It's a good film with some dodgy accents thrown in - what is blackmailer Michael Brennan (Fenton) trying to do with that terrible American accent! And bad girl Dora Bryan (Maisie) exaggerates her cockney accent a bit. Still, she fits the bill as a drunken slapper. The film unravels itself with suitable tension as the cast begin to realize what has gone on thanks to the inquisitive hunches of Sinclair's secretary Dinah Sheridan (Linda) and Laurie's assistant Barry Morse (John).

We are told that everyone has a novel inside them. Just make sure you aren't completely autobiographical. Otherwise........"We are all doomed!"