Montana

If you like westerns and Errol Flynn and who doesn't, prepare to be entertained. Cattle, sheep, a woman, ranches, shootings and all the rest take place in a rather quick paced plot that serves its purpose. It would have been a 5-6 rating but Errol is always a pleasure to watch as he has this way of acting that looks so effortless. Hollywood did well to take advantage how the camera loves this man. Good movie to eat a sandwich while watching with a tasty drink and perhaps some choice candy. There is a couple parts where they sing and in the bat scene, the song is quite catchy. Listen to the words or read them if you have closed captioning. It gives us a glimpse of life back then, what people liked and song subjects can be revealing. Just listen and learn. Okay boys, lets ride

Montana with a running time of only 77 minutes has to be some kind of record for Errol Flynn while he was Warner Brothers for shortest feature film. Some of the B westerns with Dick Foran back from the Thirties had longer running times than Montana.

My suspicion is that Montana is nothing more than a pumped up B film, it certainly does not have as expensive a look to it as say The Adventures of Don Juan which Flynn did the year before.

The plot is a simple one and it's the only time that Errol Flynn actually played someone of his nationality which was Australian. Flynn for reasons left unexplained by the film has decided to leave Australia and homestead new country for sheep raising in the Big Sky country of Montana territory.

Naturally this upsets the local cattle ranchers and two of the biggest in the area are Alexis Smith and Douglas Kennedy who are about to make a personal and business merger. But once Flynn gets into the picture he certainly makes Alexis see the error of her ways about him and about sheep in that order.

As a film, Montana relies heavily on the considerable charm of Errol Flynn to bring it off. Bring it off he does, but Montana certainly will not rank high in the best of Errol Flynn list anyone compiles.

But someone out there was really impressed with the film. Back in the day when I lived in Brooklyn there was a judge who must have loved this film as a lad. He thought Errol's character name of Morgan Lane had character so he changed his own name to Morgan Lane from some Jewish sounding ethnic name. Of course that was before he became a lawyer and eventually a judge.

The second thing Montana is known for is a nice little cowboy duet that Errol and Alexis sing called Reckon I'm In Love. It's nice little ditty and one of only a few times Mr. Flynn got to sing in films. I recall he sang in Thank Your Lucky Stars and in Let's Make Up and that's about it in the vocalizing department.

You might watch Montana for entertainment, but who knows if it will actually move you to change your name.

Errol Flynn, as a sheep-herder? Say it ain't sew! No wonder Flynn drank his way through this turgid Western. I'd be pulling the wool over your eyes by saying Flynn doesn't mail it in. Lots of short scenes with many edits plus obvious studio cuts against outdoor backdrops. Flynn's first film in 1950 but the miles and trials were taking a toll on Errol. His eyes were too bloodshot to shoot some scenes.

Nevertheless, the Technicolor cinematography (Calabasas Ranch)is first rate plus production values make up for the drab characters. It's tough to care about anyone except beautiful, flaming redhead, Alexis Smith. I've never seen whiter teeth in my life. Cute little scar on her chin too. Flynn and Smith have some nice scenes plus sing a fun little ditty: Reckon, I'm in love! Seriously, it's not bad! A sheep-herder invades cattle country! If this sounds like a bum steer of a film, you're probably right but it's Flynn in his final decade. He went downhill fast from here but "amoung other things", he still looks good next to Alexis.

Morgan Lane (Errol Flynn) is an Australian sheep herder. He has come to Montana to graze his sheep despite attack by murderous local cattlemen. He encounters traveling huckster Papa Otto Schultz (S. Z. Sakall). He decides to play a peddler and infiltrate the town. Maria Singleton (Alexis Smith) is one of the local cattle ranchers.

It's a fine Errol Flynn western. Sheep herders are not the usual western fare. That's an unique spin. Otherwise, it's very standard and non-challenging. There are some cowboy stunts with the stuntmen. Errol Flynn is doing his leading man work. This is fine but a little slow.

This was the beginning of the final years for Errol Flynn, he was still good in this surprise less story full of charm and action, a bit different an dmore effective than George Marshall's THE SHEEPMAN for Metro Goldwyn Mayer. It is rather short for a major Warner flick, maybe because Ray Enright was the director and not William Keighley or William Wellman. This scheme concerning sheepmen vs cattle owners war has certainly been told many times, besides this one and THE SHEEPMAN; I guess they are both the most important films. So, to summarize, that's a prety good old fashioned western in the pure Hollywood style. Well done, very professional piece of work.