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"The Jackpot" is a story about Bill Lawrence, an ordinary man with a lovely wife, two growing kids, a regular job and a good group of friends. But this ordinary man thinks his life is too ordinary, too boring. Then one night he has an opportunity to answer a question on a radio quiz show. Once he gives the correct answer and begins to receive the prizes, his life is no longer boring or ordinary. Of course he soon wishes things were back to normal. Jimmy Stewart is such a pleasure to watch as he runs through a whole gamut of emotional upheavals. He goes from his routine life to the stress of trying to win the contest, to the euphoria of winning, to the turmoil when the prizes arrive, and then to the shocking discovery that he'll have to pay taxes on them. Barbara Hale is wonderful as his patient wife, who gets a little fed up with him as he laments his life decisions. James Gleason is also noteworthy as Bill's friend and adviser. While the story in itself isn't top notch, the acting more than makes up for it.

Amusing little programmer that may be dated, but moves along nicely. Department store exec Jimmy Stewart has a suburban home, two cute kids, and a dutiful wife (Barbara Hale). He's a little bored but otherwise okay. That is, until he wins a yard full of dubious prizes (fruit trees, 1000 cans of soup, et. al.) from a radio show. That's sort of okay too, until he finds out he's got to pay $7000 in taxes on loot they really can't use. Now the happy home turns upside down and into a sales bazaar as Stewart tries to raise the tax money and get his life back to normal. However, the complications pile up almost as fast and furiously as the chuckles.

Clever script from the Ephrons (Henry & Phoebe), along with a number of nice touches from ace comedy director Walter Lang. Note how he has a card-playing guest humorously peek at the cards while others are distracted by the radio show-- that had to be an inspiration of the moment. Stewart, of course, brings his usual brand of amiable befuddlement to the comedy mix, and who better to play his department store boss than that 50's curmudgeon of big business, baldy Fred Clark, (I hope there's a special place in Hollywood heaven for unsung performers like him).

I remember the mystery-guest quiz shows that the movie portrays. They were popular and fascinating for an audience trying to unravel the riddle of the celebrity guest (eg. Jack Benny as the "Walking Man"). I don't know, but I'll bet that those shows started paying the taxes on prizes after this movie was released. This is a good example of the kind of family comedy that soon migrated to 50's sit-com (Ozzie & Harriet; Leave it to Beaver). Probably it would not have been produced 5 years later, quiz-show premise or not. Nonetheless, there's enough human interest and clever comedy set-ups to overcome the period limitations and keep you entertained.

The Jackpot features James Stewart in another incarnation of his George Bailey, Mr. Average Man persona. Like Bailey, Jimmy Stewart is the average man with a wife and two kids. Only his Mr. Potter is his boss Fred Clark at the department store where he's a Vice President. But like Bailey he's feeling stuck in a rut in his small town.

That all changes when he gets a call from the Name the Mystery Husband quiz show and with a little help from James Gleason he gets the right answer. He wins $24,000.00+ in prizes, but no one tells him of the complications that go with it.

Barbara Hale steps nicely into Donna Reed's shoes and Natalie Wood and Tommy Rettig are the two children. Best in the supporting cast are Lyle Talbot, the department store's other vice president and one slobbering bootlicker and Alan Mowbray as an officious interior decorator.

Mowbray is playing a part and playing it well that another 20th Century Fox star, Clifton Webb would have eaten for breakfast. I wonder if the part in fact was offered to Webb. Maybe he turned it down because at that point he was a big name box office draw and the part of the obviously gay interior decorator might have been too close to home for those times.

The Jackpot is an enjoyable family comedy. Director Walter Lang got good performances out of his very talented cast.

I have a question that goes beyond the one that's in this movie - Who is the Mystery Husband? (and by the way, I recognized his voice) - WHAT was THE James Stewart doing in a B movie? Did he owe Fox a film or what? That to me is the most intriguing question.

Stewart doesn't raise this film to A status, but having him in it certainly brings it up a notch. He plays husband and father Bill Lawrence - maybe George Bailey 20 years hence "It's A Wonderful Life" had it not been for Clarence - who's bored with the routine and, in middle age, realizing that the house, the wife, the kids, the job, - this is it. As he puts it, he's not going to the North Pole. Then he gets a call from the Federal Broadcasting System to make sure he's home that evening to get a call from a quiz show. If he can answer the question correctly, he'll get $24,000 in prizes.

Bill answers correctly, and then the trouble begins. Where to put the fully-dressed quarter ton of meat, the 7,000 soups, the three years of frozen foods, the old furniture since the house is being made over, the pony, etc. And who's going to pay the taxes on all that stuff. These aren't the only headaches. Bill's wife (Barbara Hale) is jealous of the dishy dame (Patricia Medina) hired to paint Bill's portrait, so his marriage is going down the tubes.

This is a cute movie that does have some amusing bits in it, plus good backup from James Gleason and Fred Clark. The best for me was Bill deciding they need to sell stuff to pay taxes, and trying to do it on the sly in the department store where he works, waylaying customers like a guy who drags you into a back alley. Stewart is wonderful, as if he could ever be anything but, and Barbara Hale is lovely. But give me a break. This could have been a sit-com episode. I can't imagine what gun Darryl Zanuck held to Jimmy's head to get him to do this movie. Zanuck must have had dirt on him that no one else knew.

Beneath an innocuous story about a quiz show prize, there is a comic attack on a consumer society and the quest for more wealth.

Jimmy Stewart plays the man making around 7 grand a year (talk about inflation!) and hopes to win the.radio prize of 24 grand. Oddly his friends think he would never have to work a day in his life, though I'm not sure how far that 24 grand would have gone even in 1950. After all he's making just over 7 grand a year and has a few hundred in the bank so that award money would finance his and his family's life or less than 4 years!

Even worse, he doesn't even win the money but an absurd list of prizes. That's where the movie began to lose me. The entire radio sequence was ridiculously overdone. It's true old prize shows such as Queen for a Day did have a plethora of prizes, but they were relevant to the winner's needs, not just absurd awards like a pony or a maid or portrait artist, etc.

Despite its flaws this is one of the most interestingly plotted movies I know of. It goes all over the place and often om unexpected place.

The extended ratio sequence certainly diminishes the movie for me. But otherwise it was rather entertaining with a doze of originality.

What can one say about James Stewart, in my view the greatest actor in the history of the Hollywood cinema. I love Brando, but I can't imagine even Brando successfully handling the range of parts that Stewart played.

Barbara Hale, later of Perry Mason TV series, was a strong presence in the movie, though a very young Natalie Wood seemed unrecognizable.as the daughter. One would never have guessed she would shine as a beauty queen in adult roles. Tommy Rettig, who played the son, later got the part of the boy in the Lassie TV series.

Fred Clark, who later was the second best Harry. Morton in the Burns and Allen series seems to have been ubiquitous in films of this era, and always successfully so.

I wish I had paid more attention to the music score; but, oddly, I don't recall a single underscore cue in the entire film. I'll have to see the movie again to check the accuracy of that statement.

In sum, even apart from the interesting plotting of the story, and despite the longueurs of the radio sequence, any Jimmy Stewart is foolproof.