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One of Jimmy Stewart's most overlooked films. This picture is pure 1950's. Stewart is an overworked family man, (Similar to his role in Mr. Hobbs Takes A Vacation, but The Jackpot is a much better picture.) who wins a radio game show. Prizes range from the useful to the absurd. Everything is fine until he finds out he's got to pay taxes on all of his loot. Probably as much pure fun as any Jimmy Stewart picture.

The Jackpot features James Stewart in another incarnation of his George Bailey, Mr. Average Man persona. Like Bailey, Jimmy Stewart is the average man with a wife and two kids. Only his Mr. Potter is his boss Fred Clark at the department store where he's a Vice President. But like Bailey he's feeling stuck in a rut in his small town.

That all changes when he gets a call from the Name the Mystery Husband quiz show and with a little help from James Gleason he gets the right answer. He wins $24,000.00+ in prizes, but no one tells him of the complications that go with it.

Barbara Hale steps nicely into Donna Reed's shoes and Natalie Wood and Tommy Rettig are the two children. Best in the supporting cast are Lyle Talbot, the department store's other vice president and one slobbering bootlicker and Alan Mowbray as an officious interior decorator.

Mowbray is playing a part and playing it well that another 20th Century Fox star, Clifton Webb would have eaten for breakfast. I wonder if the part in fact was offered to Webb. Maybe he turned it down because at that point he was a big name box office draw and the part of the obviously gay interior decorator might have been too close to home for those times.

The Jackpot is an enjoyable family comedy. Director Walter Lang got good performances out of his very talented cast.

Remember when James Stewart as George Bailey in It's a Wonderful Life says, "I wish for a million dollars. Hot dog!" Well, if you want to see what would happen to George if he got his wish, rent The Jackpot.

It's a very funny (and true) premise. He correctly answers a question on a television lottery program, thinking he's won a jackpot of cash. In fact, he actually wins tons of products, worth the dollar amount advertised. A refrigerator, a television set, a car, a year's worth of frozen beef, etc. At first it's exciting to have all the shiny new things delivered, but after a while, his wife Barbara Hale can't find room for them in the house. And what's the icing on the cake? Some of you may have already guessed: taxes. Every reward item is counted as part of his income, so he has to pay taxes on a much larger amount than he can afford!

You won't be watching this one for the good acting. Jimmy is exactly the same as he was in the beginning of It's a Wonderful Life. You'll be watching it for the irony of good luck and bad luck, and for the funny 1950s atmosphere. It's really a time capsule showing parties, patter in friendships, and life in the suburbs.

Where did this movie come from and who has been hiding it for all these years? Was it you, Ruppert Murdoch? This was on Fox Movie Channel today and what a surprise it is! When you view a film which has been up until "the moment" unheard of, it's like viewing a New Jimmy Stewart starring vehicle.

THERE is also a distinction between a "Movie" and a "Film". Sure, the two terms are interchangeable and virtually synonymous; yet there seems to be a definite distinction in usage. To us regular old fun, adventure, action and strictly escapist entertainment type of Motion Pictures are "Movies"; whereas any production which is of a Grand Scale, represents an Accurate Historical Portrayal, is highly Cinematic in Style or is otherwise considered to be a "Major Motion Picture" is considered a "Film". (This includes most Biopics and Musical Adaptations from the Legitimate Broadway Stage.)

OUR fondest recollections of Mr. James Stewart's work is mainly (if not totally) made up of celluloid works that would have to be most certainly Film. Starting with a pair of Frank Capra's gems as in MR. SMITH GOES TO WASHINGTON (Columbia, 1939) and IT'S A WONDERFUL LIFE (Liberty Pictures/RKO Radio, 1946). First rate productions of Film Biographies were his strong suit, also; with examples aplenty. Jimmy starred as tragic Chicago White Sox Pitcher, Monty Stratton in THE STRATTON STORY (MGM, 1949), the title role in THE GLENN MILLER STORY (Universal, 1953) and as 'Lucky Lindy'(Himself), Charles Lindbergh in THE SPIRIT OF ST. LOUIS (Leland-Wilder Productions/Warner Brothers, 1957).

FURTHERMORE, other typical roles for Mr. Stewart (other than the occasional Comedy or Farce) were usually very strong, heroic types; such as: Chicago Newspaper Man, P.J. McNeal in CALLING NORTHSIDE 777 (20th Century-Fox, 1948), THE STRATEGIC AIR COMMAND (Paramount Pictures Corporation. 1955) and as Tenderfoot 'Pilgrim' Attorney, Ransom Stoddard in John Ford's THE MAN WHO SHOT LIBERTY VALANCE (John Ford Productions/Paramount, 1962).

SMALL wonder then that a lot of moviegoers & film buffs tend to dismiss a Comedy/Farce such as THE JACKPOT (20th Century-Fox, 1950) as being a production that was below Jimmy's talents and stature as a true, Box Office stuffing, Red Blooded, All-American type and Movie Star to boot! JACKPOT is, after all, not really much of a story; being suggested by a story published in The New Yorker Magazine about the Radio Industry and some of the idiosyncrasies of the Game Shows & Giveaways of the period.

With it's simple and straight forward scenario, THE JACKPOT may well have been an old 2 Reel Comedy of the Late Silent or Early Talkie Eras. It could easily be built on starring a young Harold Lloyd, 'Baby-Faced' Harry Langdon or Stan Laurel (in his pre-Laurel & Hardy teaming). The story, as thin as it is, exists for our laughter and enjoyment.

OUR STORY……………………….....In the proverbial Nut Shell, regular old average working American, Bill Lawrence (Mr. Stewart) answers a Radio Quiz Show' Jackpot Question (Hence the title; get it, Schultz?) and wins $24,000.00+ as the prize; well, not exactly! The prize is worth that (retail?), but it comes in the form of Goods and Services, rather than in Cold Ca$h Dollar$, in the Currency of the U$A, it is made up of a Crazy Quilt of disconnected items such as a Quarter Ton of Beef, Hundreds of Cases of Canned Soups, a real Pony, a House Trailer and many items of Jewelry such as multiple wristwatches and a Diamond Ring.

OTHER prize items include a Home Remake by famous Interior Decorator, 'Leslie' (Alan Mowbry) and a Portrait Painting by equally famous Painter, Hilda Jones (Patricia Medina).

THE story unfolds with the Story of Mr. Bill Lawrence's win making Front Page News, especially in this small, Indiana Town. All of the complications and unintended consequences that follow make up the action on the screen. Plain and simple, straightforward occurrences that upset the heretofore happy lives of Bill & Amy Lawrence (Barbara Hale-Woo,woo,woo,woo! Della Street never looked so good!), their kids, Phyllis (a young Natalie Wood-Woo,woo,woo,woo, too!) and an even younger and shorter Tommy (Tommy Rettig, "LASS-IEEE!").

A fine supporting cast is present and includes James Gleason, Fred Clark, Lyle Talbot, Billy Nelson, Phillip Van Zandt, John Qualen, Robert Gist, Frances Budd, Dulcie Day, Fritz Feld, Ann Doran, Estelle Etterre, June Evans, Walter Baldwin and many more faces we know. (…. But the names?) THE JACKPOT is meant to let us sit back, let our hair down and enjoy the laughter; even if some of them are kinda obvious and we can see 'um a comin'.

JUST ENJOY!!

POODLE SCHNITZ!!

Beneath an innocuous story about a quiz show prize, there is a comic attack on a consumer society and the quest for more wealth.

Jimmy Stewart plays the man making around 7 grand a year (talk about inflation!) and hopes to win the.radio prize of 24 grand. Oddly his friends think he would never have to work a day in his life, though I'm not sure how far that 24 grand would have gone even in 1950. After all he's making just over 7 grand a year and has a few hundred in the bank so that award money would finance his and his family's life or less than 4 years!

Even worse, he doesn't even win the money but an absurd list of prizes. That's where the movie began to lose me. The entire radio sequence was ridiculously overdone. It's true old prize shows such as Queen for a Day did have a plethora of prizes, but they were relevant to the winner's needs, not just absurd awards like a pony or a maid or portrait artist, etc.

Despite its flaws this is one of the most interestingly plotted movies I know of. It goes all over the place and often om unexpected place.

The extended ratio sequence certainly diminishes the movie for me. But otherwise it was rather entertaining with a doze of originality.

What can one say about James Stewart, in my view the greatest actor in the history of the Hollywood cinema. I love Brando, but I can't imagine even Brando successfully handling the range of parts that Stewart played.

Barbara Hale, later of Perry Mason TV series, was a strong presence in the movie, though a very young Natalie Wood seemed unrecognizable.as the daughter. One would never have guessed she would shine as a beauty queen in adult roles. Tommy Rettig, who played the son, later got the part of the boy in the Lassie TV series.

Fred Clark, who later was the second best Harry. Morton in the Burns and Allen series seems to have been ubiquitous in films of this era, and always successfully so.

I wish I had paid more attention to the music score; but, oddly, I don't recall a single underscore cue in the entire film. I'll have to see the movie again to check the accuracy of that statement.

In sum, even apart from the interesting plotting of the story, and despite the longueurs of the radio sequence, any Jimmy Stewart is foolproof.