La Cible humaine

The Gunfighter established the trend for mature Hollywood westerns by having the hero be a mature gunfighter who wants to retire in peace, not in pieces. The movie created the line which has been parodied since "everywhere I go, some young punk wants to try me." Using Richard Jaeckle and Skip Homier as the young wanna-be gunfighters was a classic piece of casting, since both of them went on to play similar parts in westerns, although not together. One piece of trivia about this film was that Harry Cohn at Columbia originally had bought the script with the intent of having John Wayne play the lead. Wayne,by now, was a major star, producing his own films. Wayne wanted to do the role, but didn't want to do it at Columbia. As a young actor, he had been treated badly by Cohn who humiliated him after his disastrous first lead in "The Big Trail." Wayne told Cohn in so many words what he could do with his script. The script was then sold to Twentieth Century Fox. Wayne did play a similar role in his final picture, "The Shootist."

This film was made during the peak years of "Film Noir". Although it is almost incongruous to place the western film into that genre, "The Gunfighter" comes close to meeting the criteria.

It is a deep dark western devoid of gunplay(until the conclusion)highlighted by a marvelous portrait painted by Gregory Peck as Jimmy Ringo, the gunfighter, trying to escape his past.

Ringo in his younger days was one of the "fastest guns in the west" who has survived to reach middle age. As he has matured he realizes you can't change what has happened.

Everywhere Ringo goes he is perceived as the "the fastest gun in the west" and everywhere he stops there is some young gun who wants to prove he is faster than the great Ringo. In fact when Ringo stops in a dusty town, he is being pursued by three brothers of his latest victim seeking revenge.

Ringo's arrival in this town is more than just co-incidence. We learn that the sheriff (what a performance by Millard Mitchell) used to run with the Ringo gang, the saloon singer was married to Ringo's best friend, and most importantly, Ringo's wife and son live there.

The bulk of the story is spent waiting to see if Ringo who lives by his wits as well as his guns, can survive.

The acting is uniform with Karl Malden as the saloon keeper and Skip Homeier standing alongside Peck of Mitchell for acting cudos

The script by Bill Bowers is taught and suspenseful. Henry King's in his second of 5 films with Peck(their previous collaboration was "Twelve O'Clock High") brings out the essence of a tired lonely tragic man without using any tricks(In fact there is no music except for the opening titles.

If you're looking for a shoot-em-up you won't find it here. If what you want is a top flight adult western, well pardner you've come to the right film.

I chanced upon the DVD of this movie at the local library and decided to check it out, as having already previously watched Peck in other Westerns like "The Bravados", "The Big Country" & "Mackenna's Gold". In all these films, he appears to me to be playing the same kind of role - a reserved character whose behavior is atypical to those around him which manages to garner him unwelcome attention. Here in "The Gunfighter", he plays Jimmie Ringo - a tribute to the Johnny Ringo character, perhaps? - a dead-hand gunslinger with 15 kills to his credit (or discredit, whichever way you look at it), who wishes to put the past behind him and to be left alone and start a life anew in peaceful obscurity, but is hounded everywhere by would-be wannabe Billy the Kids who are vying for the "honor" and "distinction" of having shot him. Reminds me of the movie "The Shootist" starring John Wayne, which has basically an identical plot. Technically speaking, Ringo is an outlaw to be feared by the general public, yet one can't help but take sides with him and empathize with his situation. Serendipity takes him to a town where the Marshal turns out to be his ex-compatriot in crime and the bartender knows him from elsewhere but feels nothing but admiration for his past exploits and both do everything they can to help him, much to the dismay and annoyance of the townspeople especially the Ladies Committee made up of self-righteous biddies.

I understand that this movie did not do too well at the box office but great films are not necessarily big money-earners, and vice-versa. This is one Western which is, like the roles Gregory Peck plays in films of such genre, is atypical in that the emphasis is more on the study of central character and his inner self rather than his deeds. The only flaw I found was the lack of a proper movie score especially for some of the more tense scenes like the confrontation with the 3 cowboys, which would have highlighted the moments. Otherwise, a great film in my opinion.

There are a handful of western films that have immersed me in the story and the characters so effectively that I never grow tired of viewing them. Even though I may have seen the film fifty times or more, I get so involved in the film that I hope that one plot element will change and the story will have a different ending. Those films are: "High Noon", "Shane", "The Shootist" and "The Gunfighter".

It was Peck's idea for Jimmy Ringo to have a mustache--to Fox studio head Darryl Zanuck's disgust. Zanuck thought that moviegoers liked to see a clean-shaven Peck. The picture was not a box office success at the time, but it ranks among the Top 10 western films of all time in my book.

I found every moment of this movie gripping. Now, I am a fan of the Western genre, but this one is one of my favorites along with The Oxbow Incident and Butch Cassidy and the Sundance Kid. The "tough-guy who can not get away from his past/reputation" is a classic and Gregory Peck's performance has the perfect air of menace and weariness for the role. I recommend this movie to anyone who enjoys thoughtful and dramatic movies.