Gentleman cambrioleur

Canadian thief Gerard Graham Dennis (David Brian) gets turned in by his girlfriend's angry father. He escapes from prison work detail and sneaks across the border. He makes a series of robberies stealing only jewelry and furs. Using many aliases, he charms the ladies and works with criminals. While he breaks into empty homes, he does get violent when the plans go wrong. He keeps moving until he reaches Beverly Hills. The police almost catches him, but he continues to be slippery.

I like the cross-country crime spree aspect and his charms with the ladies. I would like to play up his character's supposed leading man looks. I don't want to hate on David Brian, but this is geared up for a real matinee star playing with some gorgeous ladies. In the end, this is a lower budget affair that is hitting above its weight.

When Gerry Dennis (David Brian) escapes from prison, everyone is hot on his trail. He gets money from his current girl, calls up an old girlfriend to pull more jobs, and even hooks up with a nurse when he gets injured. He must be a smooth operator. but he doesn't seem to learn his lesson, when a couple of con jobs go bad. Co-stars Marjorie Reynolds and John Archer. Story by Borden Chase, who had actually been a driver for the mob, probably giving him many fine story ideas. Directed by Peter Godfrey, a former bigshot in stage production before working in hollywood. Godfrey worked in some pretty big films, both as actor and later as director. the closing credits state that the mayor of New Rochelle actually played himself! This one is pretty plain and simple, no real surprises. as films and television always tells us, There is NO perfect crime !

If I had to describe jewellery thief Gerard Graham Dennis in one word that word would have to be "Shyster". Actor David Brian plays a very convincing thief named Gerard Graham Dennis, a womanizer and shyster who will go to great lengths to get his next fix, his next big score. It is a well done film and actor David Brian is so convincing when he enlists one woman after the next to support his career choice, as a jewel thief, and yet he has no scruples whatsoever leaving each woman behind once he has pulled his last caper. I felt truly sorry for each woman who fell for this shyster as I really thought he was being sincere that he loved each of these woman and he was going to turn his life around, but he deceived me as I am sure he deceived most of his film's audience.

There are some suspensful moments and the cops got close to arresting him and then he would slip through their fingers and handcuffs time and time again. I won't give up the ending and spoil it for you, you will have to see it for yourself.

It is worth an 8 out of 10 rating.

Pretty good thick-ear, based on the true life exploits of master jewel thief Gerard Dennis. Seems Dennis has an eye for beautiful things, both women and big-time gemstones, and doesn't much care how he goes about getting them. Actor Brian looks the womanizing part with enough smiling charm to access society's higher reaches where fancy baubles suddenly disappear, while he just keeps smiling. And why not, since some of Hollywood's classiest looking dames—deWit, Talton, Chandler—fall for him in short order. But, as we were all taught by old movies like this one, crime doesn't pay, at least for some people.

I like the way director Godfrey keeps things moving, especially that nail-biting 'human fly' sequence. Also, the screenplay manages a few minor surprises, thanks to ace scripter Borden Chase, whose real life exploits give him inside exposure to crime and criminals (check out his rather surprising bio). Heck, the script even has Dennis trying to pick up cheap blonde Cleo Moore while his wife looks on, in a nifty little sequence. However, I think the material would have worked better as noir instead of less expressive docu-drama. In fact, the film has an overall drab look, unbefitting the sometimes sumptuous surroundings and the strong narrative drama.

Nonetheless, for an obscure programmer, the movie is fast moving and better than average.

THE GREAT JEWEL ROBBER was released by Warner Bros as the bottom half of a double feature, an added attraction to the bicentennial documentary "50 Years Before Your Eyes." I saw it with my Dad at the Warner Theatre in Washington, DC and still remember it and the lasting impression it made.

The summary on this site is honest but simply inadequate to the film's merits; the intensely convincing performance by David Brian as well as the unusual inclusion of a strong point-of view. What sticks in the mind is the jewel thief's absolute and irreversible commitment to his trade and lifestyle. The film wants you to understand that he sees no alternative at all to being a jewel thief any more than a leopard sees any alternative to being a hunter. Actually, changing the leopard's ways would be easier. The film wants you to revel somewhat in each clever success, and in association and deceit of high society people; but much more than that it wants you to appreciate the pain, misery and depression involved. Another time caught, another long prison sentence, another delay in returning to crime --- his joy in life.

Seeing this at age 12, did I then follow David Brian's lead and enter a life of crime? Not at all; the film was more of a dissuader than any other crime film. I also had strong religious training, the more important of the two.

I saw a Randolph Scott movie tonight with David Brian as the bad guy and The Great Jewel Robber was quickly remembered after 57 years. I can't recommend the movie, I suppose. Dismissed by Warners in 1950 as a B movie, I have no clue how you could see this movie, never seen it rerun, not one time.