Frühling auf dem Eis

... above is my email address so as to enable you to contact me if you want to - I know a great deal about figure skating history because I have learned so many details during the time my mother was the first female figure skating sportscaster for the Austrian Broadcasting Corporation ORF. Besides, I wrote a book about the Vienna Ice Revue.

You can forget about most old movies, but you should not forget about "Frühling auf dem Eis". The special emphasis on the elements of art and entertainment in Eva Pawlik´s figure skating is what makes this document of European show business history that outstanding.

I love this movie because it shows Austria´s figure skating queen Eva Pawlik. I remember to have seen her in the programme of the Vienna Ice Revue in Brussels in 1961 when I was 5 years old. I dreamed the dream of being such a great show-star by myself. In "Frühling auf dem Eis" I saw her again when I was about twenty years old in a retrospective on TV. Although her skating style may look a bit old fashioned to us now she is still a strong personality on the ice and also as an actress in the frame story. It is worth mentioning that she is - as an actress - not worse than the "real" actors. It would have been impossible the other way round - for actors cannot learn how to skate within a few weeks. Besides, "Frühling auf dem Eis" is one of the few movies in the history of films in which an internationally successful skater (Pawlik was runner-up at the 1948 Olympics) plays the main role in a movie. I can only remember the legendary Sonja Henie from Norway who did so and the German couple Marika Kilius and Hans-Juergen Bäumler. Even the great Kati Witt only played a main role on the ice and not in the frame story of a movie.

The reason why 10 points are appropriate: Eva Pawlik is starring not only as a figure skater, but also as an actress. I have not known anything about Pawlik but my grand-parents told me about her extraordinarily marvellous appearances in the programmes of the Vienna Ice Revue that played for Berlin six weeks a year in the fifties and that was well-known all over the world at that time. I am a musician. So I saw Pawlik´s dancing in "Frühling auf dem Eis" from a musician´s point of view. Every spin, every slight moving is in perfect harmony with the music. Though I am not even twenty years of age, I can imagine that the audience was thrilled by Pawlik´s skating.

"Frühling auf dem Eis" ("Spring On the Ice") shows an ice revue with wonderful dancing scenes of the past. Recommended to figure-skating historians who want to analyze the skating style of the past on the one hand and to older people who want to look back on the other hand. The scenes that have mostly impressed me are the oriental scene with Eva Pawlik as a slave (the combination of skating and pantomime) and the Viennese Waltz at the end of the film. You can see how much the sport has developed within the last six decades. It is remarkable, however, that Pawlik's pirouettes actually were as fast as they are in the free programs of the present world's elite. The frame story is to some extent a sort of necessary evil of the whole movie. The figure skater Eva Pawlik, however, does her job well not only on the ice but also as an actress. In one of the commentaries on IMDb someone points out that it would have been more difficult for an actor or an actress to skate than it was for a artistically talented skater to act. I agree with that.