The Franchise Affair

The Franchise affair is set in 50s England when people doffed their caps, respect was given its due and everything was oh so proper. This film stars the real life married couple Dennison and Gray and you can see by their interplay that they love each other. Ann Stephens plays Betty Kane which must be the highlight of her brief career. Athene Seyler as Dennisons Aunt is as always a delight and we have a future Doctor Who as well as Tremayne from the Champions doing very professional work.Kenny More in an early part oozes his considerable charm and the film works on a quaint level. The stilted acting is a product of English film in the fifties and there is enough intrigue to keep everyone happy. All in all a lovely little picture.

Saw this yesterday for the first time.... started watching casually, but was soon drawn into the plot. Thought the direction was spot on , and the tension was ramped up wonderfully.

Yes the dialogue was a tad clipped, but it was 1951 for goodness sake, but I thought the script was bang on , with some wonderful cameos( apart from Kenneth Moore, as said elsewhere on here who's role was superfluous)

This film was a real gem, and would recommend it to anyone.

To my chagrin, I know nothing about Director Lawrence Huntington. After watching THE FRANCHISE AFFAIR, the keener my regret about my ignorance.

THE FRANCHISE AFFAIR, a fine novel by Josephine Tey, is competently, classily and unpretentiously transposed to the silver screen by Huntington and Robert Hall, relying to a considerable extent on a superior performance from the male lead, Michael Denison - about whom, equally regrettably, I know just as little.

That said, Denison and female lead Dulcie Gray were married in real life, and certainly you feel a stable and solid connection between them (their marriage lasted over 60 years).

Very good support performances from the elderly and highly dignified Marjorie Fielding, a very young Kenneth More as a mechanic, the beautiful Hy Hazell as the key witness. The only performance I found wanting was that of Ann Stephens as Betty, the mendacious accuser, but perhaps the fault also lies with her part which, in my view, should have made her motivations more clear.

Excellent cinematography by Günther Krampf and editing by Clifford Boote.

Definitely worth watching - more than once, too! 8/10.

Small town solicitor Michael Denison is called in when two of his clients, Dulcie Gray and her aunt Marjorie fielding, are accused by Ann Stephens of kidnapping her and holding her at their estate to be a maid of all work. She describes the grounds and the room she was kept in, and an examination by the police show she knows the place. The village turns against the ladies, even as Denison develops feelings for Miss Gray.

Despite the derivation from a novel by Josephine Tey, I did not find this a particularly compelling movie. Things go from bad to worse, yet it only takes ten minutes in court to settle out what actually happened. Unprefigured witnesses pop up, with simple explanations of why they hadn't been heard from before. Despite a cast which includes Athene Seyler, Hy Hazell, and Patrick Troughton, there's nothing here but adequate performances in a poorly composed mystery.

The film sticks closely to the book, which is a plus. It was made soon after the war, and some of the events recall what people had been through - being demonised and having mobs graffiti your premises and throw rocks through your window, and worse.

The acting is fine, especially from old Mrs Sharp. The makers avoided the temptation to have the other characters comment on her saltiness - she just comes out with her rather acid quips. She is funny, and so is Michael Deniston as Robert Blair, the solicitor.

I agree with the commenter who regretted the static nature of the filming - yes, it is stagey. Characters don't move much, and there are few close-ups or reaction shots.

The working-class characters are more prominent in the book, but they are well-played by such as Kenneth More and Patrick Troughton.

40s films gained by the glamour and style of women's clothes and hairdos. What went so wrong in the 50s!?!? Betty Kane is supposed to look frumpy in her school clothes, but poor Dulcie Gray is saddled with middle-aged clothes and a hair-don't.