The Franchise Affair

I was drawn to this by its top-rank cast and I was glad that I stayed with it. It sets out its stall in the first 15/20 minutes and it it is one of those 'who do you beleive' type of thrillers. It dips somewhat in the middle (the Kenneth More character is entirely superfluous) but once it reaches the court scenes the satisfactory tying-up of its diverse plot lines is excellent and example of how these things should be done.

The Franchise affair is set in 50s England when people doffed their caps, respect was given its due and everything was oh so proper. This film stars the real life married couple Dennison and Gray and you can see by their interplay that they love each other. Ann Stephens plays Betty Kane which must be the highlight of her brief career. Athene Seyler as Dennisons Aunt is as always a delight and we have a future Doctor Who as well as Tremayne from the Champions doing very professional work.Kenny More in an early part oozes his considerable charm and the film works on a quaint level. The stilted acting is a product of English film in the fifties and there is enough intrigue to keep everyone happy. All in all a lovely little picture.

Michael Denison and Dulcie Gray (real life husband and wife for 60 years!) star in "The Franchise Affair" from 1951.

This film is based on a novel by Josephine Tey, which I read years ago and remember very well. The movie is a good adaptation.

The first scene shows a dishelved, bruised young woman, Betty Kane (Ann Stephens) who runs to her home in the dark after exiting a bus.

Denison plays Robert Blair, a British solicitor who is approached by Marion Sharpe, who lives with her mother (Marjorie Fielding) in a large house called The Franchise. The young woman is question is accusing Marion and her mother of holding her prisoner for several weeks and forcing her to work for them.

Betty had been visiting a relative and seems to have overstayed, but when her mother contacts the relative, Betty had already left. So where was she? And with whom?

Marion is fighting to remain calm, but it's terrifying. Betty knows all kinds of details about the grounds that she could not have seen from a bus, for instance, and describes the room where she was kept in perfect detail.

Though Blair doesn't take criminal cases, he's sympathetic toward the womens' plight and agrees to help. The women have to handle hate mail, hate phone calls, and rocks through their windows. Blair asks the local garage man for help, and he agrees to stay in the house.

Meanwhile, Blair is desperate to get some evidence against Betty Kane. He believes the Sharpes.

Very good movie with Kenneth More in a smaller role as the garage mechanic.

Very entertaining.

Small town solicitor Michael Denison is called in when two of his clients, Dulcie Gray and her aunt Marjorie fielding, are accused by Ann Stephens of kidnapping her and holding her at their estate to be a maid of all work. She describes the grounds and the room she was kept in, and an examination by the police show she knows the place. The village turns against the ladies, even as Denison develops feelings for Miss Gray.

Despite the derivation from a novel by Josephine Tey, I did not find this a particularly compelling movie. Things go from bad to worse, yet it only takes ten minutes in court to settle out what actually happened. Unprefigured witnesses pop up, with simple explanations of why they hadn't been heard from before. Despite a cast which includes Athene Seyler, Hy Hazell, and Patrick Troughton, there's nothing here but adequate performances in a poorly composed mystery.

Saw this yesterday for the first time.... started watching casually, but was soon drawn into the plot. Thought the direction was spot on , and the tension was ramped up wonderfully.

Yes the dialogue was a tad clipped, but it was 1951 for goodness sake, but I thought the script was bang on , with some wonderful cameos( apart from Kenneth Moore, as said elsewhere on here who's role was superfluous)

This film was a real gem, and would recommend it to anyone.