Propre à rien!

Lucille Ball and Bob Hope are two icons of classic cinema, and I must admit, I was completely unaware that they shared the screen in a film together. Upon watching, it became clear why this collaboration might have slipped under the radar. Much of the humor that was once celebrated in 1950 now feels outdated and inappropriate, particularly the racial jokes that would have elicited hearty laughter back in the day but are now considered offensive. Lucille's beauty shines through, and it's a pity she didn't receive more substantial roles in films. When she did, they often leaned heavily into slapstick, much like this one. It's striking how poorly this film has aged over time.

Fancy Pants is directed by George Marshall and adapted from the Harry Leon Wilson story by Edmund L. Hartmann & Robert O'Brien. It stars Bob Hope, Lucille Ball, Bruce Cabot, Jack Kirkwood and Lea Penman. A Technicolor production, it's scored by Van Cleave and cinematography is by Charles Lang. Plot is a reworking of Ruggles of Red Gap, which was made into a successful film in 1935, directed by Leo McCarey and starring Charles Laughton. This take finds Bob Hope as a low grade American stage actor who gets hired by a Western family in the hope that his refined manner will rub off on the more rough and tumble members of the family. Finds start to spiral out of control when the town mistake him for a noble lord, bringing the attention of one president Teddy Roosevelt, who plans a visit to the family home. Not only that, but Hope has to contend with town bully Bruce Cabot, who is convinced that Hope is trying to steal his girl, Lucille Ball.

Bright and bubbly comedy musical fare, played purely for laughs and given a good quality production. Hope and Ball featured together in a total of five film's, their chemistry a winning formula, even if the material wasn't always that beneficial to their respective comedy leanings. Fancy Pants is one of the better ones, but it's bookended by indifference. The start is laborious, and not really setting the standard for what is to come, but once we land in the Wild West it not only lets Hope shine, but also it brings into play Kirkwood and Cabot (excellent). Then it's a case of letting Hope ponce about as a noble butler/Lord, while Ball and Kirkwood plot to have his nuisance self sent packing back to England. It's during this meaty middle section that we get some genuine laugh out loud moments, briskly constructed by Marshall and scripted as sharp as a razor. We even have time for a couple of tunes, with the quite wonderful "Home Cookin" the stand out. Sadly the ending lacks impact and comes all too quickly, which is doubly disappointing since the big build up was great fun.

A good but not great Bob Hope film as a whole, but when it's good it's very good and therefore easily recommended to the comedy classic fan. 6.5/10

"Fancy Pants" is a reworking of the story from "Ruggles of Red Gap", though I strongly advise you to try to find this film (particularly the version starring Charles Laughton) instead. In no way is this film the equal to "Ruggles".

When the film begins, Bob Hope is an American actor who specialized in playing Butlers in British plays. Well, some Americans from the west convince him to return with them to Wyoming and be their classy Gentleman's Gentleman. Not wanting to disappoint the nouveaux rich (after all, they do have money), the follows. However, later the locals think that he's an Earl and suddenly he's no longer the hired help but the special house guest of this family. Soon, the President himself is traveling their way...and he, too, would love to meet the Earl.

The film is just okay...and in every way the earlier films are better. Instead of being sweet, this Hope film is kooky and a bit silly...but nothing more.

By the way, this film represents the biggest waste of Eric Blore in film history. See the picture...you'll see what I mean.

Lucy was one of the most gifted comedians to live: her gift was physical skits that ridiculed herself. Bob was similarly gifted, but his gift was the spoken joke. Neither was particularly well suited for the long form farce, which is what this is.

It is part western, part musical (three numbers) and part romantic comedy. No element of it works. In its day, it was considered a stinker and it still is. Hope's one enjoyable bit was a hide and seek dance with someone who is chasing him. They are back to back but no matter where they look, it is not the right place. I first saw Hope do this in "Star Spangled Rhythm," and I suppose it became something of a trademark over the years.

Lucy at this time was in negotiations for her TeeVee show, which WAS well suited for her talents — and became the most popular show in history.

I'll advise you to stay away from this if you are a Lucy fan. I knew it would be bad, but it is on my list to watch because of the plot device. Bob, an actor, plays a guy who is an actor playing a butler who pretends to be an English lord. All this playing is set in a clearly faux western, and needs to be seen in the context of "Annie Get your Gun" of the same year, which is a western show about a western show.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Bob Hope was at the height of his comedy career and reputation when he did FANCY PANTS. Unlike some of the other movies he made in the forties and fifties he actually had a female partner here who matched him as a comedian. Here it was Lucille Ball. Ball and Hope actually proved to be a good pairing.

FANCY PANTS is based on RUGGLES OF RED GAP. Instead of Hope being a genuine butler/valet he is an actor who is playing a butler/valet. Renamed "Humphrey" or Arthur Tyler, Hope is a dreadful actor. His company is performing a ramshackle mystery where he is the villain. The best part of this is Eric Blore as the head of the family, critically wounded in an assassination attempt by "Humphrey" the butler, who shouts out an incomprehensible and accusingly nasty string of words at "Humphrey" ending with the words "DEMNED LYING SCOUNDREL!!" Hope, frightened at being exposed, looks at the other angry cast members and says "He's lying!!".

The cast is hired by a fortune hunter using them to pretend to be his aristocratic family to impress the Flouds and marry their daughter. But the Flouds are not impressed except with "Humphrey" because he tried to overcompensate with his work as a butler when he kept stepping on the "performances" of the others. As a result, Mrs. Floud (Lea Penman) purposely trips him so that he is fired by the fortune hunter (and so Mrs. Floud can hire him).

Despite the suspicions of Mr. Floud (Jack Kirkwood) and daughter Agatha (Ball), Humphrey accompanies the family back to their western estate in the Arizona territory. The territory is looking forward to becoming a new state. Anything that would speed this is encouraged.

It turns out that President Theodore Roosevelt is visiting the territory. The townspeople are excited as it might assist them in pushing for statehood. But there is a misunderstanding: word that Agatha had been pursued by an English lord spread around, and when Humphrey showed up it was assumed he was the Earl of Burnley. The Flouds find they can't disavow this mistake and are forced to treat Humphrey as a potential son-in-law. To add to the natural anger of the Flouds at this error and it's attending problems of stomaching a now arrogant Humphrey, there is the danger from Cart Belknap (Bruce Cabot) a neighbor who has had a kind of understanding with Agatha about eventually marrying her. Everything comes to a head when the President (John Alexander) shows up. For a change Humphrey manages to portray his role perfectly - too perfectly. He boasts too much about his riding abilities, and ends up involved in a fox hunt with the President and the townspeople. To complicate matters, Belknap is double checking "the Earl" and is physically threatening him.

The changes in the script improve it, as the original movie had tedious stretches when nothing was happening to Ruggles and the other characters. There is more unity of actions and Hope's cowardly conniver is quite funny. For example, when he arrives in the west he gets lost and separated from his stagecoach. Suddenly Humphrey refuses to be realistic. Walking through several full puddles and ponds, he convinces himself they are all mirages. There is also a moment when, still believing Humphrey is the perfect butler, Agatha insists he help her fix her hair. Not knowing what to do Humphrey teases her hair upward into a "hive" style, and puts a bird in a cage into the center of it.

The film's structure is smoother even though it does not include the "Gettysburg Address" speech. The cast is quite good especially Hope and Ball, Blore (briefly), Cabot, and John Alexander reprising (this time "legitimately") his "Teddy Roosevelt" from ARSENIC AND OLD LACE.